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Vienna Bronze, Lizard, Late 19th Century
$5,807.37
£4,292.93
€4,850
CA$7,898.43
A$8,850.15
CHF 4,606.84
MX$108,267.94
NOK 58,475.29
SEK 55,229.21
DKK 36,930.37
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About the Item
Superb and large 19th century Vienna bronze of a lizard by the Geschütz manufacture. Not signed.
Dimensions in cm ( H x L x L ) : 4 x 28 x 9.
Secure shipping.
- Creator:Geschutzt (Manufacturer)
- Dimensions:Height: 1.58 in (4 cm)Width: 11.03 in (28 cm)Depth: 3.55 in (9 cm)
- Style:Romantic (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Late 19th Century
- Condition:Wear consistent with age and use. Good condition, some polychrome misses, slight bend on one finger.
- Seller Location:PARIS, FR
- Reference Number:1stDibs: LU8131233619422
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Dimensions in cm ( H x L x l ) : 18.5 x 36 x 12.5
Secure shipping.
Hauchecome was the brother of the French consul in Imperial China, Armand Hauchecorne. At the turn of the century, he was a professor at Peking University. In the literature, he is also mentioned as the managing director of the consulate in Chongqing, as an interpreter in Beijing (1911) or as a "diplomat" in France (1940), who had "spent a large part of his working life in China".
Hauchecome produced numerous sculptures with Chinese motifs in terracotta and bronze, some with a humorous undertone. He exhibited his works at the Exposition nationale coloniale de Marseille in 1922 and at several salons of the Société nationale des beaux-arts in the 1920s.
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A similar sculpture in bronze is kept at the Met Museum with the following description " A low bed, small table, and screen were often the only furnishings in a Han-dynasty room. The floors were generally covered with mats kept in place with weights in the shape of single animals, fighting beasts, or entertainers."
Condition seen in pictures.
Dimensions in cm ( H x L x l ) :
- Sculpture : 35 x 40 x 10
- With base : 45.5 x 44 x 15
The Han Dynasty ruled China from 206 B.C. to 220 A.D. and was the second imperial dynasty of China. It is known for its promotion of Confucianism as the state religion and opening the Silk Road trade route to Europe, permanently altering the course of Chinese history. Han Dynasty art and inventions like paper still influence the world today.
From the Han Dynasty to the present, deer can be found in many materials and media—rock crystal, nephrite, ink on paper, porcelain, cloisonné enamel, jade, bamboo root, textile, bronze, etc.—alone or in groups, among trees and rocks and in various positions. They appear on everyday objects, from boxes to incense burners, incense holders, lamps, mirror holders and the droppers scholars used when they wrote. A symbol of longevity and grace in Chinese mythology, the word deer is pronounced lu, a homonym for emoluments—favors granted to officials. They therefore represent wealth, nobility and success in imperial examinations (civil service exams for selecting candidates for the state bureaucracy in Imperial China).
Deer were the faithful companions of Shu Lao, the god of longevity, and the goddess Magu. They were reputed to live long and to be the only creature able to find the mushroom of immortality, linghzhi. Although its spots are different, deer are sometimes confused or associated with stags, a Manchu hunting trophy whose antlers served to make prestigious furniture. (La Gazette Drouot, Claire Papon)
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The Han Dynasty (206 B.C. to 220 A.D.) continued the Qin Dynasty’s use of dark colours, but incorporated red. During the earlier years, or Western Han Dynasty, ordinary people wore red while court dress was black. Shoes were red in color. The clothing worn for sacrificial rites was black edged with red. In the later Eastern Han Dynasty, red symbolized the dynasty’s “fire Virtue” and became predominant. Court dress was red. Sacrificial rites called for a red-edged white layer under robes with red socks...
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