Volcan White Ceramic Vessel, Vase, Sculpture by Airedelsur

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in r...

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in re...

Materials: Guinda wood, totally handmade. Chair Cuerdas , airedelsur by Juan Azcue: Juan Azcue, the Argentine designer who made each piece of furniture ...

We introduce AIREDELSUR Fragancias, the new Home Scents collection is an extension of the brand's relationship with craftsmanship, such as wax candles hand-poured by artisans into un...

‘Echochamber’ by Carlo Lorenzetti, 2019 Turquoise and white milky glazed stoneware A vessel that you sit against and talk into, either by yourself or with another person. The te...

Planet in White and Apple Green is a unique glass sculptural artwork and centerpiece by the Swedish artist Lena Bergström. This piece is from an ongoing collection of works called th...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Highly decorative modern pair of grand size ceramic stallion heads, made in Italy. Realistic representation with flowing ruffled mane, the black and white colors highlighted by the q...