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Carmello Cappello, Bronze Sculpture On Pedestal, XXth Century
$1,779.17
£1,326.45
€1,500
CA$2,443.43
A$2,734.68
CHF 1,427.93
MX$33,363.23
NOK 18,125.68
SEK 17,200.16
DKK 11,425.32
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About the Item
Bronze sculpture, circle and disc on a black lacquered wood base. They can be dismantled
The bronze part is signed C Cappello 1978 and is numbered 61/99
Carmello Cappello (1912-1996) is an Italian artist who began by sculpting decorations for Sicilian carts, his region of origin
Between studies and work, he proved himself with D'Ettore Colla (artist representing Italian abstraction) and began his collaboration with Gio Ponti. After his first exhibition in Rome in 1938, he participated in several editions of artistic events such as the Venice Biennale, the Rome Quadrennial and the Milan Triennial
Patina of time
Height 40 cm
8 x 8cm
Diam 28cm.
- Creator:Carmelo Cappello (Artist)
- Dimensions:Height: 15.75 in (40 cm)Width: 11.03 in (28 cm)Depth: 3.15 in (8 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1978
- Condition:Wear consistent with age and use.
- Seller Location:MARSEILLE, FR
- Reference Number:1stDibs: LU6656232023872
Carmelo Cappello
Carmelo Cappello was born in Ragusa, Italy in 1912, he grew close to the Italian sculptor Ettore Colla and in the 1931 he went to Milano. Since his younger, he attended artistic studies. First he attended the Marino Marini courses at the School of Arts in Monza, Italy. In 1941 he became one friends of Giò Ponti and he started to collaborate with him. He exhibited numerous time in important exhibitions like, the Venice Biennial of Art and at the Milano Triennial of Art and also to the Quadriennial Exhibition of Art in Rome. The artist considered the Universe a not perfect circle but an irregular cosmic shape that can be observed from many points of view and every time the point of view was different. One of the basis of his structures is the curve, sometime used close to the circle and sometimes inserted into the ellipses. This vision are relevant to understand the continuous research of the artist of the equilibrium between the relations of the two-dimensional sides of the sculpture that represent the cosmos.
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