Postmodern Abstract Glass Vase

Exceptional vintage Postmodern ceramic floor vase. Features a glossy pink finish with flowers etched around the bust and base.

Incredible vintage postmodern ceramic vase. Features a gloss might green finish with a scalloped shape.

Exceptional postmodern ceramic floor vase. Features a hue blue green textured finish.

Introducing the Postmodern Circular Cream Vase by Haeger, an elegant piece that doubles as both a functional vase and a standalone sculpture. Its balanced, circular design and cream ...

The Haeger Red Postmodern Vase is a stunning piece that effortlessly blends art and function, capturing the essence of postmodern design with its vibrant red hue and unconventional f...

Introducing the Postmodern Cream Pyramid Vase by Haeger, a unique blend of geometric design and soft neutral tones. Not only does it serve as a functional vase for floral arrangement...

SUISEKI, BEAST – Supernatural abstract stone like a four‐footed creature with completely no processing by human hands, except the arrangement attaching to a custom-made wooden stand ...

An elegant vase made in Kyoto, Japan, circa 1920s. With a graceful elongated Mei-Ping form, it was likely used as a flower holder during the tea ceremony. The stoneware body has an incised and raised design of Irises in an over glazed indigo blue, an subject matter and composition found in the contemporary paintings and screens, cherished by the literati of the Kyoto society. The vase has a white glazed background sprinkled with dust for a rustic effect. The blue glaze displays some burst of bubbles upon close inspection, suggesting its age. Under the base, there is a small impressed mark of Ninsei (born Nonomura Seisuke) a famous potter from the 17th century, who was considered the founder the Kyoto ware...

On offer is a large and expressive scholar rock on a fitted wood stand collected by an American collector in Palm Desert, CA circa 1980s. The deep grey boulder is likely granite and takes a wonderful natural form of a mountain peak. The dark matrix is dramatically intercepted with strokes of white veins, that looks like an abstract painting by Franz Kine. The rock is presented in the tradition of a Chinese scholar rock (Gong Shi) on a fitted carved wood stand, but it strikes the viewer as a modern and abstract version. While Chinese scholar stones are appreciated all over the world, many collectors also look into their local stone sources that reflect the same spirit and philosophy of using the viewing stone...

On offer is a highly abstract scholar rock on a fitted wood stand collected by an American collector in Palm Desert, CA. The dense rock in dark grey is likely granite and takes a natural sculptural form of a bird, which explains the note on the back from the previous collector "A Constantin Brancusi Bird". The rock is presented in the tradition of a Chinese scholar rock on a fitted carved wood stand, very sculptural and visually interesting from different angles. While Chinese scholar stones are appreciated all over the world, many collectors also look into their local stone sources that reflect the same spirit and philosophy of using the viewing stone...

A mixture of finely powdered tobacco, herbs, and spices, snuff was introduced to China in the 17th century by Western diplomats. Initially reserved for ranking members of Qing-dynast...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of peasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...