Biagio Romeo Wood and Bronze Sculpture

Beautiful bronze and wood sculpture designed in 1996, fine Italian manufacture. SIGNED. The base is made of lacquered black wood. This form serves as a pedestal for the actual sculpture. The main body is represented by an entirely nude bronze woman, kneeling. The woman is seated on a rock, on which the artist's signature is carved. The woman is represented in a contorted position: in fact, she is seated with one knee on the ground, while her entire weight pivots on the other. With one arm she touches the ground to keep her balance while with the other she touches her head, as if she wanted to be photographed. The woman is completely naked and we can see this from her obvious breasts, but her bottom is also visible. The woman seems to represent a person who wants to be looked at, proudly showing herself in her nudity. A hymn to female nudity and to the beauty and harmony of the body. The sculpture is very beautiful and suitable for decorating classy areas. Bibliography: Biagio Romeo...

Beautiful bronze and wood sculpture designed in 1995, fine Italian manufacture. Signed. The base is made of lacquered black wood. This form serves as a pedestal for the actual sculpture. The main body is a sculpture representing the Mesozoic era, in fact we see the sculpture of a kind of animal reminiscent of a fish or a marine mollusc, with scales and fins very different from those of today. Clearly the Mesozoic era harks back to a time when animals were evolving and have continued to evolve subsequently. The sculpture is very beautiful and suitable for decorating classy areas. Bibliography: Biagio Romeo...

This sculpture, created in the 1990s by the Mantuan artist Aldo Guarnieri, captures the spirit of the avant-garde art of its time. With his mixed technique on wood, Guarnieri manages...

A splendid 1980s sculpture designed and produced by the great painter Meloniski from Villacidro. The painter Meloniski was born in Villacidro in 1943. Completely self-taught, the Sar...

This artwork was created by the Italian artist Ottorino Tonelli. Title "Romeo" . Ottorino Tonelli was born in 1948 in Carrara, where he lives and work...

Alexander Kosolapov (Russian/American, b. 1943) "Mickey Lenin Malevich" Bronze sculpture and wood base ( inspired by Malevich Arkhitektons) Provenance : Galerie Vallois Expo sept/oct. 2010 Model Presented at the exhibition 'Alexander Kosolapov: Lenin and Coca-Cola' at the Moscow Museum of Modern Art. (29 Nov 2017?—?11 Feb 2018 Bronze with a golden brown patina, height 39 cm,H with “Malevich base” 132 cm Signed "A. KOSOLAPOV" and numbered ? on the bronze base on the reverse, title provided by the artist Condition: Bronze perfect, small dirt on the base (certificate of authenticity provided) N.B. Alexander Kosolapov's sculptures, paintings, and prints provoke harsh criticism, sometimes censorship, and often humor. His jokes are not partisan—they poke at both Russia and the United States. He appropriates imagery from Soviet history, pop culture, religion, and art history that he combines in often subversive ways. Taking a cue from Andy Warhol, Kosolapov delights in iconic symbols of American consumerist culture. For Kosolapov, these include Mickey Mouse, Marlboro, and Coca-Cola, images of which he links with political and religious figures central to Russian culture, including Stalin, Lenin, and Christ. He never forgets his place in the continuum of art history, often including some nod to artists who preceded him. In Mickey-Lenin, the major players are obvious: Mickey Mouse and Vladimir Lenin, and the connotations come easily: East-West, Russia-United States, communism-capitalism, good-evil, and high-low. Kosolapov modeled the figure's body after statues of Lenin by the Soviet sculptor Nikolai Tomsky, and its pose is that of a classical Roman figure sculpted in the traditional medium of bronze. Kosolapov developed the idea for Mickey-Lenin shortly after immigrating to the United States in 1975. He found the discarded plastic head of a Mickey Mouse toy, took it home, and placed it atop a small sculpture of Lenin that he kept on his desk. Kosolapov identifies with a movement known as Sots Art. Developed in Moscow in the 1970s by the art duo Komar and Melamid, Sots Art (an abbreviation of "socialist pop art") reacted against the conformist...

A set of abstract wood, lead and bronze sculpture by Canadian artist Christopher Schumaker. One is titled "Path", signed and dated on base 1985. Dimensions: 61.5 x 27 x 9 cm....

Bronze Mask Sculpture on Wood Base