Late 19th Century Live Size Renaissance Revival Italian Figural Carved Sculpture

Meticulously carved from beechwood, this cherub pair recalls the iconic Renaissance style of the fifteenth and sixteenth centuries. Better recognized by their Italian name, putti—the singular putto refers to the Latin putus, meaning “boy” or “child”—these types of figures often recur in religious artwork as symbols of God...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

Invented Circa 1850, the precursor to the modern recliner was initially designed for its versatility: early models could serve as a chair, a bed, and a chaise lounge. This innovation quickly gained popularity for combining comfort with luxury. Napoleon III, the nephew of Napoleon Bonaparte and Emperor of the French, reportedly owned one of the first recliners. This model, constructed in neighboring England during the same era, may even resemble the French monarch’s reclinable chair. Intended for an English drawing room or parlor, this beautiful piece features elegant jacquard upholstery and turned legs. The backrest can extend almost one-hundred-eight degrees from an upright position, facilitated by a graceful manual mechanism similar to the ratcheting recline...

These excellently hand-carved wooden 19th Century Italian angel cherub sconces were done in the traditional Renaissance style. During the Renaissance period, cherub and angel figural...

A fine and large continental 19th-20th century Renaissance revival carved walnut judica figure of "Moses with the Ten Commandments". The baroque wood carving...

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Bla...

This compelling Italian 19th century white glazed porcelain sculpture depicts ‘The Rape of the Sabines’, after a monumental work by the Renaissance artist, Giambologna (1529-1608) th...

Adorable white marble carved sculpture of cupid made in Italy in the late 19th Century; he appears to have a set of arrows by his side and is gracefully looking up at the sky. Dimens...