Japanese Pottery Manekineko Cat Object Piggy Bank 1980s Showa

Whimsical porcelain piggy bank by Bovey Pottery of Devon, England, circa 1930s.

This uniquely humorous piggy bank is the perfect blend of wit and practicality, designed in the shape of a plump, adorable pig. What sets it apart is the quirky butcher's diagram of ...

Lovely piggy bank with inscription aiming to collect money for the society for children’s footwear. This union was established in 1889 and was still active ...

Elephant piggy bank sculpture. The brass sculpture has a slit at the top which allows you to drop in coins and cash. Bottom plug will need to be replaced to allow it to function as a...

A delightful and very handsome iconic Piggy Bank - the perfect complement to any Childs room, as a baby gift or even on a desk or work station. The bank looks to be silver plate and...

Article: Ceramic stoneware object set of 2 Designer and producer: Gerhard Liebenthron Information: Gerhard Liebenthron, Bremen 1925-2005 Decade: 1980s This original vintage...

We are very pleased to offer a captivating raku pottery cat sculpture by American ceramic artist Tony Evans, signed by the artist, circa the 1980s. This exquisite piece features dis...

We are delighted to offer for sale this Lovely 1920s Antique Brass Piggy Bank. The piggy bank would resemble an actual pig with all the features th...

Article: Ceramic stoneware object Designer and producer: Horst Kerstan, Kandern in Germany Information: Horst Kerstan (born March 29, 1941 in Frankfurt, † March 21, 2005 in Kandern) was a German ceramist, craftsman and internationally recognized artist. Founder of Group 83. Decade: 1980s This original vintage Studio Stoneware Object was designed by Horst Kerstan and produced in his own Studio in the 1980s in Kandern in Germany. It is made of solid stoneware pottery and has a very unique brown beige coloration and structure. the bottom is marked with typical Kerstan Producer signature K and signed with Keratin. a very collectible and very rare item of the Kerstan Collection. the object has a very sculptural form and in its size of 25cm in length, 14,5cm in height and 16cm in depth, it is very impressive. straighforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 14,5cm Length 25cm Depth 16cm. Condition: This item is in a very good vintage condition with patina. VITA Horst Kerstan: Horst Kerstan grew up in Frankfurt am Main, where he became acquainted with the manufacture of ceramic products through his father Walter Kerstan, who headed the "Ceramic Colors" department of Farbwerke Hoechst AG. After a porcelain painter apprenticeship, he worked from 1956 to 1957 as a porcelain painter in the porcelain manufactory of Hoechst AG, then from 1957 to 1959 in the ceramics department of the Werkkunstschule Offenbach (today: Hochschule für Gestaltung Offenbach am Main) with Lore Kramer-Koehn, the wife of Frankfurt architect Ferdinand Kramer, the pottery to learn and incidentally at the College of Fine Arts, Frankfurt, the drawing. After Kerstan met the ceramist and painter Richard Bampi...

Article: Ceramic object Designer and producer: Dieter Crumbiegel Information: Dieter Crumbiegel (born June 6, 1938 in Essen) is a German artist (painting, ceramics) and university professor. Since 1961, Crumbiegel has held solo and group exhibitions of ceramic objects in West and East Germany, Belgium, CSFR, France, Italy, Australia, New Zealand, Switzerland, Spain, Hungary and Taiwan. Decade: 1980s This original vintage Studio Ceramic Object was designed by Dieter Crumbiegel and produced in his own Studio in the 1960s in Heinsberg in Germany. It is made of solid very heavy stoneware pottery and has a very unique light beige main coloration with abstract brown illustration. the bottom is marked with typical Producer signature. a very collectible and very rare item of the Crumbiegel Collection. the object has a very sculptural form and in its size of 18cm in height and 21cm in diameter, it is very impressive. straightforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 18cm Diameter 21cm. Condition: This item is in a very good vintage condition with patina. slight traces of use. VITA: Dieter Crumbiegel graduated from high school in 1957 at the traditional language Burggymnasium in Essen. He then studied painting from 1957 to 1961 at the State University of Fine Arts in Kassel with Fritz Winter and Marie-Louise von Rogister, ceramics with Walter Popp, art theory and art sociology with Stephan Hirzel and Georg Hoeltje, and art history and art education with Ernst Röttger. During the 1958/1959 academic year he received a holiday scholarship from the Max Beckmann Society and spent some time in the Liliamor house with its founder Lilly von Mallinckrodt-Schnitzler in Murnau. In 1959 he also received a scholarship from the German National Academic Foundation. Crumbiegel completed his studies in 1961 with the first state examination. After the 2nd state examination in 1964, Crumbiegel worked with Robert Sturm at the educational institute in Fulda as a lecturer for the training of art and craft teachers at general schools with a training focus on the construction of vascular ceramics. In 1971 he took over the class for sculpture and architectural ceramics at the State Technical School for Ceramic Design in Höhr- Grenzhausen. From 1979 to 2001 he was a professor at the Niederrhein University of Applied Sciences in Krefeld in the design department, studying ceramics/porcelain/glass design. In 1979, Crumbiegel was appointed a member of the Académie Internationale de la Ceramique (AIC) / International Academy of liamorCeramic in Geneva. The German members of the AIC joined together in 1983/1984 to form Group 83 - German Ceramicists,[1] of which he himself became a member in 1986. Crumbiegel founded the “Krefeld School for Ceramics/Design”[2] as a continuation of the Kassel School for Ceramics run by his teacher Walter Popp, from which artists and designers such as Frank Louis emerged. In 1983 he was appointed supervisor at Helwan University in Giza/Cairo. From 1971 he gave lectures on new trends in ceramic art at the Hetjens Museum in Düsseldorf. Between 1969 and 1978 he was a member of various award juries, such as the jury for the Richard...