Large Old Cambodian Bronze Temple Buddha

A magnificent French patinated bronze figural group entitled 'Gloria Victis' by Marius-Jean-Antonin Mercie, raised on ormolu mounted rouge marble clock base. Original rich dark patina. Mercié's original plaster sculpture of Gloria Victis won a medal at the 1874 Paris Salon. This highly detailed sculpture is Cast by Barbedienne foundry who was the leading manufacture of artistic bronzes during the second half of the 19th century, from a model by Marius-Jean-Antonin Mercie in the last quarter 19th century. One example of this piece is at the National Gallery of Art in Washington DC. Another one can be found in Bordeaux, France, where it faces Saint André's Cathedral. Signed A. MERCIÉ The base titled GLORIA VICTIS Inscribed F. BARBEDIENNE, Fondeur Paris, circa 1875 Measures: Height 44" (111 cm) Width 22" (56 ccm) Depth 18" (45 cm) The Gloria Victis sculpture...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

A large 19th century patinated bronze group titled: "Amalthea and Jupiter's Goat" after Pierre Julien (French 1731-1804) The goddess portrayed as nude but for drapery held across her breasts and falling to her lap, seated on the back of the goat with her right foot raised to rest on a rock outcrop. Signed: Julien Circa 1880. Height: 34" (86.3 cm) Width: 21" (53.3 cm) Depth: 15" (38.1 cm) Pierre Julien's model of Amalthée et la chèvre...

A fine large 19th century French gilt bronze mantel clock modeled in form of a classical lady wearing a toga sitting amidst broken columns as she is looking up while holding an angel...

Sitting black painted sitting Buddha sculpture, Cambodian, circa 1920s The statue is decorated with multiple red and green colored mirrored glass pieces. Several area around the che...

Large Thai bronze sitting buddha.

A well cast Khmer style bronze figure of an adorned Buddha sheltered by a Naga, Buddha Muchalinda, 19th century or earlier, Cambodia. The sculpture in th...

Old metal temple with antique wooden Buddha statue Material: Metal 37 cm high 14,7 cm wide and 14 cm deep The temple is originating from Nepal The gilded Buddha is from Burma and is ...