Metal Clocks

Large Louis XVI period portico clock in white marble, gilt bronze and blue earthenware in the Wedgwood style. The two posts are decorated with chased and gilt bronze motifs represent...

A French Directoire ormolu mounted black marble portico clock of Egyptian temple form. Set upon ormolu toupee feet with a rectangular black marble base. Black marble columns rise up ...

The Ancient Roman personifications of love and desire, Venus and Cupid, feature on this this fantastic Louis XVI mantel clock. Finely cast in resplendent gilt bronze, they are shown with a dove on Venus's hand, another ancient symbol of love. Venus is shown in draped clothing...

A very fine Early 18th century French Louis XV period corne verte (green horn) and ormolu mounted cartel or wall clock. The impressive cartel rests on its original socle - wall mounted base. Signed on the original white enamel dial with hand painted Roman numerals within a hand blown glass door with ormolu trim and decorated with ornate bronze. Impressively chiseled or ciselé work throughout. The wonderful gilt bronze case is signed by the highly respected maitre ebeniste and clockmaker, A. Gosselin from Paris. It is surrounded by flowers and foliage. Antoine Gosselin ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752). Original gilding throughout, exquisite patina. Clock is in very good antique condition and functions, but may need to be serviced again after shipping just as all clocks do. The ormolu Chinoiserie...

18th century French large Vernis Martin gilt bronze cartel clock and console The impressive and large clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint wit...

Cartel from the Louis XV period in brown tortoiseshell and inlaid with brass signed in enamel Jean Louis Delisle in Paris and on the movement, strikes the hours and half-hours revise...

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt). The medall...

Gilt bronze and malachite Louis XVI clock French, late 18th century Measures: Height 69cm, width 36cm, depth 13.5cm This fine Louis XVI mantel clock is wrought from malachite and gilt bronze. The malachite veneer is a later, beneficial refinishing. The clock features a plinth-form malachite base supporting four malachite columns, each with a gilt bronze capital. The columns raise an ornately shaped top, which is inset with a circular white enamel dial and is surmounted by urn-form finials. Beneath the dial is suspended an ornately cast and finished gilt bronze drapery...

French 18th century Skeleton clock with oval glass panel by Charles Voisin.

Mantel clock 18th century Louis XV by Picard, Henry (French, FL. 1831-1864) Henri Picard was a prestigious 19th century fondeur and doreur, who worked in Par...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker. The eight-days going movement has a wire sus...

A spectacular and extremely high quality French early 18th century Louis XV period tortoise shell and ormolu mounted Cartel clock. The impressive clock rests on its original wall mou...

18th century George III figured mahogany three pad bracket clock by John Wright Dorking, Circa 1780. England A most attractive English bracket clock, made around 1780, signed on ...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

A fine and rare William & Mary long case or grandfather clock by London maker Daniel LeCompte. c.1690, London, the fine marquetry case having oval panels of birds and flowers, the movement signed Daniel LeCount (LeCompte) having a silver chapter ring and seconds dial, brass spandrels of cupids supporting a crown; including key, weights and pendulum. LeCompte was a French Huguenot...

Cartel with its base in Boulle marquetry and gilt bronze. The gilded bronze in moving foliage and scrolls of flowers are of rocaille style. The circular frame in finely chiseled bron...

A large and important French 18th century Louis XV period Tortoiseshell and ormolu Boulle cartel clock signed Le Faucheur, A Paris. The clock is ra...

A very attractive Louis XVIth period French antique mantel clock of lyre form. Set on four shaped feet the sharp ended oval base with inset ormol...

Meissen gorgeous rococo mantel / table clock made of gilded / gilt bronze, excellently decorated with sculptured figurines made of porcelain. Manufactory: Meissen Hallmarked: Blue M...

Antique Neoclassical Louis XVI gilt bronze and malachite clock French, late 18th Century Measures: Height 56cm, width 35cm, depth 12cm Crafted from gilt bronze and a later malac...

Portico clock signed “Persevalle à Reims” This refined portico clock crafted in transitional Louis XVI – Empire style from ormolu and black marble is signed on the dial “Persevalle à Reims”. The Empire style was based on elements of the Roman Empire and its culture, which had been rediscovered starting in the eighteenth century. Bronze was the main material used in Empire style timepieces and both the patina and ormolu techniques were vastly used for ornamentation during this period. As for the source of inspiration for decorative motifs of Louis XVI style, it was coming from nature and antiquity thus many characteristic elements would reoccur in architecture, interior decoration and furniture. Many ornaments were borrowed from flora, and this love for nature appeared into decoration by the presence of a wreath of roses, baskets, palmettes, bows and ribbons. The portico clock is mainly crafted from black marble and ormolu bronze embellishments, which with their minimalistic touch compliments one another. As mentioned before, the source of inspiration for this portico clock derived from antiquity. The columns which are a key feature of portico clocks are constructed in Greco-Roman architecture. The two front black pillars are made in Tuscan style with gilded capital and base, they are also entwined with an acanthus spiral around the pillar. The back columns, in contrast to the front one, are square and has only a face adorned with a gilded bronze floral garland. The four columns are connected on top with an entablature with a cylinder-shaped dial in the middle cast from bronze. The entablature is adorned on both sides with gilded lyres and flower vases. The dial of the clock is signed ‘Persevalle à Reims’ and consists of blue Breguet-style hands that indicate hours laid out in Roman numerals and minutes in Arabic numerals on the enamel dial. The Breguet hands have a circle with a filled crescent shape on the side and have been featured its founder's watch hands for over two centuries now. This unique shape is sometimes referred to by the French word for apple, pomme. Above the dial is situated a small black marble plinth and a marble medicis vase...

Wonderful golden clock, signed Jean-Antoine Lépine, (born November 18, 1720, Challex, France, Died May 31, 1814 (aged 93)Paris, France) a wonderful exam...

A striking and high quality French 18th century Louis XVI period white Carrara marble and ormolu garniture clock set signed by Jean-Simon Bourdier. The clock is raised by elegant mot...

Mantel clock 18th Century styl Boulle by JOSUE PANIER À PARIS.

Beautiful antique French Directoire period Egyptian or Gout d'Egypt ormolu and patinated bronze mantel clock. Superb quality and condition of the entir...

Magnificent and very rare French Directoire or Empire clock in patinated bronze and the finest highly worked ormolu. Set upon toupee feet below a rectangular ormolu base with applied...

An extremely rare mantel clock with a figured mahogany-veneered case by A-L Breguet Abraham-Louis Breguet (1747-1823), who was of Swiss origin, is undoubtedly the most celebrated clockmaker of the late eighteenth and early nineteenth centuries in France. He is responsible for the invention of the self-winding watch, the tourbillon and the sympathetic watch ( a watch that is placed in a cradle of a special clock. It is then linked by means of a pin fixed behind the clock dial. Built into the motion work which, when released by the clock, automatically sets the hands to the clock's time as well as correcting the watch's regulator necessitated by any degree of inaccuracy registered at the moment of synchronisation) and many other horological improvements and developments. Around the year 1807 Breguet brought in his son, Antoine-Louis (born 1776), as a business partner, and from this point, the firm became known as Breguet et Fils. Breguet had previously sent his son to London to study with the great English chronometer maker John Arnold...

A superb French early 18th century Louis XV period ormolu clock, signed Gaudrons du Roy, Paris. The clock is raised on an ormolu base with luxuriant scrolled movements. Below the fac...

This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. He supplied the most illustrious clientele, not least the French and Spanish royal family as well as distinguished members of Court and the cream of Parisian society. This is a unique, authentic antique French table or mantel clock, which is in finely chiseled and gilded bronze. The dial has outer Arabic numerals and inner Roman numerals with a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen...

The clock is in excellent and perfect working condition. In addition, it has been cleaned and maintained by a professional watchmaker specializing in museum maintenance. The eight-da...

18th Century Louis XVI Gilt Bronze Female Mask Wall Clock, sign. "Juhel à Paris" The ormolu cartouche-shaped case surmounted by a twin-handled neoclas...

Thomas Moss Fusee bracket clock, London, brass silvered dial signed by the maker. "Thomas Moss, London." A mahogany veneered case with brass trim and bracket top. The movement is an ...

Antique French portico clock in Louis XVI style signed on the dial Gavelle Le, Rue aux Ours. This 18th c. style marble clock is composed of two columns in a shape of a obelisks in white marble and a statue of Goddess...

Early 18th century French Boulle gilt bronze wall console cartel clock, signed "Gribelin" Cartouche-shaped cartel clock case with a narr...

This is, without doubt, the largest and most impressive English longcase/grandfather clock we have ever encountered, standing at three meters twenty (10.5ft/321cm) and it is quite possibly the largest from the entire 18th century. The golden age. As you might expect, no expense was spared when this clock was commissioned circa 1710-1720, using only the very finest cuts of burr/burl walnut to adorn the case and cross-grain mouldings throughout, leading up to the sensational month going, quarter chiming movement by James Markwick, London. Once wound, the clock will run for one month, chiming the quarters on six bells...

The clock with laurel wreath and torch finial over a clock set in a rectangular case, bronze feet. Together with a pair of two light candelabra.

In fine condition with eagle finial over an enameled clock dial signed Degre, a fine Paris maker listed in Tardys book of French clockmakers. Flanked by two pairs of urns one white marble and the other black over marble columns wrapped in spiraling gilt bronze vines...

A magnificent large scale French 18th century Coromandel and ormolu Grandfather Clock, by André Furet. This very unique and high quality clock is raised by rectangular base with a li...

A sensational French Louis XV period, circa 1740, tall case clock with an extremely rare mechanism movement signed Jean Charost. The original case in kingwood, ebony and rosewood ven...

A very rare Louis XVI style gilt-bronze and glass, Pendule a cage, by Francois Linke, with a white marble base. Linke Index no. 076'. Linke Title: 'pendule a cage'. Signed to th...

An extremely elegant and very high-quality French 18th century Louis XVI period ormolu, Bleu Turquin and white Carrara marble clock signed by Jean-Baptiste Dutertre. The clock is rai...

Louis XVI architectural gilt bronze and malachite clock French, late 18th century Measures: Height 53cm, width 35.5cm, depth 11cm Crafted from ormolu and a later malachite venee...

A charming and high quality French 18th century Louis XVI period ormolu, Gris St. Anne and white Carrara marble clock, signed 'Mailland, a Paris'. The clock is raised by six mottled ...

"Late 18th Century - Kinable A Paris" Along a winding dirt path, the blind Belisarius carries his young guide. The boy has been bitten by a snake, which remains coiled around his bleeding leg. With his right arm wrapped limply around Belisarius's neck and his eyes closed, the youth balances precariously between life and death. Belisarius's eyes are also closed, but guided by his stick he moves forward with determination and purpose. He rises heroically against the spectacular sunset, a monumental figure creating a powerful outline against the sky. But the flaring sunset also signals a chill night and the uncertainty of the path ahead. Belisarius was a popular Byzantine general of the Roman Empire whose promising career was sabotaged by the jealous Emperor Justinian I. In 1767, a novel by Jean-François Marmontel revived interest in Belisarius. In Marmontel's novel, the emperor has the heroic general blinded, reducing Belisarius to begging. He is eventually rediscovered and aided by former officers and his family. This dramatic tale of patriotism, injustice, and redemption was widely embraced in revolutionary and post-revolutionary France and was a popular subject for artists--including Jacques-Louis David (François Gérard...

Louis XVI portico clock Pendulum called "portico" in white and gilted bronze. The enamelled dial, including Roman numerals for the hours and ...

Louis XVI ormolu-mounted black and white marble mantel clock, Paris, 1800. The white enamel dial with black Arabic numerals is contained ...

This is a delicately gilded clock. Designed in the Louis XVI style, it is a very similar barometer. Originating from France in the 18th century, this watch gives the viewer an extrem...

An early Louis XV green stained horn and gilt bronze-mounted bracket clock, the clock second quarter of 18th century, the dial inscribed 'Causard Her du Roy a l...

Maker: Etienne Lenoir Case: The ormolu and patinated case features a prancing horse with a finely textured finish, a wellcast snail, scrolling foliage above framing the clock ...

A fine 18th century English brass and iron lantern clock. Signature: William Kipling, London The clock consists of going and striking trains, as well as ...

A very fine Louis XVI ormolu clock set, by Ferdinand Berthoud, Paris, circa 1770 This clock set is presented in gilt Bronze and Bleu Turqin and...

Case: The ormolu rockwork case has patinated figures to the sides, military implements and several flags above and stands on a red variegated base with flattened bun feet. A celebr...

A stunning French 18th century Louis XVI period ormolu and silvered bronze clock, signed Pfeñinger, Zurich. The clock is centered by a striking foliate berried bottom finial below th...

A fine and rare Bisquit porcelain and gilt bronze Louis XV figural clock f depicting a famous scene in Greek Mythology of Perseus freeing Andromeda. The clock case is made of Bisquit (unglazed) porcelain. The figural group is presented on a rocky outcrop with waves lapping at their feet. She is shown lying over the clock dial with one leg and one arm chained to a rock behind her. Perseus leans agains the other side of the dial reaching to untie Andromeda from the rock behind her. Medusa's severed head is shown at his feet. The base is decorated with a gilt bronze frieze across the front showing cupids playing with stars and sun rays. The rounded sides of the clock are also decorated with gilded panels. The case sits on six toupie feet. The 6.5" white enamel dial is signed Ageron at the top and Paris at the bottom. The dial has Roman numerals with enamelled stars between the numerals; the hands are pierced and gilded. There is also a subsidiary steel hand pointing to the days of the month. The silk string suspension system has been replaced with a steel suspension system. The clock rings the hours and halfs on a bell. The movement for this magnificent clock was made by François Ageron (d. after 1783), who was one of the leading 18th century Parisian clockmakers. Ageron’s establishment was famous and known for his horological genius he created both clocks and watches, many of which had complicated movements. He was born at Arbigny and was received as a Parisian maître-horloger in 1741, at which date he was established at Place du Pont Saint-Michel. By 1747 he had moved to Quai des Augustins, five years later he was at rue Saint-Louis au Palais and then in 1763 at place Dauphine. Like other great clockmakers of the period he used cases by the finest bronziers notably Philippe and Jacques Caffiéri, Jean-Joseph de Saint-Germain, Robert and Jean-Baptiste Osmond, Jacques Dumont...

This is a magnificent example of a George II brass face red walnut longcase clock. The hood having and elegant broken swan-neck pediment and bras...

English Chestnut and Mahogany tall case clock with broken arch pediment, floral rosettes, original brass urn finials, dolphin and figural ormolu face, original arched hood with glass door, cross banded...

Louis XVI period gilt bronze mounted malachite clock French, late 18th century Measures: Height 50cm, width 34.5cm, depth 13.5cm This fine mantel clock was produced during the e...

Large gilded bronze clock with Louis XIV figure. Mechanism working with a pendulum and original key End 18th century beginning 19th century...