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Late-19th Century French Animalier Bronze Entitled "Turning Whippet" by L Mayer
$4,378.01
£3,200
€3,764.87
CA$6,012.53
A$6,729.21
CHF 3,513.70
MX$82,096.79
NOK 44,601.81
SEK 42,324.37
DKK 28,114.24
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About the Item
Delightful late19th century French Animaliers bronze study of a turning whippet looking around in an attitude to play, with rich brown colour and fine hand chased surface detail. Signed L Mayer and raised on an oval rouge griotte marble plinth.
Additional information
Height: 17 cm
Width: 22 cm
Condition: Excellent Original Condition
Circa: 1880
Materials: Bronze
About
Animaliers sculpture
Although many earlier examples can be found, animalier sculpture became more popular, and reputable, in early 19th century Paris with the works of Antoine-Louis Barye (1795–1875) for whom the term was coined and who became the ‘Father of the Animaliers School’ and Pierre Jules Mêne considered the finest realist sculptor of the era. By the mid-century, a taste for animal subjects was very widespread among all sections of society.
- Creator:Louis Mayer (Artist)
- Dimensions:Height: 6.7 in (17 cm)Width: 8.67 in (22 cm)Depth: 0 in (0.01 mm)
- Style:Art Nouveau (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1880
- Condition:Wear consistent with age and use. Excellent. Excellent Original Condition Please note that our items are genuine antiques with considerable age. It is therefore normal that they will show some signs of wear and handling to the surface.
- Seller Location:London, GB
- Reference Number:Seller: 82131stDibs: LU3216328990522
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ADDITIONAL INFORMATION
Height: 11 cm
Condition: Excellent Original Condition
Circa: 1880
Materials: Bronze
Book reference: Animals in Bronze by Christopher Payne
SKU: 9206
ABOUT
Dubucand Terrier
Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk...
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