French Abstract Sculptures

Volcano Love Blue Single Decorative Object by Dora Stanczel One of a Kind. Dimensions: D 13 x W 13 x H 36 cm. Materials: Porcelain and colored glaze. Also available in different col...

Large illuminating sculpture by Richard Faure, composed of a block of gypsum arrows from the Sahara set in a hand-crafted patinated brass frame. France circa 1980. Unique piece. Bio...

David Erevantzi (1940-): "Maternity" Original bronze sculpture with a bronze patina representing a mother and her child on a stone base from Yerevan (Armenia) Signed: "David Erevan...

Contemporary Marble Sculpture by Artist François Fernandez, known as SAVY, Circa 2001. Marble sculpture by the artist François Fernandez, known as Savy, signed SAVY and dated 2001. ...

Lave d'or sculpture, by Jean François Reboul, made of concrete, pigments and golden copper foil. A “Certificate of Authenticity” provided by the gallery. Dimensions: D 16,92'' x H 5...

Behold the captivating allure of this abstract mid-century modern sculpture, crafted from solid ebony wood by an unknown artist in France in the 1960s. This exquisite piece takes the...

Expressionist bronze sculpture, female head figure on Lucite base, France, 1930s.

Bracelet by Jacques Jarrige gold plated and hand-hammered. From the French sculptor's first jewelry collection that premiered at Loot 15, Museum of Art a...

Le Brash by Perrin & Perrin, 2019 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a decade...

Théo TOBIASSE (1927-2012, Israel/ France) : "King Salomon" 1975-76 Original patinated bronze medal showing King Salomon head From zn edition of 200 ex. for the portfolio "Le canti...

Superb pair of resin sculptures on pedestals, with rather organic shapes. . Abstract, illusionism, modernism and minimalism. . Late 70s. . Origine : France. . In the style of Jean Arp. . Dimensions : 1st scumpture : 145 cm tall 52 cm wide 2nd sculpture : 120 cm tall 70 cm wide The bases, in stone, measure 30 cm x 19 cm . In perfect condition, no lack or crack. . No apparent signature. . Perfect indoors and outdoors. . They look like The Dada movement (also called Dadaism) is an intellectual, literary, artistic and specific movement of the beginning of the 20th century, which is characterized by a questioning of all ideological, aesthetic and political conventions and constraints. . Indspired by Hans Peter Wilhelm Arp...

Dolomites by Perrin & Perrin, 2023 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a decad...

Aristidis Patsoglou - Bronze à Patine Brune (Figure Féminine) Type : Bronze à patine brune Signature : Signé et numéroté 1/8 Dimensions : H : 70 cm L : 20 cm P : 16 cm Descriptio...

A mid-20th century carved timber sculpture of fluid, abstract form. Sadly unsigned but beautifully sculpted. French, c. 1950s.

Echafaudage was created in 2016 by French designer Eric de Dormael in bronze, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the beaten ...

White cloud by Perrin & Perrin, 2023 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a dec...

Les Mots Bleus by Perrin & Perrin, 2018 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a ...

Babel II was created in 2018 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from th...

Horizon by Perrin & Perrin, 2017 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a decade...

Relief Maple Vase 02 by Alice Lahana Studio Limited Edition of 8 Dimensions: D 11 x W 11 x H 80 cm Materials: Solid maple wood. Hand-sculpted, the Relief 02 vase is inspired by the ...

This bracelet in sterling silver is hand-hammered. It is also available in gold-plated brass. Jarrige's jewelry is more companion than ornament, heightening one's physical awarene...

Sandra Zeenni. “Nobe Blanche Otra”, 2014. Small earthenware object with a smooth white glaze over an ivory clay body. These pieces are meant to be touched and feel beautiful in yo...

Rémy Pagart, Mister BOBO. high Sculpture in resin and plastic Rémy Pagart first worked in decoration, interior architecture and design. It is this career that gave him a taste for ...

Sandra Zeenni “Nobe Blanche Otra”, 2014. Small earthenware object with a smooth white glaze over an ivory clay body. These pieces are meant to be touched and feel beautiful in yo...

Colette Sauter-Emery : "Relief n°1 " Abstract composition made of assembled nails on a patinated metallic board Monogrammed '"CS" on the front lower right of the sculpture Sticker ...

Alicia Penalba was an Argentinian sculptor, who graduated from the Ecole Supérieure des Beaux-Arts. Her impressive technique combines spirituality and abstraction, and her sculptures...

A three-part articulated gilt bronze brooch named "Le Travail Dominant le Mond" by French Parisian art jewelry and sculpture Line Vautrin (1913-1997...

Superb diorama sculpture by Serge Mansau simulating a freeze-frame on a vintage television set. On the outside of the thermoformed glass, at the cent...

Building was created in 2018 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from th...

Bronze with brown patina by Arman Fernandez, Coupe violin II Homage to Picasso Signed at the base, Bocquel foundry 50/100 Height 64 cm Width 20 cm Depth 16.5 cm

Glazed stoneware sculpture by Michel Lanos. Artist signature under the base. Circa 1980-1990. Unique piece. H : 27’ x 17’ x 12’5 inches.

Light sculpture in enameled stoneware by Agnes Debizet, France 2020. Agnes Debizet is a French contemporary ceramic sculptor. Unique piece, signed and dated by the artist.

Tour was created in 2022 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the be...

Beautiful shaped abstract modern scultpture made in France, 1960s. This sculpture is made from solid oak wood showing its beautiful grain and texture. Shaped like a figure, it has im...

Wonderful and impressive sized sculpture by Donald Laborie made in his own atelier in France in 1988. This semi figurative sculpture is called ’The Accordionist” and is made from sol...

This series by Gérard Haas is many things at once, functional and Avant Garde, elegant and expressive, thanks to the artist's surprising use of reclaimed materials. Finding beauty in...

Blooming Sculpture III by Emilie Lemardeley Unique Piece. Dimensions: D 60 x W 90 x H 190 cm. Materials: Bronze and mixed technique. Designed as jewellery for the interior, the Lema...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2015. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Metal Art of a Tank c1970 Introducing a stunning piece of artisan craftsmanship that transcends mere decoration: a handmade scrap metal tank from the 1970s, skill-fully assembled fro...

Francois Kovacs : "Abstraction" Original patinated bronze sculpture signéed "F.Kovacs", numbered 1/8 and dated 1981. Dimensions : Height = 22,5 cm WIdth = 23 cm Depth = 17 cm G...

This abstract green glass sculpture by Gio Colucci (1892–1974) is a rare expressionist piece from the 1950s. Shaped with soft and organic curves, the sculpture reveals the artist’s s...

An exceptional and rare piece by Tim Orr. Provenance : His own garden ( we conserve the exterior patina ) Made in 1970's In three parts. Not signed

Mask Sculpture by Eglė Šimkus Unique Piece. Dimensions: D 17 x H 29 cm. Materials: Clay. My name is Eglė Šimkus, and I was born in Lithuania in 1990 to a ...

abstract organic form, highly decorative object ...

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

This extraordinary sculpture is surely made in the 1970s. You recognize the influences of the Art Nouveau in this era: Organic structures and fluid forms, often in combination with h...

Unusual piece of art showing a puzzle head Hand made carved wood Circa 1970's

Amazing group of modernist ceramic lamp bases hand made by Jean Roger.. Sold exclusively at famed Paul Jones Studio in New York City.. Apparently bases were made and distributed but ...

Composition sculpture. Signed with gallery label on bottom.

Bronze sculpture by Perrin & Perrin, French glass artists represented by Galerie Negropontes, 2021 Measures: H 23 x L 19.5 x P 8 cm / H 9 x W 7.5 x D 3.14 inch Martine and Jacki Perr...

Lipsanothèque by Elsa Foulon Unique piece Dimensions: D 25 x W 48 x H 73 cm. Materials: Ceramic, cristal di aqua, black lacquered wood, brass mirror, bismuth. Inconsistency in textu...

Superbe sculpture murale brutaliste vintage des années 1960/70 et terre cuite agrémentée d'une pièce de forme libre en relief. Travail d'artiste d'une incroyable qualité et très dé...

Bronze with yellow and green patination, Lalloz Foundry, 1/8, signed. Bibliography : - 17th International Impact Art Festival, 1996, Kyoto (Japon), p.15 - Pierre Descargues, Cathe...

Cream Morandi vase by Adèle Clèves Dimensions: D 17 x W 17 x H 31 cm Materials: Ceramic. Adèle Clèves was born in Paris in 1989, after studying in the Beaux Arts and Archeology ...

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An unique porcelain sculpture by Wayne Ficher. Perfect original conditions. Signed under the base, Wayne Fischer. 2017.