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19th Century Regulator by Tarault Jeune, Precision Portal Clock, Paris, c. 1825

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Early 19th Century French Empire Mantel Clock, Portal Pendule, Paris circa 1820
By Duval
Located in Greven, DE
Antique French round arch portal clock France (Paris) Bronze, enamel Empire circa 1820 Dimensions: H x W x D: 47 x 26 x 12 cm Description: Very beautiful, strictly architecturally...
Category

Antique Early 19th Century French Empire Mantel Clocks

Materials

Bronze, Enamel

Early 19th Century Pendule Portefaix, Mantel Clock, Paris and Brussels, c. 1810
By J. J. Hanset Bruxelles 1
Located in Greven, DE
Empire Pendule Portefaix Paris, Brussels Bronze, enamel Empire around 1810 Dimensions: H x W x D: 36 x 28 x 11 cm Description: Beautiful, fire-gilded and patinated bronze mantel c...
Category

Antique Early 19th Century Belgian Empire Mantel Clocks

Materials

Brass, Bronze, Enamel

Early 19th Century Ormolu Mantel Clock, Atala freeing Chactas, Paris, circa 1810
Located in Greven, DE
Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...
Category

Antique Early 19th Century French Empire Mantel Clocks

Materials

Ormolu

19th Century Mantel Clock "Astronomy", France circa 1830
Located in Greven, DE
Antique mantel clock on the theme of astronomy France Bronze Charles X around 1830 Dimensions: H x W x D: 48 x 19 x 10 cm Description: Unusual and beautifully crafted bronze mante...
Category

Antique 19th Century French Charles X Table Clocks and Desk Clocks

Materials

Bronze

19th Century Travel Clock with Repetition, Carriage Clock, Pendule de Voyage
Located in Greven, DE
Travel clock with repetition France Brass 19th century Dimensions: H x W x D: 11 x 7,5 x 4,5 cm Description: Small travel clock, so-call...
Category

Antique 19th Century French Carriage Clocks and Travel Clocks

Materials

Brass

1830s French Table Clock, signed by LESIEUR á Paris, Pendule "Virgil the Poet"
By Lesieur
Located in Greven, DE
Pendule - Virgil the Poet Paris Bronze, marble around 1830 Dimensions: H x W x D: 61 x 43 x 17 cm Description: Large and, at around 30 kg, very heavy French bronze clock from the ...
Category

Antique 1830s French Restauration Table Clocks and Desk Clocks

Materials

Siena Marble, Bronze

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Fine 19th century French ormolu mantel clock (pendule) by Leroy a Paris, c. 1825
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A most beautiful French ornolu mantel clock by Leroy à Paris A lovely French late Empire/early Charles X mantel clock with an ormolu case, c. 1825. The ormolu brass case depicts a celebration of Science and Learning. It is dominated by a rectangular superstructure containing the movement, flanked by an engine-turned column with a celestial globe on top on the left and an elegant lady reading a book on the right. The superstructure is surmounted by a bookcase and a bust of Socrates...
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