Figurative Sculptures

SCULPTURE SERIES FUJI "Difficulties are like mountains. They only diminish when we advance on them.” Japanese proverb — The Fuji sculpture series transcend shapes and meanings. Th...

SCULPTURE SERIES POOL “Nothing has a connection, everything is just a reflection.” Millôr Fernandes The imagination drifting from the unimaginable, the playful universe of illusio...

PESCADOR (FISHERMAN) SERIES From so many fish, emerges the need to pursue the new. Again. And again. The Pescador Series contemplates the private hook, which drifts and feeds on cha...

SCULPTURE SERIES SINESTESIA “Freedom is normal air, without exotic perfumes, which breathes together with oxygen without thinking about it, but aware that it exists.” Juan Carlos On...

SCULPTURE SERIES SINESTESIA “Freedom is normal air, without exotic perfumes, which breathes together with oxygen without thinking about it, but aware that it exists.” Juan Carlos On...

SCULPTURE SERIES SINESTESIA “Freedom is normal air, without exotic perfumes, which breathes together with oxygen without thinking about it, but aware that it exists.” Juan Carlos On...

SCULPTURE SERIES SERTÃO "Sertão is where people's thoughts form stronger than the place." Guimarães Rosa From afar, one hears the prophecy of Guimarães, of that place where those...

SCULPTURE SERIES MANDACARU “Mandacaru When it burns in the drought It is the sign that the rain arrives in the sertão” Luiz Gonzaga. Cordel poems dry on the clotheslines, and throu...

SCULPTURE SERIES RECONTO “Happiest will be the one who hears the poet sing love in the square of the reunion.” Junior A. Magrafil Through the squares of the interior of Minas Gerai...

SCULPTURE SERIES POOL “Nothing has a connection, everything is just a reflection.” Millôr Fernandes The imagination drifting from the unimaginable, the playful universe of illusio...

Pear sculpture Brass Hand Repoussé Limited Edition Each piece is individually crafted and is unique. Repoussé is the traditional art of hand-hammering decorative relief onto she...

Bronze lighter by Rick Owens Dimensions: L 11.5 x W 5.5 x H 3 cm Materials: Bronze Weight: 0.45 kg Available in Black and Nitrate finish. Rick ...

This 18th Century Italian Wooden Sculpture captivates with its rustic allure and storied past. Carved with a delicate yet masterful hand, it portrays the figure of a cherub, a timele...

“Meta(st)ases is a series of works conceptualized around the profound essence of the vase. I have been obsessed with this shape for a long time, but it became clear that I had to wo...

LYSIS Art Deco style sculpture of a dancer by Pierre Le Faguays. Signed Fayral. Pseudonym of Pierre Le Faguays. With foundry seal. Design 1930. Posthumous contemporary cast at the...

“Meta(st)ases is a series of works conceptualized around the profound essence of the vase. I have been obsessed with this shape for a long time, but it became clear that I had to wo...

“Meta(st)ases is a series of works conceptualized around the profound essence of the vase. I have been obsessed with this shape for a long time, but it became clear that I had to wo...

“Meta(st)ases is a series of works conceptualized around the profound essence of the vase. I have been obsessed with this shape for a long time, but it became clear that I had to wo...

I create sculptures inspired by any organic shapes that mimic a wide range of flora and fauna. The organic shapes in the natural world, whether it is mineral, vegetal, animal, micros...

Friar (St. Anthony), polychrome and gilded wood sculpture, 16th century St. Anthony standing, caught in the act of preaching. Talar dress consisting of a tunic decorated in gold,...

A scent bottle in pale blue jasperware, with original silver lid. Decorated with Venus and Cupid, as allegories of Night - the one shedding poppies, the other drawing the veil of s...

A medieval English alabaster statue, possibly dating as far back as the late 14th / early 15th century, mounted on one of our exclusive large display plinths. Well weathered over the centuries, this 600-year-old statue depicts a medieval cloaked figure, possibly a monk, offering a glimpse into English architecture and sculpture of the Middle Ages. This sculpture is possibly made from Nottingham alabaster. During the 14th and 15th centuries, Nottingham was the centre of alabaster carving and painting. Alabaster works were mostly made as small alabaster models with religious themes. During the 16th century Reformation, many alabaster carvings were destroyed under King Henry VIII's rule, making any surviving examples even more significant. Provenance From the collection of Peter Hone (b. 1941). A master plaster caster, he is an expert and experienced collector, building up an extraordinary, museum-worthy collection of items in his one-bedroom flat in London W11...

Exceptional hand carved baroque marble panel depicting a winged angel head , Italy, circa 1700-1750. Beautiful weathered.

Seduction, elegant sculpture in Art Deco style of a nude lady with gazelle by Pierre Le Faguays for Max Le Verrier, signed Fayal and with foundry seal. Art metal with dark green pat...

Beautiful Pair of Grand-Tour Style Polished Onyx Obelisks 5x5x19h

Spanish sculpture "Pieta" 16th century sculpture in stone Nossa Senhora, is represented seated securing Jesus Christ. Measure: Height: 52 cm. Very good condition.

A savage or folk-art figure in bronze on a (recent) bluestone base. The figure with his long pointed beard is wearing a cape with hood. In front is a cross. In his hands he holds a ...

Important 16th-century polychrome and gilded wood carving depicting Saint, Italy. The work features exceptional gilding on the dress and hair. Extremely important is the size of th...

Original designed Pop Art Lipstick Vanity made from solid cherry wood. Has 5" x 7" mirror with small bevel around the edge. Meant as a fun but practica...

Cube dude is a resident of the Yoomoota Universe from the planet Square in Cube. He belongs to the biological species "finite human", the bloodline of Homo Sapiens, the order of prim...

Originally from 18th-century Italy, this pair of winged cherubs were hand-carved from wood as reflections of each other, meaning that their bodies are orientated as mirror images. Bo...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

Oak carving of Bacchus, god of wine Circa 1700, excellent condition colour and patination size 110 cms high 50 cms wide 22 cms deep

Indo-Portuguese sculpture "Lady Conception" 17th century, H 147cm. Our Lady Conception Indo-Portuguese teak wood carving from the 17th century. Upholstered and polychrome . T he ...

Vollplastisch geschnitzte Heiligenfigur des frühen 17. Jahrhunderts, polychrome originale Farbfassung. Höhe 83cm, Farbe bereichsweise stark blättrig bzw. fehlend. Ausdrucksstarker G...

Clarte, iconic 84 cm / 33 inch tall Art Deco style figural table lamp of a standing nude holding a glass shade by Max Le Verrier with foundry mark. Designed in 1928. Posthumous conte...

Alabama Chrome Sculpture by Mark Sturkenboom Dimensions: W 90 x D 25 x H 40 cm Materials: Welded Aluminum Mark Sturkenboom (Driebergen, 1983) is an artist that graduated with honor...

Set Of 2 Versailles Nickel Door Handles With Condamnation by Jérôme Bugara Dimensions: D 5 x W 13,2 x H 6 cm. Materials: Nickel. Available in different finishes. Please contact us. ...

Ketl Sculpture by Mesawa Materials: Volcanic stone. Dimensions: D 40 x W 40 x H 45 cm. Mesawa is a Mexican design brand created by architect Santiago Sierra and designer Diego Linar...

Tlakatl Sculptural Chair by Mesawa Materials: Volcanic stone. Dimensions: D 62 x W 85 x H 150 cm. Mesawa is a Mexican design brand created by architect Santiago Sierra and designer ...

A rare and unusual Chinese Ming Dynasty bronze figure of the Buddha as an infant. The young Prince Siddhartha, who would grow up to become the Buddha, is portrayed standing, one hand pointing to the sky, the other to the ground. He is naked, save for a baby apron...

Set Of 2 Versailles Doré Brass Door Handles With Condamnation by Jérôme Bugara Dimensions: D 5 x W 13,2 x H 6 cm. Materials: Brass. Available in different finishes. Please contact u...

Set Of 2 Versailles Matte Noir Door Handles With Condamnation by Jérôme Bugara Dimensions: D 5 x W 13,2 x H 6 cm. Materials: Metal. Available in different finishes. Please contact u...

Fine 18th Century bronze figures of a military drummer and a soldier loading his musket. Both bronzes are placed on a square shallow plinth base with titled ...

Set Of 2 Versailles Full Black Door Handles With Condamnation by Jérôme Bugara Dimensions: D 5 x W 13,2 x H 6 cm. Materials: Brass. Available in di...

Beautiful and very rare hand carved wooden coat of arms with a crowned lion standing on the water reaching to a star. The Netherlands, circa 1650- 1750. Weathered, small losses and...

Inherent Light and Chin Up Diptych, Portrait, 2019 by Alex Hodge Hand carved porcelain plate Overall size: 11 H in x 22 DM in Individual size: 11 H in x 11 DM in Unique Her poetic ...

Coppia di putti stanti in una palma, legno dorato, epoca Luigi XIV, fine XVII secolo, altezza 33.5 cm, larghezza massima 18 cm, base 10x5 cm. Le due sculture erano, probabilmente, la...

18th century Baroque/Rococo english glazed painted porcelain of a goat-riding tailor by Chelsea Pottery By: Chelsea Pottery, Meissen Porcelain (in the style of) Material: porcelain,...

Christ enthroned South America, 17th century cm 64x22x18,5 Polychrome wooden sculpture representing Christ, wrapped in a red cloak edged with gold, who, crowned and seated on a th...

Small Artefacto 03 by Federico Stefanovich Dimensions: D 10 x W 26 x H 20 cm. Material: Brass. Available in a larger size: D 19 x W 47 x H 36 cm. Federico Stefanovich presents himse...

A lovely angel, his right hand extended as if to touch something or hold something. He appears very calm and peaceful, clothed in a partial shroud which is draped over his shoulder...

Hyperreal water bag glass sculpture - solid and hollow glass by Dylan Martinez. Martinez's hyperreal sculptures are hot sculpted glass that is hand molded entirely by the artist. ...

Christ Crucified in boxwood and gilded loincloth, 16th-century German sculptor, height from head to foot 31 cm, width between hands 30 cm. Christ also has golden highlights on the pr...

Original hand carved sculpture of person holding their hands in front of their face. Carved from solid ailanthus and allowed to naturally spalt ...

Large wooden Madonna and Child, painted and carved in hollow at the back. The theme of the Virgin and Child is the most represented in all Christian art, whereas the infancy of Jesus...

Sculptural 'Sacred Heart' - 18th century Italian gilded angel mounted on a polished red hematoid quartz heart and adorned with a natural-forming baroque pearl.The piece is inspired by "The Sacred Heart" in Catholic art history which symbolizes God's unconditional love for mankind. Hematoid Quartz is a quartz crystal that contains Hematite inclusions. It is polished and sculpted into a heart and adorned with the Italian gilt putto and baroque pearl. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian putto...