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Chinese Folk Carved and Painted Wooden Dragon

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Chinese Ming Dynasty Carved, Painted and Giltwood Amitayus Buddha
Located in Austin, TX
A beautiful and serene Chinese Ming dynasty carved wood figure of the Buddha Amitayus, the Buddha of long life, and a form of Amitabha Buddha. He is seated in dhyanassana, dressed in...
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Antique 17th Century Chinese Ming Sculptures and Carvings

Materials

Wood

Chinese Carved and Lacquered Figure of Zhenwu, Qing Dynasty, 19th century, China
Located in Austin, TX
A powerful Chinese figure of the Taoist diety Zhenwu (Xuanwu), carved and lacquered wood with applied lacquer details, Qing Dynasty, 19th century or earlier, China. Zhenwu, also kno...
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Antique 19th Century Chinese Qing Sculptures and Carvings

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Wood, Hardwood

Nepalese Carved and Painted Buddhist Manuscript Cover, 15th Century
Located in Austin, TX
A fine and unusual wooden book or manuscript cover with a carved exterior and painted interior, 15th century, Nepal. The exterior of the manuscript cover exuberantly carved with ...
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Antique 15th Century and Earlier Nepalese Tibetan Sculptures and Carvings

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Wood

Large Chinese Carved and Lacquered Buddha, Qing Dynasty, 19th Century
Located in Austin, TX
A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...
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Antique 19th Century Chinese Qing Sculptures and Carvings

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Wood

Chinese Carved Celadon and Russet Jade Mythical Animal, Ming Dynasty or Earlier
Located in Austin, TX
A fine and unusual carving of a mythical animal, possibly a pixiu, of celadon and russet nephrite jade, Ming Dynasty or earlier, China. The mythical animal masterfully carved as a...
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Antique 17th Century Chinese Ming Sculptures and Carvings

Materials

Jade

Chinese Painted Stucco Head of a Luohan, Song Dynasty, 11th Century, China
Located in Austin, TX
A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...
Category

Antique 15th Century and Earlier Chinese Sculptures and Carvings

Materials

Glass, Stucco

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Chinese Double Dragon Wedding Banquet Headdress Crown on Wooden Display Bust
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This an exquisite and spectacular piece. One of our favorites. Quite rare. We have not seen anything quite like it. Likely worn at one time by a bride in a Chinese wedding ceremon...
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Hand Carved Wood Multi Dragon Head Asian Chinese Walking Cane Stick
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Fine Antique Huge Hand Carved Folk Art Rabbit, Signed
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Antique Carved Wooden Harem Shoe
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