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Cold Painted Bronze Entitled "Bedouin with Camel under Palm Tree" by Bergman
$6,107.68
£4,450
€5,299.74
CA$8,387.37
A$9,441.46
CHF 4,994.88
MX$117,109.66
NOK 61,717.13
SEK 59,026.98
DKK 39,538.66
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About the Item
A striking early 20th century Austrian bronze group of an Bedouin man standing next to his camel by the side of a palm tree on a naturalistic raised base, the saddle on the camel opening to reveal an inkwell with original fitting. The surface of the bronze with rich cold painted colours and very fine hand finished surface detail, signed with the Bergman 'B' in an amphora
Additional information
Height: 27 cm
Condition: excellent original condition
Circa: 1900
Materials: cold painted bronze
Book Ref: Vienna Bronzes by Joseph Zobel
Page No: 112
SKU: 8413
ABOUT
Bergman Arab
Franz Bergman Sculptures
Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze and animal subjects, including Harem beauties, Arab tradesmen, Scribes and Arab Warrior and almost every animal subject that was known at the time.
His father, also Franz Bergman (1838–1894), was a professional chaser (embosser) from Gablonz, Austria who came to Vienna and founded a small bronze factory in 1860. Franz Xavier inherited the company and opened a new foundry in 1900. There he created numerous cold painted (so named because the numerous layers of polychrome paint, applied to the bronze, were not fired to fix them to the metal) figures. Many other bronzes were still based on designs by Franz Bergman, the elder.
Orientalist Subjects
From the 17th Century onwards it was customary for the young Victorian gentleman to go on the obligatory tour of the East – the Grand Tour – as an educational rite of passage. Visiting countries and experiencing customs they had only ever heard about in stories, these young men were keen to show their families mementos of their experience, especially the lavish subjects of the Middle Eastern Arab world. The return trip would usually include a visit to Vienna, and here the ‘souvenir’ shops supplied a plethora of beautifully crafted sculptures with an Orientalist Arab flavour. These were often acquired to show their friends and families images of their travels. Bergman was noted for his detailed and colourful work and he produced a huge number of Orientalist subjects to cater for this market including this Arab Tent Lamp.
Look out for Bergman’s distinctive signature marks: a ‘B’ in a vase shape and ‘Nam Greb’. This latter, which reads ‘Bergman’ in reverse, was often used on his more erotic pieces, which were not to the taste of his more conservative clients or his family. These include sensuous poses of young women in the Orientalist style, sometimes the erotic nature of the subject was disguised by a covering that revealed all when a button was pushed or a lever moved. Carefully sculpted animals, such as owls, could often be opened to reveal an erotic female figure inside.
Animal Subjects
Animal figures can, occasionally, be found for a few hundred pounds, though sculptures in pristine condition and larger figures can be worth several thousand pounds. Value is affected by condition. The cold painted decoration is relatively easy to damage and worn Enamel will reduce value considerably. Restoration can also reduce the value considerably, especially when done in a non-sympathetic manner.
- Creator:Franz Bergmann (Artist)
- Dimensions:Height: 10.63 in (27 cm)Width: 0 in (0.01 mm)Depth: 0 in (0.01 mm)
- Materials and Techniques:
- Place of Origin:
- Period:1900-1909
- Date of Manufacture:1900
- Condition:Wear consistent with age and use. Excellent. Excellent Original Condition Please note that our items are genuine antiques with considerable age. It is therefore normal that they will show some signs of wear and handling to the surface.
- Seller Location:London, GB
- Reference Number:Seller: 84131stDibs: LU3216328986322
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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ADDITIONAL INFORMATION
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