Chinese Han Dynasty Terracotta Horse Head Sculpture, circa 202 BC-200 AD

A petite Chinese Ming dynasty green glazed terracotta court official figurine from the 15th or 16th century, with original polychromy. Attracting our eye with its vibrant polychromy,...

A Chinese Ming Dynasty painted terracotta courtsman figure with original polychromy. Attracting our eye with its weathered appearance and subtle polychromy, this Ming Dynasty terracotta courtsman figure exudes historical charm and elegance. This exquisite statuette, dating from the Chinese Ming Dynasty, features a courtsman resting on a hexagonal base, providing a stable and aesthetically pleasing foundation. Topped with a simple headdress and clothed in a long, flowing robe, the figure showcases a slight movement of the hips, creating a sense of liveliness and grace. His right arm is extended in a gesture, while his left arm remains hidden under his clothes, adding an element of mystery and sophistication. The original polychromy, though weathered, adds a touch of vibrant color that enhances the figure's visual appeal and historical authenticity. This Chinese courtsman figure will make for an exquisite decorative addition to any home. Its refined elegance and rich cultural heritage make it a versatile piece, perfect for placing on a commode, side table, or shelf. Whether in a living room, study, or entryway, this Ming Dynasty figure will bring a touch of ancient Chinese artistry and timeless beauty to any interior space. With its harmonious blend of form and function, this painted terracotta courtsman figure celebrates the enduring appeal of Ming Dynasty art...

A 19th century Chinese standing priestess sculpture made from terracotta during the later stages of the Qing dynasty with traces of original paint. This small hollow statue displays ...

A 19th century Chinese Ming dynasty hand carved stone monkey sculpture. This Chinese sculpture features a monkey figure, sitting on a rock formation, holding a square item, perhaps a...

Impressive terracotta warrior representing a banner bearer gripping a wooden staff with his hands (dematerialized through the ages); his gaze is ser...

China an ancient limestone figure of an Entertainer replete with hands holding tambourines and a top a drum, -for the afterlife- , Han dynasty 206 BC...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...