19th Century Chinese Polychrome Buddha

With closed eyes and a gentle expression, this large stone Buddha head brings calm and serenity to its surroundings. The hand-carved figure depicts the historic Buddha Shakyamuni, also known as Shaka, Gautama Buddha...

This carved stone stele depicts the historical Buddha, known also as Shaka, Shakyamuni, or Siddhartha Gautama. Seated in perpetual meditation, the Buddha embodies virtues of wisdom and composure. Hand-carved of limestone in the style of Northern Wei (386-535) statuary, the Buddha is depicted upon a lotus plinth with legs crossed in lotus position. His hands are held downwards in bhumisparsha mudra, a gesture representing the moment that the Buddha claimed the earth as witness to his awakening. The Buddha has a peaceful, benevolent expression and is framed by a halo of concentric circles. His figure is surrounded by attendant bodhisattvas, carved in relief on the curved stele behind and platform below. Leafy tree branches add a naturalistic touch to the background, wrapping around to the back of the stele to form a canopy above a second, smaller Buddha...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A fantastic Chinese cast bronze censer in the form of two Buddhistic lions play fighting, late Qing Dynasty, late 19th century, China. The censer formed as a pair of Buddhistic li...