Outstanding Late 19th Century Gilt Bronze Mantle Clock by Dagrin and Philippe

A Very Fine Late 19th Century Gilt Bronze Mantle Clock The clock face is flanked by one child playing the french horn,the other playing with finger cymbals, all raised on an elabor...

Nice Late 19th Century Gilt Bronze Mantle Clock A fine quality urn with flowing flowers and foliage sits above the clock face surrounded by h...

A Beautiful and Great Quality Late 19th Century Gilt Bronze Cartel Clock The large bronze clock topped by an urn above a large mask of Apollo with ...

A fantastic quality late 19th century gilt bronze mounted white marble mantle clock. By Charpentier & Compagnie. An urn with laurel leaves above a tied bow, the sides with swags of...

A fine early 19th century fire gilt French mantle clock circa 1810, with a reclined figure of learning reading a book above a white enamel dial, signed Dautel, Rue de Thionville à Pa...

Antiques 19th Century French Rococo-style gilt-bronze mantle clock crafted by Raingo Frères. The clock boasts intricate decoration throughout, with birds resting on floral foliage ad...

A stunning 19th Century gilt bronze mantle clock by Richond of Paris, stamped by the maker H & F and is of exceptional quality. The finely cast gilt bronze clock in the Neoclassical...

A Monumental 19th Century Regency Style Gilt-Bronze Inlaid Grand Cartel de Applique, In the Manner of André-Charles Boulle. This impressive and large cartel clock has a circular, arabesque chased, brass dial with Roman numerals on enamelled cartouches, with engraved seconds and steel hands. The rear of the clock is open cased. The dial sits within a waisted case, with large acanthus mounted gilt-bronze volutes, surmounted by a palmette mascaron and a figure of Jupiter as a child and an enamel cartouche signed ‘Thuret A PARIS’. It is supported on large foliate mounted scrolls and decorated to the sides with Boulle marquetry panels and lion mask mounts. An eighteenth-century version of this clock by ‘Mynuel A Paris’ (Maitre 1720) is illustrated by Tardy in ‘La Pendule Francaise’, 1ere partie, p. 141. Initially conceived by C. Cressent, the design was further refined by A.C. Boulle before being embraced by J.J. de Saint-Germain. The earliest examples of this distinctive style bear the signature of clockmaker J. III Thuret. Only a handful of identical specimens of this model are known to exist. One such identical piece resides in the Frick Collection in New York, originating from the Dalva Brothers...