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Carl Erickson Green Bowl Ashtray American Art Studio Glass 1940s-1950s

$380
$47520% Off
£285.47
£356.8320% Off
€329.19
€411.4920% Off
CA$527.30
CA$659.1220% Off
A$585.95
A$732.4320% Off
CHF 307.04
CHF 383.8020% Off
MX$7,185.59
MX$8,981.9820% Off
NOK 3,916.14
NOK 4,895.1820% Off
SEK 3,684.16
SEK 4,605.2020% Off
DKK 2,456.93
DKK 3,071.1620% Off
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About the Item

Sculptural, heavy Mid Century Modern dark green glass decorative bowl or ashtray was created by Carl Erickson for Erickson Glass Works. The bowl is decorated with controlled bubbles that are radiating from its center; four symmetrically placed indentations can serve as cigarette rests. The pontil is ground. The bowl is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display of his glass was shown throughout Europe and the United States. Erickson produced and distributed a line of glass designed by Erwin Kalla, known as Raymor Holiday Glass, in 1959. Facing retirement, Erickson chose to close and dismantle his studio in 1960 and to sell the building in 1961.

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