Baroque Boxes

Important Renaissance Medical Box. Spanish Or Italian Workshop, Around 1550 Renaissance Medical Casket with stepped lid and vaulted flanked dome. Polychro...

As found in Paris, an impressive Limoges hand painted box. The colors of pink, blue, purple, yellow and green painted on this box are fantastic and certainly colorful. The gold clasp...

Important and Rare Italian box safe from the 17th century In chiseled bronze, decorated with jasper plates and hard stones, with a cameo with a male figure at the centre. Inscriptio...

19th century French lidded box with boulle-style inlay on lid (sawwork + mirrors). Dimensions: 7 x 31 x 23 cm. In good condition.  

Elegant and highly decorative porcelain box with exquisite painted scenes and bright colours on a sky blue background depicting a landscape and country house. Internally there is a d...

COUNTER CASH 17th Century Flemish in walnut wood with inlays, consisting of two drawers and a drawer. Signs of use. Dim.: 31.5 x 44 x 27 cm good state

Casket Baroque, around 1760, birch burl and walnut, round lid with folding star inlay and pewter thread inlays, original lock and fittings, shellac hand polish Dimensions: Height: 14 cm Width: 26 cm Depth: 20 cm Most pieces of furniture from the Baroque era date from the period between 1670 and around 1750. Starting with strict but pompous forms, Baroque furniture developed into playful pieces of furniture with numerous curves and magnificent fittings by the middle of the 18th century. Baroque chests of drawers mostly date from the period between 1720 and 1750 and feature multiple curved fronts and veneer marquetry. Baroque tables and chairs feature lavishly curved legs, the lower ends of which end in volutes or animal hooves. Towards the end of the Baroque period and the Rococo period, the curved legs of tables and chairs merge into the frames in a single sweep. Baroque cabinets are usually disproportionately large by today's living standards, as they originally stood in castles. Heights of 2.40 to 2.60 meters are not uncommon for baroque cabinets. In early Baroque furniture...

Decorate a coffee table or a shelf with this elegant and colorful casket. Crafted in Italy circa 1880, the Venetian box stands on heavily carved feet decorated with gilt acanthus lea...

SILVER BOX Austria-Hungary 18th Century in silver with profuse decoration inspired by the Crimean War, in which Russia lost to an alliance of the Ottoman Empire, France, United K...

The exterior surface decorated with striking geometric panels of contrasting light & dark fruitwood veneers with ebonized mouldings, the slant top opening on later iron hinges to a plain interior housing a small hinged compartment for writing implements...

Italian 19th century chest. in ebonised wood with an inlaid decor. Measures: 19 x 36.5 x 25.5 cm. Good condition.

This charming and unusual casket injects a romantic atmosphere into any interior. It has survived in impeccable condition with acceptable wear to the painted surface which signifies its age and use. It is a conversation piece, a piece of acting history, bought by Vivien Leigh and Laurence Olivier...

A large French 16th Century Beech wood & leather chest, with iron flowerhead and domed stud work to front top and sides. Original hasp and lockplate, the interior of the box with lat...

Unique Portuguese pharmacy scale with doubt 19th century. Box in different woods with carvings and two drawers. Signs of use, small defects. Good general conditions. Dim: 70x32x60 cm.

A museum-grade mid-17th century Dutch silver marriage casket or knottekistje, circa 1660. Raised on solid silver bun feet the miniature casket is profusely engraved to all faces depicting a courting couple and architecture entwined in scrolling foliage. The reverse of the casket depicts the last supper, however, if you look closely, you can see a boy stealing food or wine from underneath! Possibly, this is the courting gentleman showing that he had a sense of humour. The scratch lined moulded top is surmounted with an intricate handle (once gilt) and floral patera to the centre. There are two inscriptions each within a cartouche 'In Lÿfde Beltact het al' and 'Getrouw tot in den doot' which loosely translates to 'faithful until the death' and 'love is everything'. Wedding caskets...

Antique baroque sterling silver little love cart late 19th Century, Italy. This a very nice and lovable piece of art fine art jewellery. Totally han...

This stunning 18th-century Italian box is a fine example of Baroque artistry, embodying the period's characteristic grandeur and attention to detail. Crafted from rich walnut, the bo...

Very special Baroque box with carved decorations of mythical creatures and figurative scenes Carved monogrammed initials "HPP" + Family Crest, origin: Gudbrandsdal, Norway, circa 174...

Mid 18th century Scandinavian baroque oak iron bound box circa 1720. Characterful oval shaped box profusely covered with iron edging and strap work.  This piece has taken on a great...

Snuff Box noble coat of arms is in 925/1000 sterling silver. Snuff Box noble coat of arms has White fired enamels on guilloché and handpainted miniature of arabesques with noble coat...

Square pill box with rounded corners and curved sides in 925/1000 sterling silver with very fine hand-engraving in baroque style, fire-enamelled with black enamel also on the sides. ...

Snuff Box Snuff Box Venetian landscape is in 925/1000 sterling silver gold plated 24 carats.. Snuff Box Snuff Box Venetian landscape has translucent fired enamel on guilloche and min...

Round snuff box in 925/1000 sterling silver gold plated with fired enamel on the enameled edge with vertical stripes and fine monochrome miniature hand painted by the painter Renato Dainelli. Diameter cm. 6.2 cm high. 3.4. Weight gr. 222. Designed by Franco Salimbeni in 1967 and produced in Florence in the Salimbeni company headquarters with manual workmanship by skilled artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Rather large and rare miniature chest of drawers in late baroque from the early 18th century. Made in Walnut with key-plate in brass. All the drawers in the dresser with original loc...

European 19h Century jewelry box with a green patterned fabric insert. This wood box is handcrafted in a faux bois style with brass hardware and etched mirror glass inside. The cond...

Vintage Dutch Country French Baroque Style Silver Plated Figural Jewelry Box. Circa Early 1900s. Measurements: 1.5" H x 8" W x 6" D.

Pill Box Baroque shaped with pastoral miniature Sterling Silver Salimbeni .Baroque shaped pill-box with hand engravings and green fire enamel, with hand painted enameled miniature of...

Sterling silver box completely handmade with brown velvet interior. The structure is rectangular and shaped. On the body, slight elevations have been made that make the box typical o...

Fine 17th century domed box with highly figured kingwood marquetry veneer laid in a geometric pattern, the front having elaborate pierced and embossed brass escutcheon, the whole wit...

Fine 18th century ebony and bone inlaid table cabinet with geometric and line inlay on eight drawers with turned bone knobs and standing on turned e...

France Late 18th century silver carriage shape box in Regency Style This magnificent piece of art of silver jewelery. It is an example of h...

Step back in time with this exquisite find: the lid of a rare hatbox dating back to the early 18th century, circa 1740. Crafted from solid wood and ado...

Baroque style shaped table box in 925/1000 sterling silver gold plated with fine hand engraving interspersed with spaces with translucent fired enamels on guillochè and a beautiful h...

Rectangular box with inward corners in sterling silver 925/1000 gold plated with beautiful miniature fire enameled and hand painted by the painter Beatrice Mellana depicting the painting "The Turkish slave" by Francesco Mazzola known as "il Parmigianino" (National Gallery of Parma). Dimensions cm. 8.5 x 11.5 x 3. Weight gr. 345. Designed by Franco Salimbeni in 1965 and manufactured in Florence in numerous specimens with various different subjects, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enameled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Small rectangular ark with a flat lid, with a lock of golden metal worked (crown on two facing lions, located on a garland of great size, and all around a symmetrical composition wit...

Splendid pair of antique 18th century wooden jewelry boxes of fine French manufacture. The jewelry boxes have baroque shapes and are very curvy yet edgy, creating a perfect mix. The jewelry boxes are made of green and gold lacquered wood, which creates a very elegant effect. The central body contains two small storage drawers...

Rectangular table box in sterling silver 925/1000 gold plated with very fine hand-engraving Baroque style on the lid, fire-enamelled in 2 colours. In the center an ancient oval plate...

Hinged top, decorated overall with incised carving, lock plate and side handles.

A late 18th century blacked wooden sewing box with gold painted decoration all around brass engraved lock and hinges Aged patina 17 x 10.5 cm, total heigth 10.5 cm

Snuffbox Rectangular for table with rounded corners in sterling silver 925/1000 gold plated with very fine fire-enamelled miniature hand-painted by the painter Renato Dainelli repro...

RARE IBERIAN SAFE from the first half of the 17th Century in painted and gilded carved wood decorated with plant motifs. Small defects. Dim.: 34 x 43 x 35 cm

Wonderful carved German or Austrian snuff box hunting motive and silver mounting. Carved to fit "hand in glove." Provenance: Exhibited at the Dome M...

A fine and extremely rare figured walnut and seaweed marquetry 'lace box', circa.... let’s break it down - Seaweed marquetry first appeared in Englis...

IMPORTANT CUT-OUT BOX, SÈVRES 18th Century Sèvres. Polychrome and gold decoration with reserves with landscape and figures. Rims and clasp in relief bronz...

Rare and precious Venetian domed case made of richly lacquered and gilded wood, early 17th century, depicting "The Conquests of Venice." Caskets like this one are more unique than ...

Portuguese Rosewood Baroque Chest, Circa 1830 Suited for Jewelry, Occasional Storage, or Decorative Use Sourced by Martyn Lawrence Bullard from Lisbon, Portugal

Baroque guild drawer with side brass handles and domed lid. The body stands on pressed ball feet, has rounded corners and is veneered on all sides in walnut with strapwork marquetry.

Incredible portuguese silver jewerly box with semi-precious stones on the lid circa 1850.

Unusual carved box with a dome top cover and one-drawer. Nice dried out light color.

A charming early tobacco box or tea cannister Unusual, large size Lovely soft contours which enhances the reflection of light in the interior Original condition including hinges length 21cm., 8 1/4" depth 7.5cm., 3" height 11cm., 4 1/2". The Dutch were the main importers of tobacco in the 18th century and manufactured tobacco boxes to sell with...

Hand-carved and painted, arched-top, Chinoiserie decorated hinged wig box with original bronze hardware. The top featuring a trio of figures in a lush landscap...

An elegant, molded sterling silver, hinged top box. The top features an onyx panel.