Marble Fountain Martina by Andrea Branzi, 1989

Pair of early 20th century crankshaft molds tagged with part numbers. An impressive pair of large-scale sculptural art / Industrial pieces. Measurements: H 140 x W 57 x D 16 cm. Th...

Matteo Thun 1989 Hollywood collection for Tronconi, Italy. A pair of elegant and stylish table or bedside lamps designed by Matteo Thun. They reca...

New Return to the Motherland 18-karat gold 1997 limited edition fountain pen. After 150 years of the British Union Jack waving over Hong Kong, this influential territory returns to its Motherland, China in July 1, 1997. From a Historic perspective, we cannot ignore the worldwide significance of this event. Authorized by the Association for Celebration of Reunification of Hong Kong with China, Omas creates a magnificent commemorative collection with a prestigious and emblematic design. This distinguished writing instrument, New Old Stock never used, shows distinctive aspects of both Hong Kong and China in 18-karat gold. The cap displays treasured symbols of both Hong Kong and China, with the Bauhinia flower encircled by the words "Return to the Motherland" enameled in the original red color of the Association's official logo. The clip is embellished in the same hue by a thin linear element reminiscent of basic calligraphy. The band around the cap synthesizes the Great Wall of China, one of the most recognized monuments on this earth, the OMAS logo emerging from one of the Wall's majestic gates, and the 4 ideograms meaning "Return to the Motherland" in Chinese. Comes with the original Omas Return to the Motherland inkt. The barrel of the pen follows this theme of combining Hong Kong and Chinese motifs. Sculpted in to the metal sheath of the barrel, two Chinese dragons, mother and child, allude to the relationship between Hong Kong and China and support the emblem of their unity, the pink Chinese dolphin. The OMAS 1997 18 karat gold 063/200 Edition is comprised of 200 fountain pens and features an 18-karat gold calligraphic nib inlaid with a dragon head and engraved with the words "Hong Kong 1997...

Elegant 1960s Italian coffee table made of the rare Brecha marble in combination with wood and brass. Measurements: D 100 x W 56 x H 47cm. The table will be shipped insured in a cus...

A Rosenthal Horus white porcelain plaque with a falcon's head in relief by Paul Wunderlich. #183 / 1000 in it's original wooden presentation box. Signed in gold by the artist. Dime...

Stylish 1980's glass centerpiece by Arnaldo Pomodoro in fantastic condition and signed in the glass. This beauty is a jewel on any table. It measures 12.59" in diameter or 32 cm.  

Marble fontain designed by designer Andrea Branzi. Size: cm. 65 x 35 x 130 H. Materials: Bardiglio Imperiale + Grigio Olivo + Bianco Carrara + metallo Designed by: Andrea Branzi.

Fountain believed to be from from Turkey or Greece, 19th century and 20th century elements. The fountain is in working condition. replaced with modern marble carving elements to spou...

Fantastic one of a kind carved marble architectural piece, can be used in deferent functions as fountain, planter or table top with the right bas, beautifully carve in India in whi...

Early 19th century Italian hand-carved marble fountain in a form of a putto.

Magnificent historical and architectural carved Marble Ice Water Fountain from B. Altman's, Fifth Ave. NYC department store circa 1908, Elaborately carved from white veined black marble. The tall...

Although when most people hear the word “gargoyle”, they probably envision small, winged creatures with grotesque visages. However, the phrase has a deeper meaning, encompassing any carved head (animal or human) that function as waterspouts. From the Early Renaissance (late 1400’s/early 1500’s), our gargoyle fountain spout features a human-like face with pointed ears, possibly representing a centaur or a satyr. The roughly rectangular block of marble was hand-carved in Arezzo, in the Tuscany region of Italy. All sides except the front of the cream-colored stone have a sawed finish, resulting in a rough texture. The back has been excavated, adding to the character of the gargoyle. A 1 ½” diameter hole has been cut all the way through, forming an open mouth of the gargoyle. The gaping mouth was often a symbol used to conjure images of devouring giants and used to remind people that they are susceptible to certain forces. Our 15th/16th century marble...