Pair of Antique 19th Century Bohemian White and Gold Overlay Glassware Dishes

Made by the Bohemian Art Glass manufacturers of the 19th Century, this, Cut-to-Clear red glass bottle with white opaline glass overlay is hand-cut in a beautiful and unique vertical ...

Made by the Bohemian Art Glass manufacturers of the 19th Century, this ‘cut-to-clear’ transparent glass, with white opaline glass overlay, is hand-cut in a symmetrical pattern to rev...

Made by the Bohemian Art Glass manufacturers of the 19th Century, transparent glass with white opaline glass overlay is hand-cut in a symmetrical pattern to reveal the clear glass un...

Made by the Bohemian Art Glass manufacturers of the 19th Century, transparent glass with white opaline glass overlay is hand-cut in whimsical a fleur de Lis-themed pattern. This deco...

Antique Bohemian Ruby Glass Sugar Bowl (Bonbonnière) with Saucer – Made for the Middle Eastern Market, 19th Century This rare and elegant Bohemian sugar bowl bonbonnière with its mat...

This stunning centerpiece sugar bowl, crafted by Moser in the 19th century, exemplifies the exceptional artistry and innovation of Bohemian glassmakers. The bowl features a striking ...

Bohemian crystal Overlay bowl, 19th century, Napoleon III period. A Napoleon III period crystal bowl, 19th century, in red and white Bohemian Overlay crystal. H: 24.5cm. D: 23.5cm

Pair of resin dishes in glazed terracotta. In the South West of France, the country named Landes was a poor country having very few natural resources, the inhabitants lived on meager harvests whose land was manured by their flocks of sheep. The Landais also exploited the resin of the maritime pine: it was collected at the foot of the tree using a very artisanal technique which offered low yields: tapping with “crot” (from the Gascon cròt: hole). To harvest the resin, ancient resin workers dug a hole at the foot of the pine, generally between the roots, which they lined with moss. The resin obtained, if it had not crystallized on the care before arriving at the base of the pine, was full of impurities: twigs, sand, insects, and it contained very little turpentine. A first progress was to put dishes at the bottom of these holes which made it possible to collect the resin with fewer impurities, In 1844, the resin pot...