Antique 19th Century Japanese Bronze Okimono Figure Sitting Down, Japan

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Antique 19th Century Japanese Bronze Okimono Figure Sitting Down, Japan

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Antique Japanese Bronze Hatate 19th C Meiji Inkpot Japan Unsigned

Located in Amsterdam, Noord Holland

Lovely and very detailed piece. . If someone were to bring up the topic of Japanese antiques, what images would come to your mind? Kimono? Swords? Armor? Possibly netsuke? A few might even know what an inro is. How about the yatate? I have shown a yatate to many of my Japanese acquaintances here in Tokyo, and was surprised to discover that most did not even know what it was! Artists and calligraphers usually knew right away, though. A yatate (pronounced yah-tah-teh) is a Japanese portable writing set. The yatate has been around since the Kamakura period (1185-1333). It contains a traditional Japanese bamboo brush and an ink pot filled with cotton or silk which holds liquid sumi ink. Yatate literally means "arrow Stand." The Japanese traditional way of writing is with a brush (fude) and ink (sumi). Before the invention of the yatate, whenever anyone wanted to write or draw in ink, he had to make his own ink by grinding the ink stick...

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Old Wooden Netsuke Japanese Fruit Figure Meiji Period, 19/20th Century

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Lovely and very detailed piece. Unsigned. Japan 19th or 20th century. Weight: 15 grams Provenance: Collected in the 1980’s. From the collection of Clemens Merkelbach van Enkhuize...

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Antique Edo/Meiji 19th c Ox Okimono Bronze Japanese Statue Morimasa Signed

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Country of origin: Japan Age: Edo/Meiji Period 19th century Size: 19 cm x 11 cm Diameter Condition: Good condition. SIze: 19x11cm Period 19th century

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The charming figure done completely in the lost wax method is in a primitive naive style. The male figure is dancing excitedly on a rocky outcrop. His costume of a loose-fitting coat with long flared sleeves flying in space as he dances reveals his large potbelly while his loose-fitting shift girdled at the waist with a large belt flips up to show his legs and bare feet as he dances. The figure is suspended on one leg as he moves and his face is animated and happy. The head is cast separately so that his wild hair and beard are free from the body castings...

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