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Early 20th Century Art Deco Bronze Study "Scarf Dancer" by Josef Lorenzl
$5,791.56
£4,250
€4,965.09
CA$7,954.85
A$8,894.50
CHF 4,665.54
MX$107,733.73
NOK 58,893.21
SEK 55,639.86
DKK 37,059.50
About the Item
An attractive early 20th Century Art Deco cold painted silver and blue enamel bronze figure of a young energetic beauty in a dancing pose with a scarf draped around her midriff. The bronze exhibiting excellent colour and very fine hand chased surface detail, raised on a stepped onyx base and signed Lorenzl
ADDITIONAL INFORMATION
Height: 33 cm
Width: 19 cm
Depth: 6 cm
Condition: Excellent Condition
Circa: 1930
Materials: Bronze & Onyx
Book Ref Art Deco and Other Figures by Bryan Catley
Page No: 214
SKU: 9323
ABOUT
Lorenzl Scarf Dancer
Josef Lorenzl, Austrian 1892 ~ 1950
Lorenzl Scarf Dancer – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs.
Although very little is known about Lorenzl’s early life, he was born in Austria in 1892 and became one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and chryselephantine were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends.
Lorenzl's career flourished during the 1920s and 1930s, in which time his sculptures captured the spirit of the Jazz Age, characterized by dynamic and graceful figures. Working primarily with bronze and chryselephantine, his pieces showcase intricate detail and master craftsmanship. He would sign his work in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Renz” but on some of the statuettes you will find an additional signature by Crejo, a talented painter who worked alongside Lorenzl, Crejo would paint attractive floral decoration onto the statuettes and these figures bear both Lorenzl and Crejo's signatures. These statuettes are more desirable and command a higher value as a result.
Lorenzl is considered amongst the most important artists of the Art Deco period and his distinctive and quite stunning Art Deco figurines are highly sought after by collectors. A celebrated sculptor with an eye for design Lorenzl epitomised the Art Deco era perfectly making him one of the most celebrated and iconic designers of the 20th Century.
- Creator:Josef Lorenzl (Artist)
- Dimensions:Height: 13 in (33 cm)Width: 7.49 in (19 cm)Depth: 2.37 in (6 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1930
- Condition:Wear consistent with age and use.
- Seller Location:London, GB
- Reference Number:Seller: 93231stDibs: LU3216343983142
Josef Lorenzl
Josef Lorenzl was born in Vienna on 1st September 1892. He started out working at the Vienna Arsenal in the foundry, where he learned the techniques of bronze casting. Working from a studio in the company’s grounds, he was able to produce many bronze and chryselephantine sculptures. Lorenzl was captivated by the female form he became well known for his shapely dancing girls with long, elegant legs and closed eyes. Lorenzl also was a gifted ceramicist, producing pieces for Goldscheider.
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Early 20th Century Cold-Painted Bronze Entitled "Veronica" by Josef Lorenzl
By Josef Lorenzl
Located in London, GB
A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl
ADDITIONAL INFORMATION
Height: 21 cm
Width: 15 cm
Depth: 7 cm
Condition: Excellent Original Condition
Circa: 1925
Materials: Bronze and Onyx
Book Ref Art Deco and Other Figures by Bryan Catley
Page No: 214
SKU: 8698
ABOUT
Lorenzl Veronica
Josef Lorenzl, Austrian 1892 ~ 1950
Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs.
Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014).
Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930
Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends.
Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size.
A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920.
Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013).
From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design.
One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person.
Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses.
He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...
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Early 20th Century Cold-Painted Bronze entitled "Bella" by Josef Lorenzl
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Located in London, GB
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Early 20th Century Gilt Bronze Entitled "Hindu Dancer" by Claire Colinet
By Claire Colinet
Located in London, GB
A dramatic early 20th Century French Art Deco gilt and enamel bronze figure of a beautiful elegant dancer in stylised pose wearing an attractive costume and headdress with superb intricate surface detail and colour, raised on an intergral shaped bronze base and lifted on a lavanto marble plinth, signed Cl.J.R.Colinet
ADDITIONAL INFORMATION
Height: 37 cm
Width: 16 cm
Condition: Excellent Original Condition
Circa: 1925
Materials: Gilt Bronze & Marble
Book Ref: Art Deco & Other Figures by Bryan Catley
Page: 120
SKU: 8717
ABOUT
Colinet
Claire Jeanne Roberte Colinet (1880–1950) was French sculptor of Belgian birth who worked during the early-to-mid 20th century. The subject matter of her best known work was primarily Arab female dancers. The majority of her career output in sculpture can be classified as being of the Art Deco style.
Colinet was a frequent exhibitor at the Salon des Artistes Francais and Salon des Independents art exhibitions in Paris. Her sculptures, most of which depicted beautifully figured, energized, and dramatic female forms, were exhibited posthumously at the Paris Salon for nearly 30 years.
Early Life
Colinet was born in Brussels, Belgium, in 1880. Little is known about her life other than the artwork she produced during a successful career that spanned more than 40 years. As a woman, she was in the minority in her chosen field of sculpture during the era in which she worked and lived.
Career
At an undetermined date – probably around 1910 – Colinet emigrated to Paris, France, where she studied sculpture under the watchful eye of Jef Lambeaux and exhibited for the first time at the Salon des Artistes Francais in 1913 and became a permanent member of the organization in 1929. From 1937 to 1940, she exhibited at the Salon des Independents in Paris and joined the Union of Women Painters and Sculptors. Colinet's work is primarily done in the Art Deco style, and her models included odalisques, exotic dancers, jugglers and artists of cabaret.
A number of her female dancer pieces were influenced by a revival of the Orientalism movement which had been popular in Europe from about 1860 to 1880. Her preferred casting material was bronze; however, a number of her most distinguished sculptures are chryselephantine, being a combination of both bronze and ivory.
Colinet's sculpture has become highly desirable to collectors and, increasingly, is selling for exorbitant sums. At a Christie's sale on 4 May 2007, her Ankara Dancer...
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