Neoclassical Revival Clocks

A monumental architectural French 19th century neoclassical Revival gilt bronze mounted beige and red onyx longcase grandfather clock. The very impressive clock-case surmounted by a figure of seated Classical male figure...

This is a gorgeous and very unique French mantle or mantel clock featuring a gorgeous figure of a scholar in robes recling while reading books. The clock is surmounted with verdi gre...

Beautiful Amsterdam long case clock Wuba/Warmink - Period 1960. This clock has a well-functioning 8-day movement westminster percussion with quarter-hourly striking mechanism on gong rods. Beautiful brass dial with engraved bar. In the arch of the dial is the silver-plated working moon phase. The silver-plated dial has Roman numerals and is in good condition. Around the chapter ring, in the corners, you will see figures cast in bronze that depict the seasons. The cabinet is veneered in burl walnut and has a nice warm colour. The whole stands on a burl walnut veneered plateau which is also in good condition. Both sides of the hood are fitted with openwork windows, covered with fabric on the inside. On top of the hood of this clock are cast brass angels with trumpets on the left and right and in the middle is the figure Atlas...

Importante e monumentale pendola della Foresta Nera, unica nel suo genere, con calendario, suoneria delle ore e dei quarti e 19 automi che compiono 24 movimenti. Cassa in legno lacc...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical depiction with a gilded bronze chariot and a swan's head, inside which sits a draped gir...

Our lovely gilt bronze mantel clock with movement by Raingo Freres of Paris features the finely sculpted figure of a beautiful female caring for a newborn chick. With original pen...

Small table clock in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche, with columns in neo-classical Hellenic style. Swiss mechanical movement from Mai...

A fine mantle clock in black jasper dip, decorated by Bert Bentley with Sacrifice to the front. To one side, Polymnia; to the other, an unidentified female ...

Garnish with clock and candelabra in porcelain and gilt bronze. France, 19th century. Mechanism in perfect working order. Fireplace garnish composed of a clock and two five-light candelabras, all three pieces made by combining gilt bronze, with relief elements and round bulges and cold-chiseled details, and porcelain decorated with low-temperature enamels, including gold enamel. The porcelain pieces follow models from the Sèvres National Manufacture of the 18th century, with large pictorial cartouches on a cobalt blue background adorned with golden plant motifs. The set follows a historicist design that combines baroque and neoclassical elements with enamelled scenes of Rococo inspiration, representing landscapes and scenes with mythological themes alluding to the arts and the goddess Venus. The clockwork is stamped “Chles. MT”, with serial number 17420. The main glazed porcelain plates are signed DP Boncher. The clock follows an architectural structure, with an oval base with a prominent front in plan, raised on four molded feet in the shape of a top, on which a large ornamental vase is placed. This plinth has a distinct pinto and, above it, a main body as a façade, with a circular pediment that houses the clock face. This includes black enamelled Roman numerals on white medallions with a gold border, arranged around the central representation of a putti reclining among clouds, holding a floral garland and accompanied by musical instruments. Among the medallions that house the numbers, a small jeweled decoration that evokes pearls and embedded rubies, which is echoed in the secondary areas of the body of the piece and also the vase, always combined with delicate golden filigrees. On both sides of the sphere are two female portraits of ladies from the 18th century, in oval frames. Below, a classically inspired scene with a muse holding musical instruments, probably Euterpe or Erató, accompanied by a putti reading a sheet of music. On the sides of the clock body, two large curved rectangular plates house highly pictorial enameled landscapes, worked with the same miniaturist precision as the rest of the enameled cartouches. These are landscapes of romantic heritage, again inspired by the 18th century, with ideal settings for a twilight atmosphere, featuring classical ruins. The vase that tops the body of the clock has a hemispherical tank, shoulders ending in an edge, an openwork truncated conical neck, which opens smoothly towards the shoulders, and a domed lid, also openwork. The handles are figurative, in bronze, with two female sisters crowned with flowers, of clear Greco-Latin inspiration, worked in a round shape. In the tank, the vase houses two enameled porcelain cartouches, the front one with two putti and a dove - a symbolic allusion to Venus - and the back one with musical instruments. The design of the clock is completed by two thick bronze S-shaped plant braces, under the vase, and counter moldings and plant motifs cast in relief and cold chiseled, combining matte and polished finishes. The candelabras follow a similar design, with large vases of neoclassical design on pedestals, in this case cylindrical, raised on four low feet of turned design. The bases house porcelain cartouches with scenes of putti related to the arts; In one of them we see two putti practicing painting, and in the other two others in a scene related to classical lyric poetry, with one putto writing while the other, holding a lyre, raises a laurel wreath above his head. The cartouches that occupy the front of the candelabra vases...

A nice clock of the same period as Caldwell and with Chelsea works of Boston. With key.

Table clock with Muse and writers. Blued and gilded bronze, Paris movement. France, 19th century. Perfectly working mechanism. Table clock in blued and gilt bronze with Paris mac...

Table clock. Gilt and blued bronze, marble base. Possibly France, late 19th century. Working. Table clock with Paris machinery in working order that has a rectangular light marble base with the front slightly forward to allow space for the clock case. It has a white dial, Louis XVI type hands and Roman numerals for the hours and Arabic numerals five by five for the minutes. This part is sheltered in a golden marble pedestal, which has a base of Greek fretwork...

Clock Red fired enamel on guillochè, with columns in Neoclassico Salimbeni. Small gold-plated 925/1000 sterling silver table clock with translucent fired enamel on guillochè, with co...

Table clock. Marble, bronze. Japy Freres; Boursier. Paris, France, circa 1849-1854. Machinery in perfect condition and working order. Table clock made of patinated and gilt bronze...

Gilt bronze eagle and marble ball clock. France, circa 1900.

Beautiful and refined table clock in mercury-gilt bronze, with original gilding. The decoration presents the allegory of love, with Cupid sitting and leaning on the arch, while on th...

A fine quality neoclassical watch holder "porte montre" (in french) in patinated bronze featuring a classically draped Roman emperor sitting upon an outcr...

Clock and candelabra trim. Blued and gilded bronze, marble. Raingo Frères, Aaria, Clodion. Paris, France, second half of the 19th century. Working. The two candelabras follow a model highly appreciated in the 19th century of a bronze figure of a bacchante (a common figure in the procession of the classical god...

An early 19th century French eight day silk-suspension, striking clock, contained in ormolu case mounted with vases and urns of flowers with well-cast b...