1930s Sculptures

1930s SylvaC green ceramic pair of cats and a dog. All 3 in perfect condition, cute and very collectable. Marked on the bottom with maker's mark, form/model number and Impressed "Made in England". Cats also called Scaredy Cat...

Rare Goldscheider Art Deco ceramic figurine: Depiction of a seated dancer in a blue, strapless ball gown with lace flounces, the right leg folded over the left and the left arm on the knee, holding a ball mask...

Very rare Goldscheider Vienna ceramic figure of the 1930s: Young pretty lady, chin-length hair fastened with a hair band, posing in a long green dress with a wide, high-slit skirt decorated with flowers, which she holds up with both arms stretched out to the side, her head turned to the side with a straight look. On a cream-colored oval base shaded on the side. Manufactory: Goldscheider Vienna / Austria Technique: handcrafted ceramics, finest hand painting, glossy finish Designer: Claire Weiss /= Klára Herczeg (1906-1997) Sculptor, childhood in Vienna, apprenticeship as a sculptor at the Vienna Arsenal Foundry, studies at the Budapest Art...

This Art Deco Sculpture was produced in Italy and more precisely in Milan, by Guido Cacciapuoti in the 1930s.  The base is in ebonized wood and the sculpture, a couple of fishes is in light blue porcelain stoneware. Under the base there is the label 'Made in Italy, G. Cacciapuoti, Ceramics and...

Mythologically perceived small group figurine with faun and rino by Just Andersen, Denmark. Designed and made around 1930. Composed of Just Andersens own alloy called Disko Metal. Th...

French Art Deco ceramic sculpture by BERLOT-MUSSIER (Vierzon, 1929-1939), France, 1930s. Measures: Height: 9"(23cm), Width : 16.9"(43cm), Depth: 4"(10.2cm). Marked "Odyv" under the base. The ODYV brand is a creation of the Berlot-Mussier manufacture in Vierzon near Bourges (Cher, France). Created in 1927 from the meeting of Mr. Berlot, a coal wholesaler, and Mr. Mussier, a coal salesman, the company first produced porcelain before specializing in the production of earthenware. Art Deco style, it is a great success for the manufacture. If production slows down sharply during the Second World War, exports to big families in North Africa allow the company to recover well after 1945. Becoming its majority outlet, Berlot-Mussier will experience great difficulties after the independence of the Morocco and Tunisia in 1956, but especially Algeria in 1962. In the 1970s, the company was drawn into bankruptcy, following a crisis affecting the entire sector in Vierzon. The ODYV brand is a set of Art Deco objects produced between 1929 and 1939. It includes clocks with pendants, vases, shaped pieces as well as lamp bases. Art Deco appeared in Paris in 1925, during the international decorative arts fair. This style, based on the simplification and geometrization of shapes, will be very successful during the 1930s and ensure great success for ODYV. The specificity of this collection is its adaptability to customers. Indeed, the colors but also the shapes are chosen by the customer who can then order a unique piece according to his tastes. Customers may hesitate between a choice of pastel colors such as shades of pale green, beige, white or pink, all accented with gold or silver. All these objects were distributed by independent distributors who worked with Berlot-Mussier. A book retracing the history of the factory was published by the Charles VII...

Pair of 1930's French art deco bronze sculptures of dancing girls finished in Verdi green and black lacquered.

Signed: Depose No 98 J.B This stylish Bambi sculpture dates to the late 1930s and was Fabricated in France. The piece is in excellent condition and a ...

Fabulous pair of Art Deco Sculptures of mottled and speckled marble like glaze on a pair of baskets with fruit. Signed Marcel Guillard, Lye...

A delightful and finely made English Art Deco porcelain figure titled The Thief in Middle Eastern dress made by Royal Worcester and dated 1936. The figure of...

DIMENSIONS Height: 9.5 inches Width: 6.5 inches Depth: 3.75 inches MARKINGS Brown-patinated bronze, inscribed on base: H. Scholter

Art Deco Little lama sculpture by Charles Lemanceau at Saint-Clement (Luneville), France, 1930. French Art Deco ceramic. Measures: Width: 10.2"(26cm), Height: 10.2"(25.8cm), Depth: 2...

Art Deco sculpture of a girl playing with a cat by Uriano. Metal with multi color patina on a marble & onyx base. France ca. 1930.

We are delighted to offer for sale this absolutely sublime very rare and original 1930’s Liberty’s London Omersa brown leather land dyed infant Piglet stool or footstool with origina...

Black panther on oak base signed L. Houzeaux Original Art Deco, France 1930s width: 65 cm Height: 20 cm Depth: 12,5 cm

Exceptional Art Deco sculpture/lamp by Max Le Verrier (1891-1973) representing a monkey under an umbrella. It is titled La Pluie "The Rain" or Le Singe au Parapluie "Monkey with an U...

Antelope sculpture, France, 1930s. Spelter, marble and onyx. Measures: width 17.7" (45cm), height 9.4" (24cm).

French Model Propeller Airplane Wood Metal Art Deco. Mixed wood with lots of metalwork. Wings, propeller, tail, and windows. Fashioned after The Dewoitine which was an Art Deco 1930s...

An Art Deco Bronze Statue by Armand Godard, produced by the Parisian foundry of Edmond Etling. This is an example of a high style rendered in the highest quality. Nothing is more emb...

Art Deco panther sculpture desk table lamp, France 1935. Rare yellow red bronze patina. Base with three different colors of marbel.

Circa 1925, an absolutely charming cold painted Spelter figure of a standing greyhound. This elegant lady captured standing head alert, looking fo...

Ercole Barovier for Barovier and Toso Rare Murano glass Sculpture of a Donkey in vibrant red with gold applied accents. The leg is up. Rare art deco sculpture. The nearly fifty y...

Raymonde Guerbe (1894-1995), Rare Art Deco Bronze Sculpture Lady With Cape Guillemard Edition is a remarkable piece of artwork from the Art Deco era. Created in France in the 1930s, ...

A large and impressive art deco bronze study of an albatross on the wing above a crested wave, by Emile Dautrive circa 1930 This most eye catching and stylish large art deco bronz...

Sculpture, attributed to Georges Lavroff Lady with kitten Bronze with original patina and partial gilding Stepped plinth Original Art Deco, France 1930s Dimensions: Width...

Demetre Chiparus (1888-1950) designed this gorgeous Art Deco fine terracotta sculpture. The artwork features a brown-red patinated Art Deco walking el...

Carved Wooden Roe Deer Heads wall mounts decoration, Germany, 1930s, Set of Two This absolutely adorable pair of roe deer heads is hand-carved of...

Polar bear at ice POOL, a ceramic bowl manufactured by Ditmar Urbach in Czechoslovakia in the 1930s. The bowl was designed to celebrate Nora, the first polar bear in the Prague Zoo. ...

Art Deco bronze sculpture of two carp fish by Santiago Bonome, 1930. The sculptor was born in Spain and worked in France. Signed Bonome with Barbedienne Fondeur Paris. Bronze w...

Art Deco Valkyrie ceramic sculpture by Charles Lemanceau at Saint-Clement's, France Ca, 1930. Crackle glaze ceramic. Signed "Lemanceau" on the base. Biography: Charles Leman...

Stunning French Art Deco bronze patina spelter figure gracefully kneeling and decorated in two colors: bronze patinated blue color for her dress and gilt col...

Art Deco 1930 porcelain figure by Karl Tutter (1883-1969) for Hutschenreuther. This piece has been created in Bavaria, Germany back in the 1930. This was designed by the artist Karl Tutter-one of the premiere porcelain modelers of his day!-and made by the Lorenz Hutschenreuther depicting a naked women, with the arms open in direction to the sun, this pose called Sun Child. The main body is decorated with delicate skin cream color, with accents of black, red and light gilding. all mounted in a ball on a round pedestal base. This piece have a height measure of 12.75 inches (32.40 Cm) and the base have a diameter of 3 inches (7.6 Cm). Signed at the base, with the company maker's logo for "HUTSCHENREUTHER GERMANY" and the incised inscription "K TUTTER...

Spectacular sculpture by Pesce Scorfano made in the 1930s in blue glazed stucco attributed to the great Italian sculptor Guido Cacciapuoti (1892-1953).

This woman bust is in Plaster. It is an Art Deco sculpture, made circa 1930, in France. In a white color.

A rare bust of a Native American man in sculpted wood by Hagenauer Austria ca. 1930s.

Art Deco Rare Porcelain Figurine, Flower frog by the Porzellanfabrik Günthersfeld AG, Gehren, Germany 1930s. Rare find, this piece was made of porcelain trimmed in gold, it is in gre...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

This is an iconic art deco centerpiece from the famous French earthenware factory Saint Clément, established in 1758. The model was designed by the French sculpture Charles Lemanceau (1905-1980) and put into production in the mid-1930s. This specific piece has the advantage of being glazed in the the famous green "trademark" color of Saint Clément. The brown glazed version is more common and not so hard to find. Charles Lemanceau was one of the most popular sculptures of the art decor era and he was well-known for his stylized animal sculptures...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Bookends Pierrot and lady with fan White bronze with original patina on a base of Portor marble Original Art Deco, France 1930s Dimensions: Width: 22 cm Height: 19 cm Dept...

This graceful dancer in bronze was done by the distinguished and highly regarded Austrian sculptor, Josef Lorenzl. Many of his other works are shown in the book "Art Deco and Other F...

Large expressive, naturalistic Art Déco sculpture "panther with cobra" by Felix Guis, 1930s. Signed by the artist F.Guis. The artist Felix Guis ( 1887 to 1972 ), born in Tunesia ha...

French Art Deco iron floor lamp, in the manner of Edgar Brandt, French, circa 1930s. It has been rewired for US usage and is ready to use.

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

A very fine Art Deco pottery figure of a North American Native figure of a kneeling girl made by Van Briggle Art Pottery in the 1930’s. Van Briggle Art p...

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, light gray skirt with floral decoration and ...

Henri Guingot Saint Clement France White Crackle Ceramic Dove, circa 1930s crackle glaze craqueles. This piece like many of the great ceramic seri...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Hand carved bear sculpture with glass eyes, Germany, circa the 1930s. A beautiful and masterfully hand-carved linden-wood figure of a bear,...

Little curly girl in a blue spotted dress, her hands on her hips and looking at a ball in front of her. On a beige, round flat base. Designer: GERMAINE BOURET (1907 - 1953) Dra...

The Cobbler working on Boots and the Nobleman protecting his Money. Bookends by “Max Le Verrier”, signed Original French Art Deco, 1930s Bookends made in “Régule” (spelter) S...

A delightful English Art Deco pottery figure of a lamb decorated in green glazes made by Denby and dating from the 1930’s. The figure is hand crafted and stands on four legs with its...

Rare Goldscheider Art Deco Ceramic Figure Of The 1930: Young dancer with chin-length, dark blonde hair in a form-fitting, short, light-blue dress with a long train attached to the back with white-blue floral decoration, holding it up on both sides with outstretched arms and taking a step to the left. On a beige, slightly curved, stepped oval base with light green painting. Designed by Josef Lorenzl (1892 - 1950), was an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long legs and closed eyes. Lorenzl designed numerous ceramics for Friedrich Goldscheider and Keramos and was one of the most popular artists...

Italian Art Deco terracotta sculpture signed U. Cipriani. Italian Art Deco terra cotta sculpture of a male athlete artist signed, Ugo Cipriani. This terra cotta...

Bookends of Panthers in drinking pose Chomed Bronze sculptures on red marble base. Original Art Deco, France, 1930's. Dimensions: Width 12 cm Height 10 cm Depth 7.5 cm.

Sevres pair of pigeons (Vinsare) origin France Art Deco period in perfect condition circa 1930.

Lady Icarus gilded Art Deco statue adorns French marble clock. A beautiful rendition of the female form of Icarus with Art Deco-style wings spread across the top of this lovely serene female form. Her head is set back in a special way as she contemplates the time and life’s unusual spiritual and psychological pursuits. A unique piece of Art Deco mythology...

Le Bertetti Sculpture depicting a bicaudate mermaid by Le Bertetti, 1920s-1930s. Model no. 40. Sculpture dated and signed.