Glazed Bowls and Baskets

This pair of elegant oval-shaped pearlware baskets and stands were made by Thomas Fell & Co**, St Peter’s Pottery, Newcastle upon Tyne, circa 1830. The baskets were made to hold brea...

Extremely unusual and extraordinary boat shaped Ordinary lustre dish by Daisy Makes-Jones for Wedgwood. On a strikingly opulent orange inner, fabulous and glorious gilded filigree butterflies adorn. The outer is a pink and cream sponge effect ground with hand painted and gilded butterflies...

Danish midcentury modern stoneware vide-poche bowl. Handmade by ceramic artist Noomi Backhausen for Søholm Stentøj in the 1960s. Raw, unglazed sand colored exterior, and interior wit...

A Daisy Makeig-Jones Fairyland Lustre bowl made circa 1925, showing the Poplar Trees pattern on the exterior and the Woodland Bridge pattern on the interior, with the central interio...

This large antique "Tian" (Provencal term for serving bowl), was crafted in Provence, southern France circa 1880. Round in shape, the handmade terracotta bowl has a subtle green glaze on the inside with natural earthenware finish on the outside. Use this important dish as a centerpiece on a dining table filled with fruit or vegetable, or dress this jardiniere with a flower arrangement. The wide decorative vessel...

An 19th century basket made up of a hand formed twisted and looped wire holder set with a Majolica glazed plate at the center. The plate shows a geometric pattern glazed in earth t...

French mid-century Vallauris ashtray / bowl, Glazed Ceramic Beautiful fat lava glazed ceramic ashtray in dark blue and soft blue hues and white accents. Manufactured by Vallauris. France, 1950s. This cool ashtray was handcrafted in France at the Mid-20th century period. Its design in shades of blue and white fat lava ceramic on a cobalt blue background . It has four cigarrette or cigars holders. Highly decorative piece! This colorful piece will be the perfect gift for smokers. Also useful as jewelry bowl , decorative bowl or vide-poche. Overall Measures: 19 cm diameter x 9 cm height (7,48 in diameter x 3,54 in height). Vallauris Ceramic Round Bowl // Glazed Ceramic Fat Lava Bowl...

Beautiful, understated Argenta round ceramic footed centrepiece platter by Wilhelm Kage for Gustavsberg, Sweden Applied silver trellis motif decorates the depressed centre, the oute...

Neoclassical gilt decorated plate with leopard. A Naples Real Fabbrica Ferdinandea white porcelain painted and gilt decorated saucer dish with leopard....

STUNNING ~~Antique French Onnaing Majolica Cache Pot, Planter, Jardiniere, Flower Pot, Bowl or Vase with Phoenix ~~c. 1890s Authentic French majolica planter or cache pot~~vibrant c...

Two very finely decorated Wedgwood Fairyland Lustre bowls designed by Daisy Makeig-Jones. Both bowls depicts gold dragons on the exterior, a blue and gold dragon...

Thorkild Olsenl terracotta matt glaze dish for Royal Copenhagen A large functional piece decorated with gilded band to rim Circa 1954 Stamped and numbered 3606 Height 2 inch, Diamete...

Unique antique Danish Art Nouveau Royal Copenhagen bowl from 1932. Stunning Asian inspired depictions of Japanese goldfish and slender underwater plants all hand-painted in fiery ora...

A very fine Ruskin Arts & Crafts miniature art pottery bowl decorated with blue lustre style glazes by renowned potter William Howson Taylor (British, 1876 – 1935) dated 1913. Rusk...

Large Meissen Porcelain serving plate/tray with hand painted floral motives and rich gold decor.

An earthenware bowl supported on a foot ring decorated with elaborate slip paint. The bowl was likely made in Kashan (in nowadays Iran) during 12-14th century, in Khwarazmian Empire,...

This striking XXL ceramic bowl centerpiece features a bold geometric design, reminiscent of the iconic designs by ICS and Gambone. The shallow, wide form showcases a rich, dark glaze...

Danish modernist decorative plate / wall decoration / centerpiece with strong graphic decor from the Tribal Harlekin series by ceramic artist Marianne Starck (1931-2007). Shiny bone white glaze with hand-carved sgraffito graphic lines and patterns in raw anthracite colored clay...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

A gorgeous earth-toned, yellow, green, brown speckle glazed ceramic footed bowl by famed Austrian-born British potter Lucie Rie. The bowl is signed with Lucie Rie's impressed seal on the base. A rare and unique work. Simply a must for any collector of Rie's work or a beautiful stand-alone piece sure to light up any setting. Dame Lucie Rie...

An everyday example of Chinese blue-and-white porcelain, this 19th-century porcelain plate charms with expressive cobalt-blue decoration, sparsely brushed against a blue-grey field. ...

This large antique "Tian" (Provencal term for serving bowl), was crafted in Provence, southern France circa 1780. Round in shape, the handmade terracotta bowl has a subtle yellow gla...

A stunning English Art Nouveau large art pottery bowl decorated in flambe glazes by renowned artist Bernard Moore (British, 1850-1935) and dating from around 1910. The lightly potted...

DESCRIPTION: Large Oval Ceramic Sun Plate by Jean Lurçat, Circa 1950, France. Large oval ceramic plate, with central decoration of a stylized sun and leaves. Glazed yellow background...

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Impressed wi...

Small cylindrical ribbed vessel by the Danish ceramist Arne Bang (1901-1983). Made circa 1930s to 40s. It is decorated with a green glaze with dark brown speckles. Marked on botto...

A porcelain jewelry dish with equestrian horse scene, circa mid-20th century, Europe. An octagonal jewelry dish/small vide-poche with gold and emeral...

Decorative Bowl or Dish, Ceramic in Red and Brown Enamel, Verceram France 1950 High quality ceramic bowl or vide poche, manufactured by French ceramic atelier named VERCERAM. They ...

Ceramic bowl with Sardines decor, full-fire reduction faience earthenware 20 cm diameter, hand painted unique piece. Perfect decor for the wall or simply placed on a coffee table, th...

Round ceramic vide-poche or low bowl in beige-brown earth tones. Scandinavian Mid-Century 1960s, produced by Palshus (Denmark), founded by Per and his wife Annelise Linnemann-Schmi...

Wilhelm Kåge for Gustavsberg, "Argenta" dish in ceramic. Green glaze decorated with a pear in silver. 1940s. Model number 1005. In excellent condition with natural cracks. Marked. Di...

1970s Mid-Century Modern handcrafted ceramic, pottery lemon basket or fruit plate in glazed dark green and black with yellow lemons, made in Vallauris. M...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Large patinated Chinese Sang de Boeuf with Flambe glazed bowl, signed, early 20th century. A heavy, thick-bodied earthenware bowl with great color likely used for utilitarian purpose...

Sculptural and graphically stunning Scandinavian midcentury modern warm anthracite black and white decorative centerpiece bowl. Hand-carved organic animalistic relief pattern of styl...

SALTSPRING POTTERY - Vintage decorative studio pottery bowl - fine hand made quality - featuring a hand painted border and center medallion set against a grey semi matte glaze - sign...

Rare Large Antigua Majolica ceramic baptismal bowl in glazed terracotta.

Vintage studio pottery glazed and decorated bowl - wheel thrown stoneware body - signed with a cipher on the base (unidentified artist/potter) - country of origin unknown - late 20th...

Enhance your leaving space with this early 19th Century Chinese Export Rose Medallion Famille Rose canton porcelain punch bowl with multiple cartooge panels. The exterior of this go...

This stunning bowl from Paul Revere Pottery, crafted by the Saturday Evening Girls (SEG) pottery collective, showcases the artisanal beauty and craftsmanship of early 20th-century Am...

Vintage studio pottery glazed bowl - wheel thrown - signed on the base (unidentified artist/potter) - Canada (likely) - late 20th century. Fair vintage condition - old hairline crac...

A wonderful Joseon Dynasty (1392-1897) Korean pottery bowl - perhaps a monk's Chawan tea bowl. The work features a beautiful white glaze, wonderful organic shape, engaging design and...

Rose, lilac and blue porcelain vide poche bowl designed and handpainted by Ingelise Koefoed for Royal Copenhagen in the late 1950s-early 1960s. Organic modern decor, dark blue linin...

Swedish midcentury modern earthcolored stoneware bowl designed by the Drejargruppen collective for Rörstrand in 1974. Specifically designed and handmade by ceramic artist and porcela...

Organically shaped stoneware bowl in earthy Sung and Crystaline Glazes. It was designed by danish ceramist Bode Willumsen and manufactured by Royal Copenhagen in the late 1940s. Earl...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Gerd Hjort Petersen for Royal Copenhagen. Small...

An late 1940s hand painted and decorated pottery dish by Lee Rosen for Design-Technics. This dish features Lee's "raised lines" technic in a branch-like motif. Hand signed "DESIGN-TE...

Visually striking Argenta stoneware dish by Wilhelm Kage for Gustavsberg, Sweden Contemporary uniform pattern of applied silver decorates the inner rim of this superb piece Circa 19...

A beautiful vintage Mexican terracotta bowl with two handles, a ruffled lip, two large drip glazed splotches inside. The exterior is unglazed. Perfect f...

Very large, stunning Nordic decorative hanging wall plate / centerpiece / bowl in muted earth tones. Peanut brown matte glaze with navy ...

A stunning Canadian studio pottery miniature bowl decorated in yellow glazes with an associated pottery stand by Lane Gordon Thorlaksson (Canadian, 1937-2009) dated 1976. Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry 'Harry' Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People's Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques. In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying 'Most potters make pots; I make parts of people'. The bowl is of wide squat rounded form with a fold over rim and is decorated in pale yellow glazes over a brown ground and stands on a narrow round unglazed foot. The design is probably based and inspired by a Chinese brush washer...

Stoneware Argenta dish by Wilhelm Kage for Gustavsberg, Sweden. Decorated with applied silver scalloped rim and trefoil flower sprigs on green mottled stoneware Circa 1960's Stampe...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Bjørn Wiinblad (1918-2006), Det Blå Hus (The Blu...

Waylande Gregory fire-glazed porcelain gold, black and white decorative bowl.

A wonderful Joseon Dynasty (1392-1897) Korean pottery bowl/ dish with a beautiful muted glaze, color, and nicely aged patina. As this is not our area of expertise, we are listing...

A beautiful vintage Italian white porcelain jewelry dish/plate/tray by designer Richard Ginori, circa mid-20th century, Italy. Tray vide-poche features a Phoenix parrot...

Vintage Roseville Pottery bowl features a turquoise blue glaze with hand-painted trim at the top of ceramic body, executed as a series of dark blue short vertical lines. The inner s...

A fine vintage British studio pottery yunomi (teacup) by renowned potter Micki Schloessingk (b. 1949) and made in Swansea, Wales. The stoneware yunomi is of rounded cylindrical shape...