Figurative Sculptures

A unique set of eight intense pieces of true art. One piece has minor damage. Not disturbing. Clay, pottery earthenware hand crafted heads. We could not find out the artist name but ...

A Mid Century minimalist abstract nude bronze sculpture by Cranbrook artist Morris Brose circa 1960s Solid bronze elongated figure with female attributes Etched signature to lower b...

18th Century Meissen Porcelain Figurines, Pair of Gardeners. Model 1584. A couple of gardeners, designed by Johann Joachim Kaendler, with flowers and vegetable basket, sitting / s...

18th Century Meissen Porcelain Figure, Piedmontese bagpiper. Modelled by J.J. Kändler after an engraving by Jacques Dumont, wearing a black hat with brown feather, fur-lined white...

Monumental sculpture representing the Venus Pudica (Medici-type) 18th Century Italian (Rome) White marble Based on a model from Antiquity, the Medici Venus, currently in the Uffizi ...

Lalique Amber-Colored Glass Turtle This sculpture measures: 3.5 wide x 5.75 deep x 2.5 high We take our photos in a controlled lighting studio to show as much detail as possible. W...

This wonderful vintage mini Miguel Berrocal puzzle element sculpture of the bust of a woman called Portrait de Michelle is comprised of 17 individual components. It is a puzzle of gr...

A superb relief-carved panel depicting the Maya Deity Itzamna, appearing as an Iguana, stretched out on a platform with long-toed limbs splayed

Fantastic collection of 6 different Scandinavian Vikings. Measures: The largest is 33.5 cm high. The others are 22 cm, 18 cm, 13.5 cm and 9 cm high.

This vintage Flavia Montelupo Ceramic lion is a beautiful addition to any collection. Made in Italy by Aldo Londi (Bitossi), this unglazed figure showcases the intricate details of a...

Beautiful carved wooden sculpture with traces of polychrome, depicting baby Jesus. Peculiarity in the eyes that are made of glass. Extremely refined is the carving. 18th century, so...

18th century Italian hand carved and painted wood Madonna statue depicts the virgin Mary in contemplative prayer, and poised in triumph over evil. Orig...

18th century Italian crucifix mounted on green malachite, calcite with fluorite, and raspberry garnet. The piece is adorned with Carnelian pebbles and garnet. The minerals are from a...

Beautiful Caltagirone figurine by Gaetano Romano from the 1960s polychrome terracotta depicting a cobbler in his everyday life. The figurine measures: Height cm 20 Length 17 cm...

18th century Italian crucifix adorned with tourmaline and mounted on tourmaline in a crystal matrix from Brazil. The piece is put together by Jean O'Reilly Barlow, the artist and c...

This antique cherub figure was crafted in Italy, circa 1780. The hand carved cherub depicts a putti with wing and playing the guitar; the sculpture is very expressive in his movement...

Sculptural 18th century Italian crucifix with selenite in matrix and adorned with gem beading around the cross. The selenite in matrix creates the sunrays around the crucifix. The pi...

Sculpture of Saint Paul, an ancient statue Ancient statue of Saint Paul from the 17th century Large sculpture depicting Saint Paul, from the 1600s, carved in solid Walnut wood. Or...

Gruppo scultoreo in terracotta policroma di Gaetano Romano, maestro figuraio siciliano di Caltagirone ,degli anni 60 ,raffigurante una scena popolare di contadini venditori di carcio...

Wonderful Lomonosov Porcelain large mother cheetah and cub figurines. Hand painted, made in Russia. The mother cheetah measures length at base 18.5 cm / 7.28 by maximum width 14.5 ...

Telamon Northern Italy, late 12th - early 13th century Reemployed Roman marble H 32 x L 18 x P 17 cm « Sono coloro che hanno dimenticato che l’uomo é solo un bruco, destinato a dive...

Wood carving of a putti Circa 1650 C1650 wood carving of a putti retaining polychrome decoration. Size 60 cms high 30cms wide and 26cms deep

Mari Simmulson (1911-2000) for Upsala Ekeby, Sweden. Large ceramic figurine of a woman. Hand-decorated. Model 9033M Approximately 1960. Marked. Perfect condition. Dimensions: Height ...

Unique and wonderful hand carved grey marble angel head, France, circa 1780-1800. Beautiful weathered. Measurement includes the wooden base.

1960s Carved marble female torso. Some black stain missing from base as shown in picture.

XVII secolo Quattro fregi con teste di putto e stemmi (4) Legno scolpito, alt. cm 32 L'oggetto è in buono stato di conservazione

XVII secolo, Roma Putto sdraiato con colomba Marmo, cm 37 x 18 x 25 L'oggetto è in buono stato di conservazione

C1600. Oak carving of excellent colour and patination depicting Abraham’s sacrifice of Isaac with the angel holding back the sword. size 32cms x 21

This magnificent panel is an example of the pinnacle of Maya stone carving. It depicts the head of a cormorant in profile, with a long hooked beak, curved tongue, large central eye,...

Striking, stylized carved head in white stone mounted to a wood block on an iron pole by Jose Luis Martinez Gomez (signed).

Immerse yourself in the timeless beauty of this sculpture of the Infant Jesus as Salvator Mundi, an exceptional piece originating from the renowned School of Mechelen of the 15th-16t...

This 18th Century French Wooden Sculpture of Jesus on a Metal Stand is a profound piece of religious art that exudes a sense of history and devotion. Carved with reverent detail from...

A stately and most unique Italian 18th century Louis XVI st. Rock Crystal and Giltwood obelisk. This wonderful obelisk is raised on an octagonal mottled base decorated by finely carv...

This vintage Flavia Montelupo Ceramic Cat is a beautiful addition to any collection. Made in Italy by Aldo Londi (Bitossi), this unglazed figurine showcases the intricate details of ...

This vintage Flavia Montelupo Ceramic owl is a beautiful addition to any collection. Made in Italy by Aldo Londi (Bitossi), this unglazed figurine showcases the intricate details of ...

a very elegant spanish polychromed wood santos figures with articulated hands ... pure poetry ...

A charming translucent soft-paste porcelain figurine of a traveling couple with suitcases, a delicate piece in excellent condition. The woman wearing a clover etched jacket. Capodim...

Wooden angel should be French 1700/800s Not perfect condition, missing and broken Thank you

Bodhisattva, a religious sculpture, probably made in India 1750-1850. The sculpture has been painted and gilded, but with very little remains. Bodhisattva, in Buddhism, is one who s...

A Spanish colonial reliquary with St. Joseph. A very rare early Spanish colonial large pendant in the shape of a reliquary, created in the Americas back in the late 18th century. It...

Abstract bronze sculpture by Michigan artist Pamela Stump Walsh c. 1960s Family of brutalist figures executed in solid bronze with excellent patina Signed to lower right 10.5 inch w...

Early 16c English oak panel with applied carved head of a Tudor lady size 38 cms x 29cms deep and 3cms deep

This elegant antique putti figure was carved in Italy, circa 1770. Standing on an oval base, the detailed statue features a young boy with wings his head turned to the side. The ador...

Large collectible sneaker store display from the 1960's. All original with nice patina. Free USA shipping on this item!

Early 17th century carved limewood figure of st michael circa 1640. Beautiful floor standing figure of the st michael the dragon slayer, also known as archangel michael.  Michael ha...

Austin Productions Henry Moore Family on Bench. Plaster cast with a bronze finish. Shows a few paint chips, but overall looks good with no major chips or cracks.

These charming antique putti carvings were crafted in Italy, circa 1780. The hand carved figures depict two chubby cupids resting on a knee and holding a arm up; each sculpture featu...

A medieval English alabaster statue, possibly dating as far back as the late 14th / early 15th century, mounted on one of our exclusive large display plinths. Well weathered over the centuries, this 600-year-old statue depicts a medieval cloaked figure, possibly a monk, offering a glimpse into English architecture and sculpture of the Middle Ages. This sculpture is possibly made from Nottingham alabaster. During the 14th and 15th centuries, Nottingham was the centre of alabaster carving and painting. Alabaster works were mostly made as small alabaster models with religious themes. During the 16th century Reformation, many alabaster carvings were destroyed under King Henry VIII's rule, making any surviving examples even more significant. Provenance From the collection of Peter Hone (b. 1941). A master plaster caster, he is an expert and experienced collector, building up an extraordinary, museum-worthy collection of items in his one-bedroom flat in London W11...

Transport your space into a realm of timeless elegance with this magnificent large Terracotta Sculpture by renowned artist Pino Castagna, crafted in 1969. Reminiscent of a woman's b...

These charming antique putti carvings were crafted in Italy, circa 1780. The hand carved figures depict two musicians cupids sited on a pillow form stool; one playing the flute, the ...

Vintage handmade black ceramic figure sculpture in a reclining pose. Signed Rima, N.Y. ca. 1960s.

Lebensgroßer grünlich patinierter Gipskopf, vorne unten sign. JAURET (gefolgt von einem nicht klar erkennbaren Zeichen), rückseitig datiert 4-5-64. Oben mit eingegossener Draht-Aufh...

A fine sugar box in 'Adams Blue' jasperware. William Adams was apprenticed to Josiah Wedgwood, and helped with the development of jasperware. He later founded his own, very success...

Offered is a Mid-Century Modern Greek patinated sculpture. This Etruscan Greek Statue is an iconic Mid-Century Modern item of decor. It would look fabulous on a console table, in a b...

St. Jerome the Penitent, high relief in lacquered wood, Lombard sculpture from the late 15th century/early 16th century, maximum dimensions 76x60 cm, maximum thickness about 19 cm.

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

C1600 wood carving of a cardinal with good original polychrome decoration

Hand-embossed 800 silver fruit, almost real size, Buccellati style