Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Gothic crowned Head - Île de France, 14th century

About the Item

Head of a crowned Virgin Île-de-France, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) - Private Collection Tuscany, Italy (1980) Beautiful face with a slightly triangular shape and delicate features, almond-shaped eyes with tapered ends and finely outlined upper eyelids, high arched eyebrows; long straight nose, mouth with thin lips forming a slight smile; small round chin. Crowned with a fleur-de-lis adorned crown set with lozenge and rectangular cabochons placed on a short veil partially covering the golden and wavy hair, this Virgin impresses with her frontal stance and sophisticated stylization. The quality of execution, finely drawn features, denote in the sculptor an uncommon sureness of hand, typical of Parisian workshops of the first half of the 14th century. This sculpture can be compared to a Virgin head made in Île-de-France during the first half of the 14th century, preserved at the Louvre and originating from the church of Saint Pierre aux Boeufs in Paris. The work presents evident affinities with our sculpture: the slightly triangular-shaped head, adorned with a crown of cabochons ending in alternating fleurons; a short veil with flattened folds frames wavy hair; both are frontal, gazing serenely at the faithful. The almond-shaped eyes and delicate smile that marks the face with refined gentleness are stylistic features common to Virgins sculpted in Île-de-France around 1325-1350. This head is remarkable for the preservation of its original polychromy, with its rich pink and golden hair, as well as for the quality of execution and the softness of the features.
  • Dimensions:
    Height: 10.24 in (26 cm)Width: 5.52 in (14 cm)Depth: 5.52 in (14 cm)
  • Style:
    Gothic (Of the Period)
  • Materials and Techniques:
    Stone,Carved,Polychromed
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    14th century
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Bruxelles, BE
  • Reference Number:
    1stDibs: LU6666239227642

More From This Seller

View All
Head of a crowned Virgin - Lorraine, first half of 14th century
Located in Bruxelles, BE
Head of a crowned Virgin Lorraine, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) Private Collection Tuscany, Italy (1980) Ex...
Category

Antique 15th Century and Earlier French Gothic Figurative Sculptures

Materials

Limestone

Gothic Canopy, France, 15th Century
Located in Bruxelles, BE
Gothic canopy France, 15th century Alabaster, some traces of polychromy 33 x 23 x 20 cm Provenance: - Private collection Genève, Switzerland ...
Category

Antique 15th Century and Earlier French Gothic Figurative Sculptures

Materials

Alabaster

Gothic Canopy, France, 15th Century
$23,277 Sale Price
20% Off
Free Shipping
Pair of Gothic Columns - Italy, 14th-15th century
Located in Bruxelles, BE
Rare pair of Gothic Columns - Olivetani Marble Italy, 14th - 15th century Heraldic shields on the capitals of the Order of the Olivetani H 220 et 225 cm x W 25 x D 25 cm H 86 2/3 & 8...
Category

Antique 15th Century and Earlier Italian Gothic Architectural Elements

Materials

Marble

Circle of Pierpaolo and Jacobello Dalle Masegne (Venice, late 14th century)
Located in Bruxelles, BE
Circle of Pierpaolo and Jacobello Dalle Masegne (Venice, late 14th century) San Bartolomeo high relief 'en applique' white marble 52 x 30 x 14 cm Provenance : Collection South of...
Category

Antique 15th Century and Earlier Italian Gothic Figurative Sculptures

Materials

Marble

Large Medieval carved frieze - France, 14th-15th century
Located in Bruxelles, BE
Gothic Limestone frieze decorated with curly foliage North of France, 14th-15th century 59,8 x 15,6x 22 cm This French Gothic limestone frieze, adorned with curling foliage, stands ...
Category

Antique 15th Century and Earlier French Medieval Architectural Elements

Materials

Limestone

Circle of Pietro Cavallini - St. Bartholomew - 14th century Fresco
Located in Bruxelles, BE
Circle of Pietro Cavallini (Rome, 1250–1330)
 St. Bartholomew
 Fresco transferred onto canvas Umbria, 14th century
66.5 x 40 cm Provenance: Collection of Raymond Van Marle (The Hagu...
Category

Antique 15th Century and Earlier Italian Medieval Paintings

Materials

Canvas, Plaster

You May Also Like

French Gothic Stone Sculpture – 14th Century
Located in Madrid, ES
Possibly a Noblewoman Elegant stone sculpture from 14th-century Gothic France, possibly representing a noble lady. The bust features finely carved details in the attire, with attent...
Category

Antique 15th Century and Earlier Figurative Sculptures

Materials

Limestone

14th Century Sculpture of the Head of an Angel from East of France or Rhineland
Located in Saint-Ouen, FR
This face with prominent eyes, open mouth and beautiful hairs with symetrical undulations may be the face of the Archangel Gabriel.  
Category

Antique 15th Century and Earlier French Gothic Figurative Sculptures

Materials

Wood

Important 14th Century Polychrome Limestone Virgin from Lorraine
Located in Saint-Ouen, FR
Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...
Category

Antique 15th Century and Earlier French Gothic Figurative Sculptures

Materials

Limestone

Rare Nursing Virgin from the 14th century
Located in Saint-Ouen, FR
RARE NURSING VIRGIN FROM THE 14TH CENTURY ORIGIN : ITALY PERIOD : 14TH CENTURY Height : 60 cm Width : 20,5 cm Depth : 11 cm Wood Seated and in a very maternal position, Mary is wearing a red dress with a long, flowing cloak covering her narrow shoulders and falling down her body, with one side hugging her bust. Her hair, half hidden under a veil, frames an oval face featuring a high forehead, a long and thin nose, a small mouth with thin lips and half-closed eyes. Mary is carrying her son, the infant Jesus, who is wrapped in a cloak, in her lap. Jesus is being nursed by his mother, held by her left hand. This remarkable depiction, imbued with such gentleness, is directly inspired by the iconographic theme of the Virgin and Child in Majesty. It breaks with the hieratic, impassive style of the models from the 12th and 13th centuries, adding a touch of realism. From Virgin Queen, Mary became Virgin Mother. Linked to the development of the Marian cult, this type of representation, sometimes known as Virgo lactans, Virgin of Milk or Nurturing Virgin, remains extremely rare. This image of the Virgin Mary and the Infant Jesus is an extremely delicate representation of the intimate bond formed...
Category

Antique 15th Century and Earlier Italian Gothic Figurative Sculptures

Materials

Wood

French Gothic Stone Lion, 15th Century
Located in Charlottesville, VA
French Gothic Stone Lion. a reclining stone lion with shaped base, 15th Century. Found at St. Sulpice. Height: overall 7 in. x Width: 11 in. x Depth: 6 1/2 in.
Category

Antique 15th Century and Earlier French Gothic Animal Sculptures

Materials

Stone

Indonesian Majapahit Terracotta Head of a Male, circa 14th Century
Located in Austin, TX
A charming head of a young male, Majapahit Empire, region of Trowulan, Eastern Java, Indonesia, 13th-14th century. The head well sculpted as a smiling, youthful male with buck teet...
Category

Antique 15th Century and Earlier Javanese Tribal Sculptures and Carvings

Materials

Terracotta

Recently Viewed

View All