19th Century Statues

Marvelous antique French jester sculpture. This large and amazing sculpture of a sitting court jester in the Renaissance Style truly is a rare find. ...

A large, rare, and most impressive antique hand carved and painted wood and metal stylized antelope African folk art sculpture with beautifully aged distressed patina. Handmade in East Africa, dating to around the late 19th / early 20th century, possibly earlier, this scarce, one-of-a-kind, museum quality work, features a richly detailed patinated bronze head and tail with etched textural elements, tall ears and faux ringed...

The figure of a French style putto holding a sickle and wheat sheaf representing the harvest as one of the four seasons' figures. Standing on an octagonal base. Dimensions: 27" H ...

Superb Antique hand-carved stone Garden Statue or Sculpture of a Praying Angel from the 19th Century. Possible salvaged from an old historic St. Louis Church, Park or Garden. Purchas...

Remarkable large bronze sculpture of soldier with saber on horseback. Note the scale of this sculpture is approximately 8' tall x 8' wide. Typical signs of wear from being out in e...

Handsome Pair of 19th Century American or English Lions with Proud Paws.

A rare antique, circa 1890s, German hand carved and painted wood carousel horse carnival fair ride by Peter Schneider (famous for making the first double decker carousel in 1898). ...

An antique rectangular fountain basin or in the style of the late Hellenistic period with minor repairs. This garden ornament features impressive mythological carvings of the art mus...

This is an amazing pair of detailed spelter medieval military figures on wonderful bases with dragon heads and paw feet. The figures are titled Roland and Robert 1 and are completely...

This darling green painted stone frog is the perfect way to liven up any garden. Ripples in the skin and ridges along the back give it a wonderfully realis...

A large scale and wonderfully decorative Italian 19th century Grand Tour Period patinated Bronze, Black Belgian marble and Ormolu Vendôme Column. This impressive Bronze statue is rai...

A high quality French late 19th century patinated Bronze statue of Bacchus and Ariadne, signed Vavasseur and by the Pradier Foundry. This extremely well executed elongated oval shape...

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

This is a vintage cast playful bird bath or feeder. It features a man’s head and neck with a birdbath sitting on top like a hat. A whimsical item that would ...

Decorate a man's office or hunting lodge with this elegant antique bronze composition. Titled "Piqueur au Relais", and signed on the base by the artist, Hippolyte Moreau, the bronze ...

This vintage Chinese noble steed horse sculpture is hand craft with exquisite detail which was very common in horse sculptures crafted during the Tang Dynasty. Especially for imperia...

A very rare 19th century cast iron equine hitching post in the form of a jockey. The jockey is classically dressed in the 19th century riding attire, comprising of a black riding hat, red jacket and cream jodhpurs. The jockey is poised on a moulded plinth base, with one arm raised, holding out for use as a hitching post for tying up horses for grooming. He would be holding a stirrup or lantern which is missing. The sculpture is boasting a nicely weathered patina revealing its age. With its nice proportions and rusty finish, this Turn of the Century English iron jockey...

A very rare 19th century cast iron equine hitching post in the form of a jock-ey. The jockey is classically dressed in the 19th century riding attire, com-prising of a black riding hat, red jacket and cream jodhpurs. The jockey is poised on a moulded blue plinth...

A large and most impressive antique Indian early bronze copper alloy Hindu temple vahana statue / sculpture. India, likely Deccan region, 16th-19th century, exceptionally executed figural work depicting Nandi Bull (devine steer / mythical horned cow), a significant figure in Hinduism, vehicle (mount) of diety Lord Shiva, symbol of devotion, and an important part of Hindu culture and philosophy. This rare high quality example, heavy, nearly solid, in stylized Brahman bull animal form, the naturalistic rendering with meticulous attention to authentic detail throughout, including proper facial features and comprehensive muscular structure, beaded jewelry decoration, natural looking horns, utter and teats, curved tail, and integral hoof feet. Attractive antique metalwork with warm alloy tonal variations, ehanced by beautifully aged worn weathered heavily patinated bronze & copper alloy accented by scattered visually striking verdigris bluish green patina. Dimensions: (approx) 24" Tall, 29" Wide, 11" Deep Probably 70lbs Ideal for both indoor and outdoor use History: NANDI: THE DIVINE STEED AND SYMBOL OF DEVOTION Introduction In the rich tapestry of Hindu mythology, few figures carry the depth of symbolism and spiritual significance as Nandi, the divine bull. As the sacred mount of Lord Shiva, Nandi occupies a revered place in Hindu culture and philosophy. In this blog post, we will delve into the multifaceted significance of Nandi, exploring the spiritual, cultural, and symbolic dimensions that make this celestial creature an indispensable part of the Hindu pantheon. The Vahana of Lord Shiva: Nandi's most prominent role is that of the vahana, or vehicle, of Lord Shiva, one of the principal deities in Hinduism. In this capacity, Nandi is not just a physical mount but a symbol of unwavering devotion and loyalty. The inseparable bond between Lord Shiva and Nandi signifies the importance of humility, obedience, and dedication on the spiritual path. Symbol of Strength and Virility: Depicted as a powerful and muscular bull, Nandi embodies strength and virility. The bull is a symbol of fertility and abundance in Hindu culture, representing the life-sustaining forces of nature. Nandi's robust form serves as a reminder of the inherent power within all living beings and the vital energy that sustains the universe. Guardian of Shiva's Abode: In many Shiva temples, one often encounters a prominent statue of Nandi positioned at the entrance. This is not merely decorative; it is symbolic of Nandi's role as the gatekeeper to Lord Shiva's abode. Devotees believe that Nandi safeguards the sanctity of the sacred space and acts as a spiritual protector, warding off negative energies. A Beacon of Spiritual Discipline: Nandi's demeanor and presence are reflective of spiritual discipline and meditation. Often depicted in a state of deep contemplation, Nandi serves as an inspiration for seekers on the spiritual path. The bull's stillness and focused gaze symbolize the importance of inner reflection and concentration as essential components of the journey toward self-realization. Cultural and Artistic Significance: Beyond its spiritual and religious connotations, Nandi holds immense cultural and artistic significance. Sculptors and artists across centuries have crafted intricate depictions of Nandi, showcasing the depth of Hindu artistic heritage. The various poses and expressions of Nandi in art not only tell stories from mythology but also contribute to the aesthetic richness of temples and cultural artifacts. Nandi's demeanor and presence are reflective of spiritual discipline and meditation. Often depicted in a state of deep contemplation, Nandi serves as an inspiration for seekers on the spiritual path. The bull's stillness and focused gaze symbolize the importance of inner reflection and concentration as essential components of the journey toward self-realization. Cultural and Artistic Significance: Beyond its spiritual connotations, Nandi holds immense cultural and artistic significance. Sculptors and artists across centuries have crafted intricate depictions of Nandi, showcasing the depth of Hindu artistic heritage. The various poses and expressions of Nandi in art not only tell stories from mythology but also contribute to the aesthetic richness of temples and cultural artifacts. Festivals and Celebrations: Nandi is also celebrated in festivals like Maha Shivaratri, where devotees pay homage to Lord Shiva and his divine mount. During these festivities, the spiritual significance of Nandi is magnified, with rituals, prayers, and processions that honor the inseparable bond between the bull and the lord. Conclusion: In conclusion, Nandi is far more than a mythical creature or a decorative element in Hindu iconography. As the loyal steed of Lord Shiva, Nandi symbolizes profound spiritual truths, embodying qualities of devotion, strength, and discipline. Whether gracing the entrance of a temple or adorning the altar in a devotee's home, the significance of Nandi extends beyond religious boundaries, touching the hearts and minds of those who seek inspiration on their spiritual journey. The divine presence of Nandi serves as a timeless reminder of the enduring values that enrich the human experience. Various Possibilities: Ideal for both use as an interior / indoor sculpture or exterior / outside / outdoors / patio...

An antique Italian Rosso Verona marble sculpture or mask of Zeus with detailed carvings. The solid marble head has a fabulous patina. It is mounted on a square marble plinth, in good...

A rare stoneware figure of Erin, the female personification of Ireland, the partially-draped figure playing a small harp and standing alongside a tree trunk encircled with roses and ...

Italian glazed and hand-painted terracotta figural bust of Diana raised on a two tiered circular faux painted plinth. Goddess of the moon, Mid-19th Century.

A handsome and high quality Italian 19th century Grand Tour Period patinated Bronze statue of The Discus Thrower, modeled after Myron. The impressively detailed Discobolus, which is ...

The product is a pair of 19th Century Carrara Marble Busts featuring depictions of Apollo and Diana displayed on pedestals. These sculptures are presented in a Bust format, showcasin...

Plaster sculpture of flora after a classical original with windswept skirt and pinned up curly hair.

A superb quality and palatial pair of French 19th century lifesize cast-iron sculptures - torcheres of Native American Indians titled "L’ Indienne" designed by Jules Salmson (French, 1823-1902) and Cast by Le Fonderies d'Art du Val d'Osne, each standing figure representing a Native American Indian male and a female scantily dressed in their native robes, one arm raised holding a light-torch with an opaline glass globe, both wearing earrings, seashell necklaces and arm-braces, raised on cylindrical cast-iron stand. Signed/cast on each pedestal: “VAL D’OSNE”. (Electrified). Paris, circa 1870-1880. Overall hHeight: 127 inches (322.6 cm) Pedestal height: 39 inches (99.1 cm) Indian man's width: 22 inches (55.9 cm) Indian man's depth: 26 3/4 inches (68 cm) Indian woman's width: 28 inches (71.1 cm) Indian woman's depth: 25 inches (63.5 cm) These fantastic and impressive pair of cast-iron sculptures, most likely representing Hiawatha and Minnehaha, were probably comissioned to Le Fonderies d'Art du Val d'Osne for export to the America's to decorate governmental buildings and parks which makes these pair a rare find and now available for a private collection. Iron sculptures were preferred over bronze for outdoor park and building decorations for their long lasting resistance to all types of weather conditions. An identical pair of sculptures, also by Val d' Osne, are currently exhibited at the National Garden of Congress in Santiago, Chile. View Pages No. 87, 88, 89. Another identical pair are also currently exhibited at The Musée de la Ville - Indian Museum "O Indio do Museo da Cidade" in Rio de Janeiro, Brazil. Another identical pair decorate the front of the Ópera Teatro Amazonas, Manaús, Brazil. A single figure of the female Indian...

Big, Beautiful And Signed From our recent Japanese Acquisitions An early and hard to find Japanese hand carved stone Kanon in a mudra of contemplation. Nyoirin Kannon Bosatsu is b...

Figure standing wearing kimono with arms out front. On an iron base. Signed Ch Masse , Sculp, Paris. Provenance , Estate Of William Hodgins. Interior d...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...

An impressive and imposing pair of stone lions perched on a stone and marble plinth. Very detailed, the life-size pair proudly stand on sandstone and marble plinths, the high quali...

Fine Italian Carrara marble of a Nymph. The figure stood upon a rocky plinth partially nude with a draped robe seen pouring water from a large urn as she looks on. The beautiful carv...

An exceptional Continental 19th century Grand Tour Period patinated Bronze, Black Belgian, and Verde Antico marble statue of Perseus and Medusa. This exquisitely detailed statue of P...

A fine and rare terra-cotta figure of Flora in contrapposto pose, classically robed with hair swept up and in curls, with a floral wreath in the figure’s proper right hand, and a nos...

Antique 19th Century French hand carved sandstone female bust garden statue or sculpture. Female carved head and base, with flowing hair, covered bonnet on back of head, ribbon and ...

Hand-carved pair of Carara marble, 19th century, Italy, darkened from age, very heavy weighing about 175lbs each. Some minor chips to marble. In good shape overall. Priced and sold a...

Large 19th century neoclassical carved marble sculpture of the three graces after Canova. A Beautiful execution of one of Canova's Masterpieces. Ours amazingly accurate to the sculpt...

They are in Miami. We offer free shipping in Florida. They were exhibited at Palm beach "American International Fine Art Fair (AIFAF)" In the photos you can see a pair of lions of...

Spectacular and most likely a 19th century representation of a lawn jockey in cast iron. In excellent antique condition with minimal wear, some separation at the seams where they joi...

The statue is very fine and in high quality out of Carrara marble. It is worked out around 1800. You can see also an exemplar in the Capitoline Museums out of c. 130 AD The Resting Satyr statue...

The Rare Italian Mable Statue of Psyche of Capua is a stunning art sculpture depicting the mythical figure of Psyche. Made from high-quality marble, this intricately detailed statue ...

Huge Carved Stone Garden Statue Sculpture of Regal Big Cat Lion Center Piece . Exquisite monumental Hand carved Stone Figure of a regal lion Garden Statue Sculpture , as a fountain C...

Neoclassical carved white marble sculpture, "Le Triomphe D'Ariadne," signed J.B. Clesinger, Rome (Jean-Baptiste Auguste Clesinger, French, 1814-1883), dated 1866, showing Ariadne sea...

A pair of early 19th century carved brown sandstone lion sentinel's or garden statues. Beautifully hand-sculpted, each slightly different. From a large upstate New York estate. Eac...

Italian marble figure statue of standing woman grasping cluster of grapes resting on squared plinth. Mid 19th Century

Joseph Simon Volmar (or Vollmar) (Bern, 1796-1865) was a Swiss painter and sculptor. Born to a painter father, he was his student at the Bern Art School and later studied in Paris be...

Two iron deer sculptures in original condition including a Stag and Doe. In a Black patinated finish, the Stag stands at alert while the Doe is in ...

Ancient Indian solid brass sculpture - God Shiva dancing in the circle of fire, from the 1800s. Dancing Shiva in the Circle of Fire Brass statue of Shiva in the circle of fire Ancient Indian brass...

Antique Life Size Statue of Minerva. A painted, plaster figure of Minerva, after John Cheere. John Cheere was an English sculptor, born in London and...

A pair of Cipollino della Versilia and Brèche d'Alep marble obelisks, circa 1800, significant ‘Grand Tour’ souvenirs, of large-scale and superbly faceted to reveal the fine colouration and patterning of the marble, raised on squared and stepped marble...

Extremely fine marble group of Bacchus and Ariadne after the antique attributed to Carlo Albacini (1734 – 1813) Italy Rome circa 1800 Provenance A French Private Collection Carved in the round of white marble, the young couple shown walking and apparently exchanging words, his left arm gently wrapped around her shoulder, upholding part of her drapery, a wreath of fruit-bearing vines placed on his head, while hers shows no berries, from her right shoulder suspended a suggestive skin of a goat. In excellent condition having a restoration on Ariadne's left index finger. This finely carved sculptural group is one of a number of known examples of this subject, all inspired by a Greco-Roman classical original 1st and 2nd centuries A.D which is now in the Museum of Fine Arts in Boston (inv.68.770). Demonstrating the beginning of Bacchus' courtship of Ariadne and illustrates the “Return to Antiquity” which was expressed in numerous archaeological works in Rome at the end of the 18th Century. The subject matter made it perfect for a wide variety of settings and fine copies of the subject which survive in such collections as the Rothschilds at Waddesdon Manor, the Pitti Palace in Florence, the Musée des Beaux-Arts de Nantes, the Musées royaux des Beaux-Arts de Belgique and the National Trust property Erddig in Wales. This marble is exemplary of neoclassical aesthetics, by its ancient origin and by the creativity of the sculptor who perfectly links these two figures in the manner of Antonio Canova's standing groups (see Daedalus and Icarus or Venus and Adonis). This marble represents a moment of tender complicity illustrating the ability of neoclassical sculptors to detach themselves from ancient rigour in order to introduce an ideal of softness into their works. These two figures are not simply next to each other, but marry through the fusion of their drapes, through the play of glances and through the embracing gesture of Bacchus. Of the surviving 18th and early 19th century examples of this group, the finest are signed by or attributed to the Italian master Carlo Albacini (1734-1813). Albacini was a restorer of ancient marbles who worked extensively on such aristocratic assemblages as the Charles Townley collection, later to form the basis of the fine sculpture collections at the British Museum, whilst also creating copies of these antique pieces for his elite clientele. Aside from Townley, one of the most interesting and important English collectors of this period was the Earl of Bristol who had a fine house in Naples, a London townhouse and his Suffolk family seat Ickworth which he intended to fill with exceptional examples of art of all kinds. Bristol was a great patron of Italian artists and a chimneypiece from his collection that was supplied for his Italian home and later fitted at Ickworth was sold at Sotheby's on the 26th of November 2003 lot 87. This exceptionally carved chimneypiece...

This impressive statue is a full-scale plaster cast of ‘The Apollo Belvedere’ made by the Louvre Museum workshops in the late 19th century. Detailed with a medallion to the base that reads ‘Musee Du Louvre’, the cast is taken from a reproduction of an original in marble currently located within the Vatican Museums, Rome. The original statue – which has been lost for many centuries – is thought to have been depicted in bronze and created by 4th century BC Greek sculptor Leochares between 330 and 320 BC. The size and grandeur of this magnificent plaster Apollo statue...

A Putto with an Imp like expression on his face stands holding an urn as he pours a liquid, perhaps wine, from it. In the original gray paint (worn with losses). The vessel is closed...

Bronze top level Chinese statue Qing period, 19th century. Additional information: Material: Bronze, Metal & Cloisonne Type: Statues Region of Origin: China Period: 19th century C...

A large opposing pair of Italian mid-19th century terracotta lions. Each lion is raised on a rectangular base. Beautiful expressive faces and wonderfully carved manes with great patina.

Cast metal figure of a boy with a frog in one hand and a goose at his feet. The fountain emerges from the frog's mouth and the goose's beak.

F. Barbedienne fonduer Ferdinand Barbedienne (6 August 1810 – 21 March 1892) was a French metalworker and manufacturer, who was well known as a bronze founder. The son of a small farmer from Calvados, he started his career as a dealer in wallpaper in Paris. In 1838 he went into partnership with Achille Collas (1795-1859), who had just invented a machine to create miniature bronze replicas of statues. Together they started a business selling miniatures of antique statues from museums all over Europe, thus democratising art and making it more accessible to households.[2] From 1843 they extended their scope by reproducing the work of living artists and also diversified by making enamelled household objects. With the outbreak of the Franco-Prussian war in 1870 the firm briefly had to switch to cannon founding owing to the shortage of metals but resumed business afterwards. Following Barbedienne's death in 1892, he was buried in the Père-Lachaise cemetery and the firm was carried on by his nephew Gustave Leblanc until 1952. Among the principal artists reproduced by the firm were Antoine Louis Barye and Auguste Rodin. The Dying Galata (Italian: Galata morente...

French, bought in Argentina, Carrara marble sculpture of a maiden. Lovely form and patina.  Dimensions: 64.24H x (base- 15"x15") 

A Victorian taxidermy study of a Scottish highland deer This stag is dated to circa 1860 And would have been originally prepared and treated in an Edinburgh studio This unique type...

A decorative pair of classical antique French columns, with vessels fixed atop each plinth.

These two groups were commissioned by Jacques Stern (1839-1902) from one of the greatest animal painters of the second half of the 19th century, Auguste-Nicolas Caïn, renowned for hi...