Desk Accessories

Lava stone Règo is a little jewel that adds a new experience when using a notebook combined with an external display, ideal for saving space and creating a clean and tidy environment...

Wonderful German late 19th century carved wood black Forest inkwell. Beautifully carved with a seated dog on a naturalistic base of ferns and foliage, the cut glass inkwells retaining their original leaf carved stoppers...

"Medallion of the king of France Louis XVIII, in sèvres biscuit". Beautiful Medallion of Louis XVIII in sèvres biscuit and gilded brass, restoration ...

Argenteria Dabbene Italian 800 silver deer desk pen tray or change holder MI 277 A curved rim that is slightly hand hammered. 277 MI mark to the underside for Argenteria Dabbene. ...

Materials: Metal with static paint, Wood Dimensions: 13 × 13 × 22 cm Care Instructions: Wipe with a dry cloth when needed. Hoop is inspired by one of the oldest tricks in the history of illusion; "linking rings". Originating from a traditional Chineese magic trick, Linking Rings is made by two or more metal rings that impossibly interlock and break free from each other. Saluting this traditional trick, Hoop is made of 4 open rings welded to each other, ready for you to hang you rings, bracelets, earrings etc. You will be a part of this illussion anytime you put a ring on Hoop. Hoop is completely handcrafted. Its wooden base, metal storage unit...

A beautiful purple amethyst cluster decorative object, paperweight, or luxury display piece. A great piece for a bookshelf, cocktail table, on a desk as paperweight, etc. Dimensions:...

Antique silver inkstand inkwell, London 1899 Goldsmiths and Silversmiths Co. Plain rectangular form on four turned feet, shaped Chippendale li...

Supreme geometric and angular shaped Czech crystal Art Deco perfume bottle Clean geometric lines on black enamel. Vintage Bohemian, Czech cry...

An Italian '70s modern or Post-Modern period dark green marble obelisk sculpture, circa 1970s, Italy. Obelisk is green with white veining. Very go...

Antique Ink Well Tatum’s Standard, crystal well, 3 pen quill rests, hinged lid. This piece is cast iron and crystal. It is a beauty!

Edwardian, sterling silver - mounted onyx inkwell, Birmingham, England, year-hallmarked for 1915. Measures 3 3/4 inches wide (at widest point) x 2 1/4 inches high x 4 inches deep. So...

Although the purpose was once for "erasing" ink, this antique English piece can very well be used as a letter opener. It probably did serve a dual purpose way back when. The eraser...

Bookend in carved Monterrey black marble. Handmade in Mexico. Production time: 6-8 weeks for items without marble / 13-14 weeks for marble pieces. Shipping +10 additional business d...

'The Andy Warhol Diaries' book is hard-cover, first edition, May 1989. The Andy Warhol Diaries is the dictated memoirs of the American artist, Andy Warhol, posthumously published, May 1989, USA. It was edited by his frequent collaborator and long-time friend, Pat Hackett...

ABOUT This is an original Art Deco Stenotype stenograph with Bakelite keys and original wooden case covered in leather. Leather handle on the case. All the keys work properly. ...

Large, Edwardian-Period, sterling silver mounted controlled bubbles design crystal inkwell with hinged lid, William B. Durgin Co., Concord, New Hampshire, Ca. 1900. Measures 4 1/2 in...

Silver inkwell is a vintage silver decorative object. A beautiful inkweel with stamps realized in the mid-20th Century. Don't miss this precious object

An exceptional, fine and impressive antique Edwardian cut glass and English sterling silver mounted desk inkwell; part of our antique silver and glassware collection This exceptio...

A rather practical 1950s British novelty item. Intended for displaying/presenting business cards on your office desk or in your shop. Its made entirely f...

For your collectable watches, black polished box with suede dividers and leather handles. Box holds nine watches.

Black polished wooden pen box with anti-tarnish suede and leather handles for your collection of writing instruments.

Carl Auböck Model #8040-2 patinated brass knob. Designed in the 1950s, this versatile and Minimalist Viennese knob is executed in patinated brass by Werkstätte Carl Auböck, Austria....

Fantastic ceramic inkwell, with what seems to be a pottery oven in the midst of two naivistic lions. You lift of the top lid to place pens and lift up the two lions heads for ink. Co...

A Fantastic 19th Century French Louis XVI Style Dore Bronze Mounted Black Crystal Box. The box is composed of two sections of French black crystal wh...

A substantial pair of dark green marble Obelisk sculptures in the modern style, circa late-20th century. Pair/set are dark green marble with black veining, some minor traces of white...

Petite black enameled letter holder, circa 1950s, simple design in original finish great decorative piece.

Empire style 800 silver inkstand The base of the inkstand, completely handmade, is shaped like a "cathedral". The classic "palmettes" of the Empire style have been chiseled around i...

A rare Victorian silver plated novelty inkwell fashioned in the form of a barrel on stand, in turn standing on a brick paving; beautiful detail such as...

Art Deco / mid-20 century airplane fighter over the world paperweight, 1930s aluminium Art Deco / streamlined aviation paperweight. Lovely desk size. A perfect gift.

Recognisably first class, beautiful Czech crystal Art Deco perfume bottle Clean geometric pattern on black enamel. Vintage Bohemian, Czech cr...

Carl Aubo¨ck Model #3794 'Aorta' Brass Vase. This exceptionally crafted vase by Carl Aubock is a wonderful example of the marriage of form and functionality that has made the Aubock ...

Beautiful vintage ICET Arte Murano hand blown deep black with white accents abstract shape tuxedo kitty cat figurine, sculpture. The piece has an original "Arte Murano ICET...

A wonderful little toast rack which would look equally impressive on a smart desk-top to organise small papers, business cards etc. Made from solid Engli...

Letter opener in silver bronze Silver plated bronze letter opener 35/42 microns Measures: L: 218 mm, weight: 118 gr This letter opener is the handmade work of French designer Rich...

This Bookmark is part of the "Hommage" (tribute) collection, a line of stationery and office accessories designed and hand-manufactured by Carole Serny, whose aesthetics highlights t...

Ming in carved Monterrey black marble. Handmade in Mexico by local craftsmen. Production time: 6-8 weeks for items without marble / 13-14 weeks for marble pieces. Shipping +10 additi...

A Postmodern period clear and black acrylic and metal decorative object, circa late-20th century Piece is rectangular in shape, comprised of three pieces acrylic (black and clear), black metal screws and thin metal nails (approximately 500), making this an interesting Postmodern decorative object...

This multi-use arched black marble platter with natural veining makes a sophisticated presentation of appetizers, cheese, breads and crackers. Thi...

This multi-use arched black marble platter with natural veining makes a sophisticated presentation of appetizers, cheese, breads and crackers. Thi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Decorative Victorian brass inkwell with a glass insert a nice size and good conversation piece for any desk. This inkwell could use a good cleaning or po...

Joie (the joy) dynamic sculpture of a dancer  Design and creation by "Garcia" for "Max Le Verrier". Spelter with original patina conical base...

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

Intriguing 19th century Grand Tour carved Carrara marble cameo depicting a strong male profile, possibly the Italian poet Dante Alighieri Antique Italian...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Decorative, French vintage ceramic thermometer and casing by Mithé Espect (circa 1960s). A delightful piece with stylised bird and flower blossoms. The rectangular ceramic backdrop f...

Pure in design, a super little flower vase made of Disko metal by Just Andersen of Denmark Delicate shape and decorated at base with stylised leaves Stamped and numbered D55 to bas...

Antique Carving in the Form of a Dog Raised up on his hind legs, the head with original glass eyes tilts back to reveal the original glass inkwell ins...

Vintage Olympia portable typewriter with carrying case 1960s Olympia Monica portable typewriter with hard carry case made in West Germany. Typewrit...

A truly outstanding and rare find, this is an outstanding Victorian figural inkwell made from a winning combination of brass and silver plate and retaining his wonderful two original...

Cut glass tortoise inkwell. Vintage turtle pillbox inkwell of cut glass carrying a mounted finial topped circular lidded well originally for ink but cha...

This sterling silver bookmark by Frank Whiting silver is in the Princess Ingrid pattern, circa 1945. It has an Art Deco look and is similar to the Georg Jensen Acorn pattern...

Large Mathieu Matégot black metal waste paper basket, original first edition by Artimeta, the Netherlands, 1950s. In very good original vintage condition.

Black Forest Breinzware Large Inkwell, carved as begging terrier with tongue protruding, with inset glass eyes, the hinged head concealing a glass inkwel...

Carte du Visite (business card) case of Mother of Pearl laid in diagonal squares with a floral engraving centering on an abalone square and banded in abalone with ivory inner lip. The interior consists of a gilt edge cobalt blue accordion file...

This exquisite inkwell exhibits the mastery of Baccarat's workmanship. The molded crystal body is decorated in one of their more rare Classic patterns Moulure Russe with concentric swirling spirals...

Elegant Dunhill lift arm lighter made in the 1960s. Body wrapped in ostrich leather that has a perfect patina. Amazing texture and practical size perf...