Egyptian Revival Antique Bronze Sculpture Clock of "Isis" by Pierre Emile Hebert

LOUIS JULIEN (JULES) FRANCESCHI French, 1825-1893 The Goddess Isis Patinated bronze signed to the edge of base "J. FRANCESCHI" cast circa 1890-1900 Item # 409LRJ22W A very fi...

ART DECO FIGURAL MANTEL CLOCK Anton Grath (Austrian, b. 1881) patinated and burnished bronze over marble signed "Anton Grath" and foundry marking monogrammed "HW" within an "H" to right side of base Circa 1925 Item # 203AXG01W A powerful figural clock of a partially nude male and female raising offerings of a laurel wreath and an empty vessel, they face one another before the bold architectural display of the clock flanked by coned finials. They are loosely symmetrical in garb, the burnished bronze capes flowing gently around and before them. The circular face of the clock rests on a pair of sleeping lions over a textured bronze rectangular plinth with a burnished bronze bas-relief of a young woman lying in the grasses of a setting sun raised on a variated marble base. This model was acquired formerly at the Sotheby's, New York sale on April 14th 2008, [Sale N08427, lot 155, achieved $ 5,000 USD] and the patina was enhanced at some point in the last fourteen years to include the parcel-burnished highlights in the figures. The right side of the base includes the signature and a monogrammed foundry mark (HW within an H). A very fine period example. Artist Listings & Bibliography: *E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 592-593 *The Dictionary of Western Sculptors in Bronze, Mackay, Baron, 1977, p. 166 *Art Bronzes...

FRENCH RESTAURATION ORMOLU & PATINATED BRONZE FIGURAL MANTEL CLOCK OF ROMAN PHILOSOPHER HORATIUS Paris, circa 1820; silk-suspension movement signed "Etablissement Barbot de Paris" Item # 010CVX22A An incredibly fine Restauration period clock, it depicts a seated figure of the important Roman philosopher Horatius holding a scroll in his right hand while waving his hand over the results of war: ruins of a column and remains of an architectural mural...

EMILE PICAULT French, 1833-1915 "Reveil de la Nature" (The Awakening of Nature) Sand-cast patinated bronze signed to naturalistic base "E. PICAULT" with the title of the work embo...

A Pierre-Eugène-Emile Hébert French Victorian bronze group of two bare fisted men boxing on a rectangular base signed E. HEBERT. (Pierre-Eugène-Emile Hébert)

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

This clock set is designed in the Egyptian Revival style, which was in vogue in Europe and America in the 19th century. The fashion was kick-started by Emperor Napoleon I’s campaign in Egypt in 1798-1799. This led to the publication of ‘Le Description de l’Égypte’ (The Description of Egypt) in 1809 (and a second edition in 1830), which documented various aspects of Egyptian culture, including the pyramids, antiquities, ancient and modern buildings, Egyptian clothing...

Egyptian Revival Bronze and Marble Mantel Clock Egyptian revival mantel clock housed in a polishes black slate and marble stepped case, decorated with winged uraeus and hieroglyphs, surmounted by a patinated bronze sphinx wearing nemes and resting on lions paw feet. Enamel dial with Arabic numerals and original ‘blued’ steel hands. Eight day French movement with anchor escapement striking the hours and halves on a silvered bell. The backplate signed Societe Clusienne S.C.A.P.H. Cluses and numbered 4144. C.1870 Societe Clusienne were based in Cluses near to the Swiss border in France. The case attributed to G.Servant Georges Emile Henri Servant ( 1828-1890) succeeded his father at their foundry at Rue Vieille-du-Temple, Paris in 1855. He specialised in the production of Neo-Egyptian style clocks. He was noted for the high quality of his bronzes at both the Paris Universal Exhibition 1855 and the London Exhibition in 1862. Many of his clocks were exported to the United States where his Sphinx clocks...