1930s Desk Accessories

A desk lighter designed by Ronson. This Ronson Touch-Tip Octette table lighter was made between 1935 and 1951 by the Ronson Art Metal Works Inc. located in Newark, New Jersey in the United States. This lighter began a very successful era for Ronson Touch Tip series of lighters which pushed out the strike lighters...

We offer this antique underwood typewriter and table. Both items were found in a place where time stopped. The machine is working perfectl...

French designer Jacques Adnet (1901 - 1984) designed this elegant Art Deco modernist chromed metal heavy desk accessory. The piece features a minimalist geometric shape double inkwel...

Circa 1930s a charming chrome on marble depiction of a little girl seated reading a book next to an inkwell. She sits upon a variegated black marble plinth with chased recess for a f...

A petite Just Andersen pewter cache pot with fluted rim Perfect as a desk accessory or purely ornamental Stamped and numbered 2352 on base Height 2.5 inch, Diameter 2.75 inch In ver...

French Bronze Card Tray or Pin Tray, Vide-Poche in a Shape of a Wild Boar This adorable card tray or pin tray, Vide - Poche, is made of bronze in the ...

A large and impressive vintage Italian Murano glass paperweight made by Arte Vetreria Muranese (A.V.e.M.) and dating from around 1935. The large hand blown domed clear glass paperwei...

A desk clock designed by Cartier. A beautiful and sober desk clock, created in Paris France by the the house of Cartier during the late art deco period, back in the early 1935. This desk clock is very rare and has been designed with geometric art deco patterns and assembled from several polished pieces carved from natural black onyx and reddish translucent agate. All parts mounted in gilded bronze and sterling silver settings of .935/.999. Movement: Swiss mechanical wingding Imhof movement, Caliber 244, Fifteen Jewels, 8 days, Serial 2449074. The dial is octagonal with a unique painted scene depicting an ancient Greek ship...

Vintage carved wooden inkwell, shape of a corn hush, European 1930, H307 European 1930 Wood A carved wooden corn hush with lid top Opens to reveal a si...

Being offered is a sterling silver bookmark by S. Kirk and Sons of Baltimore, Maryland. Inspired by their iconic Repousse pattern, it has clu...

This sterling silver letter holder may have been used as a toast rack in its former life but we thought this time around we would use it ...

This Art Deco-styled vintage tube radio was made by the Addison Industries Ltd. of Canada in circa 1939. This is Addison's Model 5D, otherwise known as th...

Made in Germany. Production in the years 1931-1940 Made of metal, steel, chrome, Polished Good original condition, functional.

Vintage Brass Inkwell, Single Inkstand, England 1930, H305 England 1930 Single Inkwell With Brass Fitting And Cover Sitting In A Brass Base H3...

Classic 1930s black forest Brienz wood carved inkwell in form of a Scotty Dog. Nice addition to your room or just for use it on your desk. Made of hand carved wood and glass eyes. Th...

Rare, perhaps unique, this quintessential Art Deco sculptural object -- probably meant to serve as a paperweight -- was sculpted by David Warren Seyler for Kenton Hills Pottery in no...

Super Ercole by Ercole Marelli Italy design years '50 electric fan 0-404 big size Measure; high 21,4 inches and is in good vintage condition working to 150-160 volt colour is...

Just Andersen of Denmark, disko metal stylised bird pipe rest Disko metal, invented by Just Andersen by combing lead and antimony circa 1930s Stamped on base Measures: Height 2.5...

French Art Deco 7-piece crocodile skin desk set in the style of the Paris company Hermes, very fine 7- piece desk set in rich deep brown crocodile skin. May have been designed by Paul Dupré-Lafon who worked for Hermes and is best known for these highly stylized fancy desk...

Paperweight" Taureau Sacre" made in frosted glass with sepia patina by René Lalique in 1938 for the Royal Dutch Mail. Acid-stamped signature and entitling on bottle. Edition limi...

We are delighted to offer this lovely 1936 solid sterling silver art deco cigarette dispenser A very good looking and well made piece, full...

Danish design. Four bronzes consisting of a piggy bank, calendar, matchbox holder and a place card holder. Art Deco - In style of Just Andersen. Approximate 1930s. In good conditi...

Decorative Art Deco chrome airplane on plastic base. Desk decoration. Probably Germany or France of the thirties. The plastic plate is also from the time. Good general condition with...

A lovely pair of bookends. The base is made of marble, with deer statues on top. These are made of spelter, patinated in a bronze color. The figurines are marked 'TEDD'. The set is ...

GAB Sweden, a writing set in bronze consisting of an inkwell, letter knife, letter holder, seal and inkwell. Art Deco approx. 1930. In excellent condition with good patina. Seal w...

A very elegant desk set in art deco probably from 1930s or earlier. The desk set is made of patinated brass and consists of two parts. An ink stand with pen stand and a rocker blotter...

An iconic light-blue sheet metal postal letter scale from the1930s in blue, designed by Marianne Brandt, executed by Ruppel Werke, Ruppelwerk in Gotha, G...

Modernist French paperweight with a pivoting dice in the manner of Edgar Brandt.

Vintage Chewing Gum Dispenser, Italy 1930s. Excellent condition, working.

Oznaceni: Remington Z16 Vyrobeno v Ceskoslovensku. Výroba zacala v roce 1934 Vyrobeno z kovu, oceli, chromu Leštené Dobrý puvodní stav, funkcní Mezerník se nevrací.

Art Deco desk set with ink wells & calendar. Modernist design with glass base and streamlined metal with black vitrolite glass tops for the ink wells...

Made in Syracuse, N.Y., U.S.A. Made of metal, steel, chrome, Polished. Good original condition, functional. producer LC Smith & Bros. Typewriter Company.

A rare piece of American Art Deco silver, a small desk-top letter rack made from solid sterling silver by the Thomae Company of Attleboro, Massachusetts made in the 1930's. The quality is evident, a lovely screwed construction, which can be seen from the underside, and a good heavy weight, 9.52 Troy Ounces / 296.1 Grams. The underside is fully marked "Sterling" and the maker's mark for the Thomae Company. The front is decorated with a stunning pink guilloche enamel...

Pure in design, a super little flower vase made of Disko metal by Just Andersen of Denmark Delicate shape and decorated at base with stylised leaves Stamped and numbered D55 to bas...

German designer, complete writing set with inkwell, letter holder, wax seal and a letter knife. Approx. 1930/40s. In excellent condition. Letter knife with small chip. A glass in...

This elegant Art Deco Skyscraper style letter holder was realized in the United States, circa 1930. It features four concentric demilune streamlined forms that diminish in size from ...

Pair of diminutive Just Andersen Disko metal flared flower vases with rich patina Delicate in design and particularly decorated at base with stylised leaves Stamped and numbered D5...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

An inkwell, a mail buffer and a pad with ink blotting paper. Manufactured in France during 1930's. Made of Italian Portoro marble and chrome plated steel. In ...

Cartier, Paris A remarkable and most likely unique Sterling silver table lighter in the form of a 1930s gas street lamp. The tapering lantern reflector with blue and frosted glass panes, holds the wick which is revealed by removing the chained silver finial...

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

A 1930s bronze plaque of a woman in profile by the German sculptor Artur Imanuel Loewental mounted on a mahogany board with stand. Diameter of bronze 7 inches - 17 cm. Marked: A.LOEWENTAL.F. Artur Immanuel Loewental (1879-1964) was a sculptor who created medals of eminent people in Austria, Germany and Britain. well-known for his series of World War I German commemorative medals...

A wooden mannequin head, probably a toupe stand, with good color and a well-carved idiosyncratic and compelling face, having laconic eyes and with what ...

A wonderful little toast rack which would look equally impressive on a smart desk-top to organise small papers, business cards etc. Made from solid Engli...

FACTORY / HOUSE: E. Gubelin, Lucerne Switzerland STYLE / REFERENCE: Art Deco, Desk Clock MOVEMENT / CALIBER: 8 Day, Lever Escapement DIAL / HANDS: Original, Fired Enamel, Polished St...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

An Art Deco letter holder with a bronze stork head over a marble base. The beak opening to act as a letter holder. Dimensions: H 5.5cm W 14c...

Antique Metal Inkwell, Painted Inkstand, Germany 1930, H301 Germany 1930 Metal German Inkwell Stand With Carving To The Front Lift Up Lid With...

Beautiful Black Forest style hand-carved wooden double inkwell with a majestic owl figure sitting on two books. The owl has glass eyes, and the Stand has a tray for pen and accessori...

Art Deco woman's cosmetic face powder box. This petite wooden box has it's original label on top reading Blue De Dorin; a well known French toiletry company. The vanity box is sweet and simply elegant sitting on display in a boudoir or bathroom. Add this little treasure...

Antique Metal Inkwell, Painted Inkstand, Germany 1930, H300 Germany 1930 Metal German Inkwell Stand With Carved Oval Face Having A Pen Rest Li...

One 1930s Danish Art Deco pewter elephant bookend by sculptor, Just Andersen.

Hagenauer bookends pair leaping gazelles. Original had rubbed brass patina finish—stylized Haenauer animals, four of them intertwined and perfectly proportioned. The size is just enough to support books and still look sculptural and elegant. Both items are stamped on the flat side where you rest the books. “WHW” Made in Austria...

Art Deco desk set in black leather, brass and glass. The leather with contrast saddle stitching is handcrafted and exquisitely done using brass elements that give the set a luxuriou...