Wave Sculpture Arden Scott

Sculpture Rooster Painted wood Dimensions : h58xl56xl30cm Ref : 1009 circa 1980 price 750€

Terracotta sculpture of elephants circa 1960 dimensions : 47x12x24cm ref : price : 390€.

André Longeon (1926-2010) Abstract sculpture Plaster/socle h 130 cms Base 40x40 cms Ref PM/6 1200 euros

Bronze sculpture "Pyramide Fractale" by Pascal Morabito (1990) 1,950 € Discover the exceptional sculpture "Pyramide Fractale" created in 1990 by the illustrious Pascal Morabito. Th...

2019 sculpture by Industrial metal and iron artist, Scott Behr (Brooklyn, NY). Semi-circular 'orb' form composed of welded steel circles, powder coated in a metallic teal finish. Sig...

Kinetic wall sculpture designed by Curtis Jere for Artisan House in the United States in 1983. This astonishing sculpture is made with a solid brass curved rod which holds several “V...

Wave Sculpture by Twenty Second Factory Created by Alexander Volosenko Dimensions: D 23 x W 90 x H 42 cm Materials: Wood. Founded in 2017 by Bogdan Kryvosheya, a creative director f...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...