French Art Nouveau Ceramic Inkwell by Carabin

A French Art Nouveau ceramic covered jar by Rupert Carabin, depicting a female nude wrapped around a gourd form, with a deep green glaze. All of C...

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

An ocean of sinuous, sweeping lines frozen in motion, this large-scale ceramic Art Nouveau planter by Hector Guimard (executed by Gilardoni et Brault, Choisy-le-Roi), demonstrates in an arresting array of earthen greenish and purplish hues, and is sensational from every angle. The planter is constructed of a central component with two flanking portions in slightly reduced proportions, unified by the complex constellation of swirling lines and undulating surfaces that adorn the entire composition. Artist: Designed by Hector Guimard, executed by Gilardoni et Brault, Choisy-le-Roi Country: France Circa: 1900s Dimensions: 9.25" height, 26.25" width, 11.5" depth Materials: Ceramic Provenance: Lloyd and Barbara Macklowe, New York; Sotheby's New York, Important Art Nouveau from the Collection of Lloyd and Barbara Macklowe, December 2, 1995, lot 562; Marsha Miro, Bloomfield Hills, Michigan; Christie's New York, Masterpieces of Art Deco: The Marsha Miro Collection...

A French Art Nouveau earthenware window box/planter by Alexander Bigot for the architect Cintrat, featuring an organic pattern that repeats itself around the base. Circa 1898. (M...

Exceptional beautiful inkwell by the french artist and sculptor Gaston Bigard. Signed at the lid "BIGARD". Ceramic with authentic craquele lacquer and a brass lid with beautiful Art ...

The Art Nouveau sculptural pitcher by sculptor Charles Théodore Perron (1862-1934) is a testament to the elegance of Art Nouveau craftsmanship. Crafted in France around 1900's, this pewter showcases Perron's keen eye for detail and artistic flair. Showcasing semi- nude women figures inspired by naiads/mermaids giving a whimsical feel of lightness , a reclined lady at the neck of the pitcher serving as handle, and the neck with a face mask, alongside art nouveau organic motifs all in high relief. A true collector's piece, adding a touch of sophistication to any setting, inspired by the Art Nouveau Spirit . Charles Théodore Perron Charles Théodore Perron, born in Paris 10th on October 16, 1862 and died in Bourg-la-Reine on December 18, 1934, is a French sculptor. A student of Falguière, Roy and Louis-Auguste...

Enjoy a serving of sheer whimsy with this unique Art Nouveau bronze spoon warmer designed as a toad. Reflecting a unique aspect of late 19th to early 20th-century artistry, it acts a...

Inkwell "Repos" (rest), Gustav Gurschner, probably Paris World Exhibition 1900 This bronze inkwell was created in the context of the 1900 ...