Middle 20th century Old bronze Nepali Lokeshwor Bodhisattva statue from Nepal

Material: bronze 41 cm high 20 cm wide and 13,5 cm deep Weight: 3.25 kgs Fire gilded with 24 krt. gold Originating from Nepal Middle / late 20th century Very high quality !  

Old bronze Nepali Lokeshwor statue Material : bronze 32,5 cm high 15 cm wide and 11,6 cm deep Fire gilded with 24 krt. gold Vitarka mudra Middle 20th century Inlaid with real gem sto...

Material: bronze 42,2 cm high 12,3 cm wide and 12 cm deep Weight: 3.943 kgs Fire gilded with 24 krt. gold Abhaya mudra Originating from Nepal Middle 20th century Inlayed wit...

Material: bronze 75 cm high 30,5 cm wide and 27,5 cm deep Weight: 14 kgs Abhaya mudra Originating from Nepal Early 20th century Very nice quality!.  

A nice vintage early to mid-20th century gilt bronze sculpture of the Buddhist deity Avalokiteshvara in his four armed form, known as Chaturbuhja, or Chenrezig in Tibet. Chenrezig, a form of Avalokiteshvara, the bodhisattva of compassion (known as Guan Yin or Kwan Yin in Chinese), sits in vajrasana upon a high double lotus pedestal. One pair of hands is clasped in prayer at heart level, the other pair of hands raised upwards at shoulder lever and holding discreet attributes, a mala (prayer beads) in one hand, a lotus blossom in the other. Chenrezig is dressed in an elaborately patterned floral dhoti that covers his lower half. His torso bare, shoulders covered with a shawl and scarves that billow out around him. He is festooned with jewels, necklaces, bracelets, armlets, earrings, belt and a five pointed crown. The earrings studded with coral. The crown studded with turquoise. His face is cold painted with beautiful details. The hair has been pigmented blue with crushed lapis, indicating his peaceful nature. The copper base plate is inscribed with a visvajra (double vajra...

A beautiful and unusual gilt bronze figure of a Bodhisattva, possibly Amoghapasha, Nepal, early to mid-20th century, circa 1930s or 1940s. The regal figure possibly depicting the bodhisattva Amoghapasha, the Unfailing Lasso. The enlightened being is portrayed seated upon a high double lotus pedestal. He is dressed as an Indian prince, wearing a luxurious foliate patterned dhoti around his waist and a billowing scarf around his shoulders. . His torso bare save for the jeweled necklaces and the sacred thread. A five pointed crown with an image of Amitabha Buddha in the central point graces his head. His princely face cold painted with beautiful detail, his hair colored blue with crushed lapis lazuli, indicating his peaceful nature. Amoghapasha holds a lasso in one hand, an axe in the other. He is considered an emanation of Avalokiteshvara. A bodhisattva of compassion, Amoghapasha is so named because of the lasso he holds in his hand. The lasso represents his vast compassion which is thought to extend to encompass all beings, bringing them into a state of perfection and enlightenment. The copper base plate, seemingly a later replacement, has been inscribed with a visvajra (double vajra...

These finely carved pair of Indian dolls are known as Marapachi Bommais, which literally translates to ‘wooden dolls’. Marapachi Bommais dolls are an important part of South Indian culture and rituals. These dolls which are usually in a pair as a bride and groom and is a part of the Golu display done in households during Navaratri. Marapachi Bommai hold great sentimental value as they are given as part of the bride’s wedding trousseau and are a legacy passed on from one generation to another in the states of Tamil Nadu, Karnataka and Andhra Pradesh. The dolls are in naked form and are typically decorated with clothes and finery by children as their playthings. The female doll...

In Buddhism, Tara is a savior deity (savioress) who liberates souls from suffering. She is recognized as a Bodhisattva in Mahayana Buddhism and as a Buddha and the mother of Buddhas in Esoteric...