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Early Hiroshi Yamano Art Glass Sculpture or Paperweight, 1988
$500
£378.37
€436.38
CA$698.22
A$782.23
CHF 407.15
MX$9,526.02
NOK 5,186.53
SEK 4,884.24
DKK 3,257.52
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About the Item
Early Art Glass sculpture by Hiroshi Yamano features a grouping of raising controlled air bubbles in the center of a clear glass disc object. The bubbles are partially enveloped by pale green, pink, and blue colored glass layers that are flowing around and through the central structure. The underside is polished flat, adding clarity to the sculpture and emphasizing the use of negative space in the composition.
The sculpture is signed and dated by the artist in etching on the underside; it can be used as a paperweight, if desired. It is contemporary to Yamano's famous "From East to West" series, that he started in the late 1980s, while he was a graduate student at the Rochester Institute of Technology. The sculpture was created in 1988; it is evocative of flowing water and underwater views. While we don't think that the sculpture is a part of the series, it is an important early work and a reflection on his studies.
Hiroshi Yamano (b. 1956) is recognized as one of Japan's foremost and innovative glass artists. He attended the California College of Arts and Crafts, the Tokyo Art Institute, and Penland School of Crafts (where he served as an assistant), before receiving his Masters in Fine Arts degree from the Rochester Institute of Technology in Rochester, NY, in 1989. Yamano began working with glass after seeing an exhibition of Scandinavian glass in Kyoto. At California College of Arts and Crafts he studied under Marvin Lipofsky, learning the creative aspects of glass. In 1986 he worked as an instructor at Leon Applebaum Glass studio in New York state, and from late 1980s - in Pilchuck Glass School, Stanwood, WA, further developing connections to American Studio Art glass movement. Tamano has received numerous awards, most notably The Rakow Commission in 1991, an annual award presented to a leading glass artist from The Corning Museum of Glass.
Yamano is a cofounder of the Ezra Glass Studio in Fukui, Japan; he serves as chairman of the glass program at Osaka University of Arts. Yamano traveled throughout Europe, Japan, and the U.S. teaching and showcasing glass techniques. He worked as a lecturer at The Glass Art Society conference in Mexico, The Aus Glass Conference in Australia and the Vanersborg Glass Festival in Sweden. In 2019, he was the visiting artist at the Chrysler Museum of Art Glass Studio. His works were shown in numerous exhibitions in United States, Japan, Switzerland, Germany, and Australia, and appear in many collections, both public and private, including The Corning Museum of Glass in New York, the Wheaton Glass Museum in New Jersey and the Chrysler Museum in Virginia.
- Dimensions:Height: 1.44 in (3.66 cm)Diameter: 3.18 in (8.08 cm)
- Style:Organic Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1988
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421145949872
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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