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STACKED Walnut Amphora, by Richard Haining, Available Now
About the Item
The beauty of Richard’s signature STACKED style is based entirely in the process. This Vessel, as with every STACKED object Richard creates is built, sculpted, and finished entirely by hand. Imagine an analog version of 3-D printing, or coil pottery. The desired profile is defined during the building process. Piece by individual piece, layer upon layer, he additively sculpts each form, controlling both the wall thickness as well as the profile. Once constructed, Richard refines the exterior using a variety of hand held tools, resulting in a finely honed quality with subtle undulations very similar to that of hand built ceramics.
Additional images can be made available upon request.
- Creator:Richard Haining (Maker)
- Dimensions:Height: 31 in (78.74 cm)Diameter: 9.5 in (24.13 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:Hardwood,Pottery,Reclaimed Wood,Scrap Wood,Walnut,Wood,Carved,Hand-Carved,Hand-Crafted,Hand-Woven,Joinery,Laminated,Mosaic,Oiled,Parquetry,Patchwork,Polished,Turned,Varnished,Woodwork
- Place of Origin:
- Period:
- Date of Manufacture:2024
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU2918340527172
Richard Haining
Richard Haining is a Brooklyn-based studio furniture maker and artist. Raised in Atlanta and educated at the Rhode Island School of Design, he is committed to responsible design that is elegantly hand-crafted with a modern sensibility. Blurring the line between function and fine art, Richard works with designers, trade professionals, and residential clients alike; custom tailoring each piece to suit each client’s specific needs. Whether creating a decorative vase, a custom cabinet, or executing a client's design, Richard’s meticulous attention to detail results in finished pieces that are both utilitarian and beautiful. Much of his current work is directly influenced by the over-abundance of waste and scrap wood being discarded around him. He finds beauty in the knots, century-old nail holes, mineral stains, and other “defects” that are part of that tree’s history, a fingerprint of time since passed, a natural beauty to be celebrated. These locally salvaged remnants became the building blocks for his ‘Stacked’ collection of decorative vessels and furniture pieces. The one of a kind patterns created by the tiny stacked wooden pieces achieve a quality reminiscent of mosaic tile work, basketry, and ceramics. In a world that tends to shun manual labor, Richard finds pure joy in the art of working with his hands. The ritual of creating each individual piece is a very gratifying experience for him, and it is his wish that the recipients of his work experience the same delight.
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