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Paper Mantel Clocks

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Material: Paper
American Mahogany Pillar and Scroll Mantel Clock, Eli Terry, Circa 1825
Located in Charleston, SC
American Federal mahogany pillar and scroll mantel clock with a broken arch pediment, three urn wood finials, flanking ringed columns, hinged glass d...
Category

1820s American Federal Antique Paper Mantel Clocks

Materials

Brass

Designs for Gilt Bronze Objects from the French Restoration 1814-1830, 1st Ed
Located in valatie, NY
Designs for Gilt Bronze Objects from the French Restoration 1814-1830: Clocks, Candelabras, Chandeliers, Sconces and Inkwells, by Charles Plante. Publis...
Category

21st Century and Contemporary Paper Mantel Clocks

Materials

Paper

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Antique Gilbert Manufacturing American Empire 30 Hr Mahogany Mantel Shelf Clock
By Gilbert Clock Co
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Antique 19th century Gilbert (William) Manufacturing Company Ogee style weight driven American Empire shelf clock. Made of walnut featuring gold and marbled columns, reverse painted floral roses, roman numeral face and brass works. Signed and dated on back, this clock was one of the last made before the fire closed the factory and the reincorporated under a new name. William L. Gilbert was born in 1806 in Northfield, CT (a village of Litchfield) and became interested in the booming clockmaking business at Bristol in 1828. In that year he and his brother–in–law George Marsh purchased a clock factory and formed the firm Marsh, Gilbert & Co. In 1835 Gilbert and John Birge formed Birge & Gilbert. In 1839 Gilbert became part of Jeromes, Gilbert, Grant & Co. to make the newly introduced 30 hour brass weight driven clock. In 1840 Gilbert moved to Winsted, a village within Winchester, CT and with two partners bought the old Riley Whiting...
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Late 19th Century American Empire Antique Paper Mantel Clocks

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Leila and the Giaour Gilded Bronze Clock, France, Circa 1830
Located in PARIS, FR
Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...
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1830s French Antique Paper Mantel Clocks

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Leila and the Giaour Gilded Bronze Clock, France, Circa 1830
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Previously Available Items
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