Antique Neoclassical Marble Chimneypiece Tablet on Stand c.1800

A finely carved 18th century English white marble chimneypiece centre tablet of Neoclassical Design, circa 1788. Reclaimed from Silwood Park, a Neo...

This 20th century antique style plaster plaque depicts a bucranium in striking high relief. Symbolic of Greek and Roman architecture, a bucranium is a decorative motif of an ox or bull skull among swags and garlands of foliage. This embellishment was commonly used in classical architecture and Doric temples of ancient Rome and later during a neoclassical revival in the late Georgian period. This 20th century plaster depiction is an intricate example of the bucranium, modelled in plaster in high relief and mounted on a bespoke steel stand for display...

A beautifully carved antique statuary Carrara marble statue of Adonis. The male figure is depicted in the nude leaning against a tree. Adonis was the mortal lover of the goddess Aph...

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...