19th Century Spanish Baroque Style Frame

Antique British neoclassical William Kent mirror. This English polychrome painted parcel gilt frame was created in the early 18th century, circa 1...

This is a beautiful hand carved and gilded mirror frame. It is a dramatic wall hanging with a stunning depth of more than 3 inches. The circa 1880...

20th Century American Federal Giltwood Overmantel Mirror. This American Federal antique mirror dates to the 20th Century. The symmetrical giltwood frame is rectangular in form and ...

This original 18th century frame is gilded over copper. It is elaborately embossed and chiseled. The cartouche is surrounded by rocaille and volute motifs. The Carta is mounted on a wood backing and rests on two linear bases. It is very rare to find the original altar glory prayer still present inside. It explains the part of the Mass being performed. This is an extremely special museum piece for any ecclesiastical collection. Measurements: W 14 ½” x H 14” x D 1” Weight: 1 lb 8 oz  

Finely carved and gilded 19th century Italian frame. Features continuous pierced carving decorative design. Carved out of a solid piece of fruitwood, the example is in excellent cond...

French Regency style frame, circa 1940.

Frame. Carved wood. 17th century. It has faults. Rectangular frame made of carved wood that still retains part of its original polychromy. As was usual in various European schools ...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...