Gilt Animal Sculptures

Stunning religious wall panel in thick relief with strong hook for easy mounting. For the collectors of stunning antique church relics we are also offering this marvelously hand carved pelican sculpture for wall mounting. The character ascribed to the pelican in this context is nearly as fabulous as that of the phœnix. From a clumsy, gluttonous, piscivorous water-bird, it was by the growth of legends transformed into a mystic emblem of Christ, whom Dante terms "Nostro Pelicano". St. Hieronymus gives the story of the pelican restoring its young ones destroyed by serpents as an illustration of the destruction of man by the old Serpent, and his salvation by the blood of Christ. The pelican in Christian art is an emblem of Jesus Christ, by "whose blood we are healed" and it is also a symbol of charity. Many early painters and carvers mistakenly represented it more similar to an eagle (much like in this antique church relic), and not as a natural pelican which is why most people today still are a bit confused at first when this stunning hand carved, symbolic bird is called a pelican. This striking and all hand carved, symbolic panel was originally part of a church or monastery communion rail...

Good quality gilt coloured coat of arms. Central shield with acanthus decoration, flanked either side by outward facing standing greyhounds. Gilt has been worn through to allow the ...

This magnificent pair of gilt and patinated bronze sculptures faithfully reproduces the iconic Marly Horses, originally sculpted in marble by Guillaume Coustou (1677–1746) for the Ch...

These are a very good Large pair of Chinese foo or lion dogs on plinth's, sometimes called temple lions made of metal and hand gilded with fine detail, all in the Ming style but dating to the early 20th century, Circa 1920s period. These are an unusually large pair of Chinese Export Foo Dogs, nearly 12 inches tall, with an unpacked weight of over 2Kg each. These pair of Foo Dogs are modelled in the Ming style, sat on rectangular plinths with a brocade ball under one raised foot. These pieces are very well detailed, then hand gilded. The plinth's have detailed motifs moulded into the central panels with border detail along their upper and lower edges, with black felt to their bases. Overall an impressive and very decorative Large PAIR of foo dogs...

A large artistically created birds for table decor, taxidermy pheasant. This figure is Classic Hollywood Regency! They are each unique from one another, with slightly different positions and physical characteristics. Its is very well-weighted and well-balanced piece, beautifully crafted with rare bread of colourful pheasant. The spirit of this bird is a great problem-solver and can invent a way for any of your troubles. Native American lore states that the pheasant symbolises protection and concealment because the bird spends most of the time squatted down in the grass. The presence of a pheasant at your home is, therefore, symbolic of protection from evil eye and power This superb Ringneck Pheasant specimen comes from a Taxidermy collection...

An Italian pair of silver-plate pheasant bird sculptures decorative objects, circa early to mid-20th century, Italy. The birds, male and female, are beautifully cast with fine detai...

Large and amazing work museum quality of lighting Art. The first owner of this incredible piece of lighting art must have been one of the wealthiest people in town, because this qua...

This exquisite mid-20th century gilt bronze sculpture by the renowned artist Decoury Taylor is a striking example of masterful craftsmanship and artistic expression. The composition features three intricately detailed gilt bronze fish...

A Pair of Artistically created birds for table decor, silver-plated peacocks - ideal for a coffee table or bookends. These figures are Classic Hollywood Regency! They are each unique...

Good quality gilt colored coat of arms. Central shield with acanthus decoration, flanked either side by outward facing standing lions. Gilt has been worn through to allow the red ba...

A gorgeous sculpture of an eagle made entirely from intricate pieces of gilded metal measuring 21" in width, 6.5" in depth and standing 16.5" tall. The sculpture is of good heavy ...

A life size Art Deco patinated bronze figural dog sculpture, most likely Italian, early/mid-20th century. Fine quality, exceptionally execute...

Stunning and fine size chandelier with gilt bronze swan sculptures. If you are looking for a truly stylish, well proportioned and top quality m...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Oversized Vintage Carved Giltwood Eagle 20thC Measures- 32"H x 47.5"W x 22"D

Stunning and small six light chandelier with gilt bronze cherub and swan sculptures. This top quality made, 19th century candle pendant or small chandelier could be perfect for you...

A Pair of Artistically created birds for table decor, small silver-plated peacocks - ideal for a coffee table or bookends. These figures are Classic Hollywood Regency! They are each ...

Early 20th century Art Déco gilt bronze bearded buffalo/bison sculpture, France By: unknown Material: bronze, copper, metal Technique: cast, molded, metalwork, patinated, polished, ...

A large early 18th century carved gilt wood eagle, mounted on a square red velvet covered plinth. Originally used as a lectern adornment, this architectural eagle ornament is deeply...

Panther Sculpture Resin in Gold Finish, Eyes in SWAROVSKI Crystals. Numbered and limited Edition.

A Fine French Gilt Bronze Study of Two German Shepherd Dogs by Louis Riche This impressive bronze is finely detailed. It portrays two w...

Pair of antique Japanese Meiji era bronze elephant and pagoda incense burners Japanese, Late 19th Century Sculpture: Height 151cm, width 122cm, depth 43cm Base: Height 56cm, width 82cm, depth 40cm Overall: Height 207cm, width 122cm, depth 43cm This outstanding pair of incense burners, also known as koro in Japanese, was crafted in the late 19th century during the Meiji era. This was a time when, for the first time in almost three centuries, Japan opened its borders to foreign trade, causing a wave of Japanese...

A Magnificent and Quite Rare English Asprey Signed Orientalist Motif Masterpiece with Dessert Palm Tree and Parcel-Gilt Silver Camels having Diamond Eyes. Gorgeously constructed in ...

Pair Antique Vienna Bronce Bears on a Crystal Rock Item e7337 A pair of beautiful gilt bronze statues of wandering bears on a crystal rock. A magnificent, realistic example of the fa...

Majestic Gilt Brass Rooster Cock Figurines, Set 2, France, 1960s. Highly detailed gilded brass rooster figurines. Vintage figurines have a classic design and are handmade from natu...

A delightful and mischievous pair of Japanese carved and lacquered wood Inari foxes, kitsune, dated Showa year twenty six, corresponding to 1951, Japan. The...

American gilt carved wood and gesso Eagle with extended wings perched on decorative acanthus floral motif, Early 19th century.  

Large Giulia Mangani porcelain parrot on a goldtone steel stand and black plinth.The parrot hand painted in vivid colors and embellished with 24K gold details. Marked as shown. Dime...

French Empire style (19th Cent) bronze dore inkwell with perched eagle and acorn finial (signed A. MARIONNETt)

Here's a beautiful and unique way to accent your indoor display space with this special treasure from Japan. This is an attractive solid and finely cast effigy of an elegant horse ...

Large quartz crystal and vermeil bird model by Asprey Swiss, c. 1975 Height 40cm, width 33cm, depth 40cm This phenomenal piece of sculpture depicts an eagle in motion, taking off from a rocky crag made of stunning quartz crystal. The body of the bird is carved from quartz with pyrite inclusions. The contrast between the transparent host quartz and golden pyrite inclusions is considered one of the most attractive pairings in the gem kingdom...

Extraordinary wine-cooler in the form of a beautifully sculpted, gilt and polychromed Swan of impressive stature, makes certainly the conversation-piece of the party. The white paint...

Large quartz crystal, pyrite and vermeil model of an eagle attributed to Asprey Swiss, c. 1975 Height 62cm, width 81cm, depth 48cm Attributed to the celebrated and well-known Asprey...

Imagine these in your fireplace with the flames burning on all sides. These beautifully and all handcrafted, large and fire-gilt bronze andirons are made to stand in your fireplace ...

Pair of German parcel gilt silver rooster figures, ca 1930. Tensions run high with cawing beaks, flapping wings, and raised talons. Shaggy neck and flouncy, quivering tail plumes. A ...

Italian original painted plaster sculpture of a young Roman woman in nice gilt dress and flower wreath. This well sculptured smiling lady cou...

Amazing and impressive hand crafted gilt bronze work of lighting art. This great quality and heavy bronze chandelier has the most beautiful shape and golden color. In fact, in real life the color of this unique pendant is just as golden as the chandeliers or other artefacts that you find in churches. The two stunning pairs of handcrafted mythological creatures...

Gabriella Crespi Pheasant, Gilt Bronze, Glass, Signed. Small scale realistic, elegant, and magical gold washed bronze pheasant fitted with a hand-blown glass egg...

Pair of 18th century Italian gold-leaf fragment horse head sculptures. The pair is made of 18th century Italian water-gilt fragments mounted on scroll wood bases. The fragments come...

Hand Created Sculpture Decorative Objects, stone Horned Bull, Ancient Pixiu for Home Decor In tradition As for all other Zoroastrian cosmological beliefs, the primary source of info...

Turquoise Blue Hand Ceramic Abstract Horse Sculpture Decorative Ancient Pixiu Glazed Home Decor In tradition Anahita, the Persian goddess associated with water, fertility, and wisd...

Nautilus in transparent amber resin, mounted on a gilded metal base depicting a seaweed. Base in red Burgundy marble. Height: 40 cm (15.8 inches) Width: 16,5 cm (6.5 inches) Depth: ...

A fantastic 19th century Meissen Porcelain orientalist/Turkish figure of a Malabar Man seated on a rhinoceros. This is a rare and beautiful group made by...

A French gilded zinc horse head sculpture from the late 19th century, with stylized character and distressed patina. Created in France during the last decade of the 19th century, thi...

A large rhinoceros sculpture crafted around the late 1980s, in England, This sculptural piece of animalia, showcases a more simplified and stylized form of the rhinoceros, with a s...

Large silver, quartz and glass model of an owl attributed to Asprey Swiss, c. 1975 Height 71cm, width 28cm, depth 30cm This exceptional owl sculpture, crafted around 1975, is attrib...

A weathervane in the form of a running horse, that was likely modeled after "Dexter" circa late 19th century on a custom display stand. The full body molded horse has a gilt surface with verdigris patina. Not entirely sure of the maker but possible by L. W. Cushing & Co. In Waltham or Harris. Co in Boston. The surface has been re-gilt historically likely dated from early 20th century. A lovely piece that transcends American fold art...

A gilt bronze lion head sculpture, probably part of a building's decoration, is in good condition, with beautiful details of the different p...

American gilt carved wood and gesso eagle with extended wings grasping gilt rounded bar. Eagle was used for center decoration on drapery rod. Early 19th c...

An Elaborate 19th century Meissen Porcelain Figure of a Sultana Riding an Elephant. After the model by P.J. Reinicke and J.J. Kändler, the Sultana sitting on the elephants back and h...

The clock is signed by the Clockmaker Festeau Le Jeune. The case after a design of François Vion in form of a lion supporting a cylindrical case draped with ribbon tied laurel swags ...

This pair of intricately hand carved and hand painted Foo dogs are believed to have made in the mid-20th century in the Imperial style. The dogs are composed of a softwood which have...

Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain piece from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock...

A striking pair of Japanese gilt bronze komainu by the renowned Japanese sculptor, Ishikawa Komei (1852-1913), Meiji period, Japan. The pair well cast, and robustly modeled. They ar...

This superb pair of Grand Tour Italian gilt bronzes dates to the late 19th century. They are solid cast and very heavy for their size. They are decorative Grand Tour reproductions ta...

Sculpture Decorative Objects, stone Horned Bull, Ancient Pixiu for Home Decor In tradition As also for all other Zoroastrian cosmological beliefs, the primary source of information ...

A 20th-century Giltwood Eagle with Silver Gilt Hare on an Ebonised and Gilt Fluted Column. In History, the Eagle is often depicted for its power, a symbol of strength and freedom, a...

A handsome and chic hand carved quartz horse head bust with gilded mount on acrylic base.

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...