Glazed Bowls and Baskets

Kähler Art Nouveau ceramic bowl. Decorated with polychrome glaze in a typical art nouveau pattern. Signed HAK for Herman A. Kähler. Approx. 1900-1910.

Wilhelm Kåge for Gustavsberg. A set of six "Argenta" ceramic bowls. Glaze in green tones with silver inlays in the shape of leaves. Model number: 957 Mid-20th century. Marked. In per...

This fun ceramic dish by California potter Edmund Ronaky has a free form and a two-part shape. It has a high gloss glaze over a design of a worried ...

Kähler. Three small ceramic bowls. Glaze in sandy tones with a black edge. Approximately 1970. Marked. In perfect condition. Dimensions: D 6.0 cm x H 3.0 cm.

Rare and striking, this Art Deco bowl by the renowned Fulper Pottery features its signature flambe glazes inside the bowl -- in shades of caramel, green and blue -- in addition to three Medieval-influenced shields applied to the rim, each with knight's helmet and star motifs. Founded in 1809, Fulper produced utilitarian ware in the Trenton, New Jersey area for many years, but in 1910 Martin Stangl became the ceramics engineer and artistic director, producing a line of Art Nouveau and Art Deco pieces...

Bitossi bowl, ceramic, black with gold spikes, signed. Small to medium scale bowl in black glaze decorated with applied gold spikes. Signed on the underside...

Product Description:  At the age of 19 Stålhane joined Rörstrand as a decorator and was together with his teacher Gunnar Nylund responsible for Rörstrand's golden age. The work at s...

Berndt Friberg for Gustavsberg. Ceramic bowl in blue tones. Produced in the 1960s. Marked with the manufacturer's mark. In perfect condition. Dimensions: Diameter 16.8 cm x Height 3....

Huge ceramic bowl by Guido Gambone with brown and orange glaze. Signed on the bottom with the donkey mark. Guido Gambone (1909 – 1969) is one of ...

Bjørn Wiinblad (1918-2006), own workshop. Large unique ceramic bowl. Female motif. Dated 1965. Signed. Label from Illums Bolighus. Perfect condition. Dimensions: W 39.0 cm. x H 7.5 cm.

A rare Dutch Majolica plate with a decoration of a tulip. Northern Netherlands, probably made in the city of Rotterdam. Made 1620 - 1640 Dutch majo...

Axel Salto (1889-1961) for Royal Copenhagen. Ceramic bowl with ribbed decoration. Celadon glaze. Model: 20688. 1940s. Marked. In perfect condition. First factory quality. Dimensions...

Jais Nielsen for Royal Copenhagen. Ceramic bowl in green glaze. Crackled. Motif of mythical creatures. Model 2760. Dated: 1946. Marked. First factory quality. Perfect condition. Dime...

Vibrant model V-33 triangular earthenware bowl by California, artist Fred Stodder. The piece is signed and is 17.5" long x 10.75" wide x 3.5" high with a bright low fire glaze of ora...

Large ceramic bowl with beige sand colored glaze with brown speckles and decorative dripping noses. It's most likely by a Danish or Scandinavian ceramist. Unfortunately the cerami...

This colorful porcelain bowl dates to the mid-19th century and was originally used as a serving dish for ritual offerings, placed before a home altar and piled high with fruit, baked goods, and other foods. The dish has a shallow cartouche-shaped body and a short footed base decorated with crashing waves. Decorated in the famille rose style, the dish is painted with overglaze enamels with a scene of three mythical figures surrounded by cloud-like ribbons. The scene is bordered by butterflies and flowers symbolizing the four seasons - peonies for spring, lotus for summer, chrysanthemums for autumn, and plum blossoms for winter. The exterior is painted with ripe peaches, symbols of longevity, and bats carrying interlocking golden coins...

Höganäs, elongated two-part ceramic dish in an organic shape. Beautiful glaze in shades of green. Mid-20th century. Signed KL. In perfect condition. Dimensions: L 34.0 x W 18.0 ...

Gambone bowl, ceramic, blue stripes, signed. Small stoneware bowl with contrasting light and dark blue glaze and burnt umber bullseye decoration. Signed "Gambone Italy" on underside....

Carl- Harry Stalhane ceramic vase and bowl in angular free-form shapes. Decorated brilliantly with black designs on white and pale gray glazes. Made at Rorstrand, Sweden 1950 Vase...

European studio ceramic artist. Unique ceramic bowl with brown glaze. From around the 1970s. Signed FHK. In perfect condition. Dimensions: Length 19.0 cm x Width 17.0 cm x Height 3.2...

6 and a half inch round dish ashtray with cork bottom, and makers markings.

An absolutely gorgeous and wonderfully glazed large bowl by famed Japanese American pottery master Toshiko Takaezu. The bowl features a quite rare luminescent, dark oxblood red drip ...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Three small ceramic bowls, reclaimed from a mid-19th Century shipwreck off the coast of Indonesia. Defying time, these plates were preserved at the bottom of the sea until the late...

Bold and striking, this unique low bowl or plate depicts a form of Triton that is part man, part horse and part fish -- known as an ichthyocentaur -- who is cavorting in the sea with a dolphin and starfish, with rows of waves below and around him. The artist was Roger Mequinion, who produced an entirely unique series of ceramic pieces with thick layers of glaze that he sandblasted to create a layered, three-dimensional design. Here, the outer glaze is a deep blue color, but the sandblasting reveals layers of light blue and white underneath. Mequinion was the first sculptor to work for René Lalique, and helped the master develop a sandblasting technique for his early glass...

Nils Thorsson Ceramic Bowl / Tray with Bird Motif for Royal Copenhagen, Denmark, c.1960. Makers mark to the bottom.

This elegant Von Schierholz porcelain floral bowl showcases the timeless beauty and craftsmanship of 19th-century German porcelain. The bowl is adorned with meticulously hand-painted...

A modern made hand turned red clay bowl by Bitossi of Italy in a design by Ettore Sottsass (1917-2007). The hand crafted piece has been finished in a two tone matte white and indigo ...

A rare celadon plate from the kilns of Sangkhalok, one of the main centers of Thai ceramics during the Sukhotai period (1230-1438) Well preserved for i...

A small decorative white ceramic bowl. A gorgeous piece with faux bois feel. This piece is created from ceramic and glazed in white. Made to look like a woven wicker basket, this pie...

Large beautiful postmodern porcelain "Atlantis" bowl by Rolf Sinnemark for Rorstrand, Sweden. The black glazed bowl is decorated on the exterior and interior with depictions of obeli...

Face Plate of 2 Profiles Facing Ceramic, signed on backside has original wire on back for hanging dimensions: 10" dia 1.25" high

This sculptural vintage Italian Aldo Londi for Bitossi ceramic bowl or vessel has gold painted teardrop like surround shapes on the exterior over ...

Georges Jouve (1910-1964), France. Unique bowl in glazed stoneware. Beautiful glaze in blue and light earth tones. Mid-20th century. Measures: 29 x 6.3 cm. In excellent condition. ...

Kähler ceramic dish in uranium glaze. Spiral-shaped motif. Approximately from 1930. Marked. In excellent condition with a few minor chips on the edge. See photo. Dimensions: Diameter...

Ingrid Atterberg (1920-2008) for Upsala Ekeby, Sweden. Low ceramic bowl with an abstract design. Glazed in blue and sand-colored tones. From the 1960s. Stamped. In perfect conditio...

Alexandre Kostanda (1921-2007) for Vallauris, France. Unique ceramic bowl with earth-toned glaze. From the 1960s/70s. Stamped. In perfect condition. Dimensions: L 30.0 cm x D 10 cm ...

A stoneware glazed bowl by British studio potter John Ward (1938-2023) circa 1980-1990s of the last quarter of the 20th century. The bowl features a distinct form with a wide flanged...

Wide poche dish by E. ST. N for Saxbo, Denmark. Delicate light-green harefur glaze and incised modernistic center-motif'. Measurements: D 26.5 cm (10.35 inches), H 5 cm (2 inches). C...

This ceramic chawan (tea bowl) was made in Korea during Joseon dynasty circa 18th to early 19th century. The bowl was of a "Small Ido" form with half-he...

A large and impressive Italian porcelain open work basket shaped centrepiece hand painted with floral designs by Mangani and dating from the 20th century. The basket stands raised on...

Vintage basket weave ceramic bowl - featuring a white ceramic body with an over-all clear glaze - raised on three feet with acanthus leaf decorati...

Ceramic ashtray by Heath Ceramics, c.1960s, USA. The ashtray features a stoneware exterior and tan speckle glazed interior with a purple glazed burst at the center of the well, with ...

Vallauris, France, three leaf-shaped dishes in brightly colored glazes in shades of pink, violet and black. 1960/70s. Two are marked In excellent condition. Largest measurement: ...

A large ceramic bowl by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The deep form bowl features a robust body of thick wall, s...

Anna Lisa Thomson for Upsala-Ekeby. Large "Spectra" ceramic dish with swimming fish. Approximately 1960. Indistinctly marked. In excellent condition with two small insignificant chi...

Mari Simmulson (1911-2000) for Upsala Ekeby, Sweden. Ceramic dish. Hand-decorated in green and blue hues. Ca. 1960. Model 6000. Marked. In perfect condition. Dimensions: D 22.5 cm. ...

Beautiful Art Deco Italian Majolica Centerpiece that uses 16th-17th century motifs but in a more stylized fashion. The piece was aged to...

Very large colorful glazed earthenware passata bowl from Southern Italy (Puglia). This rustic 19th century terracotta bowl was used in ...

Jørgen Mogensen for Royal Copenhagen, stoneware dish with motif of beetles. Model 21871. In perfect condition. Marked. First factory quality. Dimensions: L 21.5 x D 15.5 x H 3.5...

Mari Simmulson for Upsala-Ekeby, Sweden. Decorative dish in glazed stoneware featuring a female figure holding a flower. 1960s. In perfect condition. Marked. Dimensions: D 25.0 cm x ...

Longwy, France. Troubadour dish in glazed ceramics with hand-painted flowers. Mid-20th century. Measures: 27 x 4 cm. In excellent condition. Stamped.

Matthew Williamson one of the most well-known fashion designer has created a tabletop and textile collection for Les-Ottomans. Colors is a must in all Williamsons’ designs as well as the peacock’s references that are revealed in several new and original patterns. This listing shows his magnificent multi-color moon porcelain plate. Matthew Williamson is an award-winning British designer renowned for his use of kaleidoscopic color, intricate patterns and designs inspired by nature and travel. A graduate from the prestigious Central Saint Martins College, Matthew Williamson showed his critically-acclaimed debut catwalk collection ‘Electric Angels’ in 1997. In recent years, Matthew’s design DNA has translated seamlessly into interiors. Interior design commissions include the courtyard garden at Blakes Hotel in London, the bridal suite at Aynhoe Park, Oxfordshire and Suite 67 at Belmond La Residencia. His range of branded products in the luxury lifestyle and interiors arena includes wallpapers and fabrics with Osborne...

A beautiful handmade ceramic dish or vide-poche by unknown studio potter / maker with an organic oval form and hand painted glaze of cream and dark grey / blue color (color). Would be perfect for serving nuts or other little bar snacks...

A ceramic chawan tea bowl made in Korea for Japanese market circa 17th century. The chawan is identified as Irabo type. Irabo bowls were essentially con...

Striking bowl with crystalline iridized glaze. Émile Diffloth (1856 – 1933) was a French ceramicist who was born in Couleuvre. He received his education at the École des Arts Déco...

Mari Simmulson (1911-2000) for Upsala Ekeby, Sweden. Ceramic bowl with polychrome glaze. Featuring a motif of a woman's face and birds. Model 4068. Approximately 1960. Marked. In pe...

Gunnar Nylund for Nymølle. Dish / bowl in glazed ceramics. Beautiful glaze in light brown shades. 1960s. Measures: 37 x 6 cm. In excellent condition. Signed.