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Bronze Wall Painting Sculptures by Esa Fedrigolli Italy 1985 Signed Numbered

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Philippe Jean Bronze Bird Sculpture Signed and Numbered 85/300 France circa 1960
By Philippe Jean
Located in Chicago, IL
A cast bronze bird sculpture by Philippe Jean, French artist, designer and sculptor. Mounted on a black wood cube base. Signed and numbered. PhJean 8...
Category

Vintage 1960s French Mid-Century Modern Abstract Sculptures

Materials

Bronze

Signed Bronze Dish by Italian Gio Pomodoro Il Sestante Galeria
By Arnaldo Pomodoro, Gio Pomodoro
Located in Chicago, IL
A bronze sculpture / dish by Italian artist Gio Pomodoro for Il Sestante Galleria, Milan, Italy, circa 1958. In the late 1950s the gallery was producing small series of decorative o...
Category

Vintage 1950s Italian Mid-Century Modern Abstract Sculptures

Materials

Bronze

Signed Bronze Dish by Italian Gio Pomodoro Il Sestante Galeria
By Arnaldo Pomodoro, Gio Pomodoro
Located in Chicago, IL
A bronze sculpture / dish by Italian artist Gio Pomodoro for Il Sestante Galleria, Milan, Italy, circa 1958. This example is much larger than the usually found sculptural dishes. The...
Category

Vintage 1950s Italian Mid-Century Modern Abstract Sculptures

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Bronze

Rick Owens Cast Bronze Coupe Nitrate Patina Vase
By Rick Owens
Located in Chicago, IL
The now iconic bronze coupe vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each piece is handmade and hand patinated so there is always a slig...
Category

2010s French Brutalist Vases

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Bronze

Carlo Zauli Italian Artist Abstract Ceramic Sculpture Signed Zauli
By Carlo Zauli
Located in Chicago, IL
Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...
Category

Vintage 1970s Italian Mid-Century Modern Abstract Sculptures

Materials

Ceramic

Carlo Zauli Italian Artist Abstract Ceramic Sculpture Signed Zauli
By Carlo Zauli
Located in Chicago, IL
Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...
Category

Vintage 1970s Italian Mid-Century Modern Abstract Sculptures

Materials

Ceramic

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