Federal / Classical Lyre Form Banjo Clock, Boston, circa 1810

Typical form with white enamel dial and reverse painted waist and pendulum door. With key and pendulum.

Typical form signed Willard on the reverse glass. Boston State house on lower panel. Brass eagle finial. Not currently working but can be.

American mahogany and églomisé banjo clock with original signed and numeral paper dial under glass, decorative painted and gilt throat panel, with a hinged painted and gilt door concealing the brass pendulum. Clock is in working condition with no issues. Signed by E. Howard and Co...

French neoclassical style lyre-form gilt bronze clock French, 19th century Measures: Height 50cm, width 19cm, depth 13cm This wonderful mantel clock, crafted entirely from gilt bronze, is a magnificent example of the Louis XVI style. The clock is designed about the motif of the lyre—a popular form for Louis XVI style clocks. The clock features a stepped plinth-form base, raised on four bun feet. The base supports the clock case itself, which is wrought to resemble a lyre: the dial is set into the body of the lyre, while the twin lyre arms spring from the shoulders of the case. The arms are joined above by a garland held by scrolled swan’s head finials, between which is situated an Apollo sunburst mask. The gilt bronze surrounding the dial is richly moulded with scrolled forms and grasping acanthus leaves. The dial itself, with a pierced centre, features Arabic numeral hour marks on individual circular enamel cartouches. The movement is signed ‘Le Roy a...

Lyre Form Clock Garniture in Louis XVI Manner. A stunning antique French lyre boudoir clock set, made in a beautiful figured rosé Languedoc marble,...

An impressive French 19th century Neoclassical Lyre-form clock with jeweled pendulum. Amazing quality white and yellow marble 19th century French Lyre-Form clock mounted all over with gilt bronze...

Empire ormolu mantel clock, Belgium, circa 1810, Signed "J.B. Romaet a Gand". Decorated with a shepherd scene. Strikes the hour and half hour on a bell. With enamel clock face and si...

An enchanting classical Louis XVI style gilded ormolu and marble mantel clock, having a standing cherub holding a Cockerel above a white enamel clock face, retails name; Rob. Engstro...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

Lyre-shaped mantel clock on marble base with crowning head of sun god Apollo and swan heads holding a flower festoon in their beaks. The dial is decorated with round enamel numerals....