'Goat' Bronze Sculpture

One of a kind beautiful pair of 'Totem Birds' bronze sculptures, hand crafted and cast in the lost wax process. Inspired by tribal Art, and more specifically, Aztec totem poles, 'Totem Birds' figures reflect the regality of the ancient Aztec...

One of a Kind Handcrafted Seated Woman Sculpture in Pigmented Scagliola. This exquisite seated woman sculpture is a work of art, handcrafted us...

'Bedouina' bronze sculpture created by Rinat Design in the lost wax process. This desert girl emits fierce presence and gravitas. A look of pride is permanently etched upon her face,...

A striking and substantial 105cm tall abstract bronze sculptures of a couple, featuring beautiful verdigris patina. This unique contemporary piece is meticulously hand crafted by the...

A beautiful antique bronze sculpture of a goat. The bronze sculpture stands on a marble plinth. The statue is not marked, maker unknown. The statue is of a beautiful quality: refined...

John Kearney (American, 1924-2014) Rocky Mountain Goat, 1991 Bronze 11 x 17 x 6 inches Born in Omaha, Nebraska, John Kearney studied at the Cranbr...

Late 19th century "The Goat" animal bronze by P. J Mêne.

Benedict Tatti (1917-1993) worked in New York city as a sculptor, painter, educator, and video artist. He studied stone and wood carving under Louis Slobodkin at the Roerich Museum. He later attended the Leonardo da Vinci School of Art studying under Attilio Piccirelli. In l939 he taught adult classes with the Teachers Project of the WPA and attended the Art Students League for three and a half years on full scholarship. He studied under William Zorach and Ossip Zadkine and later became Zorach’s assistant. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City. Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage architecture sculptures, using bronze metal and other industrial materials. He was included in the important show "Aspects de la Sculpture Americaine", at Galerie Claude Bernard Paris, France, in October 1960 along with Ibram Lassaw, Theodore Roszak, David Smith, Louise Bourgeois, Danese Corey, Dorothy Dehner, Lin Emery, Lily Ente, David Hayes, Louise Nevelson, Tony Rosenthal, Richard Stankiewicz, Sam Szafran...