Qing Sculptures

A very finely made pair antique Chinese porcelain blanc de chine figures of hawks dating from the early qing period and from the 18th century, possibly from the Kangxi reign. The fig...

Extraordinary pair of fine glazed porcelain Foo dogs came to us out of an estate here in Savannah, Georgia, belonging to an old general that long ago brought them from Thailand. Used...

These are an excellent matching pair of large antique Chinese Foo or lion dog sculptures, sometimes called temple lions or Shishi, made of bronze with fine detail, originally hand enameled and gilded dating to the 19th century, Qing period or earlier. These are a very beautiful matching pair of large Bronze Chinese...

Monumental Chinese Qing style foo dog or foo lion temple sculpture intricately hand-crafted from wood. The large statue has an aged, weathered patina ...

A very lovely pair of high quality. Made to hang on the wall or lay down on a surface. Lovely craftmanship. Qianlong/Jiaqing period. Both pieces have 1 foot that can move, really co...

Amazing set of four Chinese Shiwan pottery figures depicting immortal gods or dieties. Beautifully glazed and made on a large scale with fascinating fac...

A fantastic Chinese scholar's stone, called gongshi, of gray lingbi limestone, mounted on a hardwood stand, late Qing or early Republic, early 20th century, circa 1910, China . The ...

This is a very good antique Chinese foo or lion dog sculpture, sometimes called a temple lions, made of bronze, with excellent detail, dating to the 19th century, Qing period or poss...

Dating from the mid-20th century, this well executed serpentine stone carving depicts a rearing Asian horse. The hard stone composition of this sculpture has not been tested.

This is a good Chinese porcelain foo dog, sometimes called a temple lion all hand painted in polychrome coloured enamels, that we date to the early 20th Century period, circa 1920. ...

A finely modeled Chinese porcelain figure of the Chinese God of Longevity, Shouxing, Republic Period, early 20th century, China. The God of Longevity, called Shouxing or Shoulao, stands upright holding a dragon staff in one hand, a peach (a symbol of immortality), in the other. He is dressed in a long yellow robe...

A fine pair of Chinese ceramic sculptures from the Qing dynasty, dating to around 1880. These figures are richly detailed and hand-painted in a striking palette of green, blue, white...

18th/19th Century Chinese Wood Sculpture Of A Emperor or General. Retains Some Polychrome Decoration And Horsehair Beard, Male Figure Seated On ...

Fabulous Antique Chinese Foo Lion incense burners originally purchased in Bangkok, Thailand. Patinated bronze with cloud-like tails and fierce open...

This intricate limestone stele of a standing buddha likely depicts Maitreya, the Buddha of the Future. The only Buddhist divinity revered as both a bodhisattva and a Buddha, Maitreya is prophesied to return to Earth some time in the distant future and continue the historic Buddha's teachings of the Dharma. Like the historic Shakyamuni Buddha, Maitreya is a compassionate being devoted to showing the path to enlightenment. Carved in the style of sixth century Chinese statuary...

Whimsical circa 1900 Chinese brass opium pillow in the form of a kneeling boy. The boy shown crouching and smiling with an amusing forelock on his otherwi...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Early-mid 20th century carved, red lacquer and gilt female foo lion, Chinese. Attached to conforming hollow stand base also decorated with running foo lions. Her cubs are playfully c...

Rare 19th Century Chinese Bronze Foo Dog With Wings. Our Outstanding 19th century Chinese late Qing Dynasty bronze foo dog or guardian lion with wings...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

Sculptural Chinese bronze depicting a ram and gazelle intertwined, their elongated, ribbed horns forming a continuous, sinuous vertical composition. The two animals are rendered in d...

Believed to be powerful protectors against malevolent spirits, fu lion dogs have stood guard at the entryways and thresholds of Chinese buildings and temples for centuries. Known as ...

18th Century Chinese bronze duck incense burner, Qing period Please note that one foot is missing, broken off, see detailed image.  

Decorative 18th century wooden Phoenix bird with polychrome lacquer. From Henan Province, China. Untouched original condition. Measures: Height bird 21...

A well-chosen stone is a focal point of both a traditional Chinese garden and a scholar's studio, evoking the complexities of nature and inspiring creative thought. Polished to bring...

These monumental Chinese roof tiles were once installed as part of the elaborate roof of an early Qing-dynasty temple or grand courtyard home. Dated to the 18th century, the sculptur...

A Chinese early Qing Dynasty carved and lacquered wood figure of Guanyin, Southern China, 17th/18th century. Guanyin, the Bodhisattva of Compassion and Mercy, is portrayed seated in dhyanasana, one hand raised in viktara mudra, the gesture of teaching and discourse. The great bodhisattva is dressed in heavy, loose robes tied at the chest, with a mantle draped over his shoulders. He looks serenely outwards from heavily lidded eyes. Guanyin's face carved beautifully with somewhat feminine features. A large five pointed crown sits upon his head. The larger leaves of the crown carved with indistinct images of the Buddha. The statue was originally fully lacquered in the deep red gilt lacquer typical of Southern Chinese Buddhist sculpture...

As the embodiment of compassion, Guanyin is the most beloved enlightened being in China. Known as the Goddess of Mercy, she is the female bodhisattva form taken by Avalokitesvara in eastern Buddhism and is instantly available to all who call upon her with their mind. Though commonly depicted as a woman in Chinese statuary...

A full size bookcase with this level of workmanship and detail would be an incredible find, but this beautiful piece of furniture—at only eight inches tall—is perfectly constructed d...

An integral part of traditional Chinese home life, ancestor worship before a domestic altar often featured painted ancestral portraits or tabletop ancestor figure...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...

A pair of Qing dynasty 20th century terracotta Chinese hooded priestess sculptures with original paint. Discover the exquisite charm of this pair of 20th century Qing dynasty terraco...

This elaborate chain of repoussé charms and tools is a traditional Chinese grooming kit, intricately worked of silver alloy with fantastic detail. Much like a Victorian chatelaine, a...

A full size bookcase with this level of workmanship and detail would be an incredible find, but this beautiful piece of furniture—at only ten inches tall—is perfectly constructed dow...

A Shunzhi or Kangxi Blanc de Chine Porcelain grouping of a man Riding a giant Foo Lion, accompanied by an attedant and two puppys Blanc de Chine Statues like these were made in the ...

A Qing Dynasty hand carved wooden temple corbel from the 19th century, with characters, pagodas, vegetation and red polychromy. This antique Qing Dynast...

This is a good Chinese hardwood foo dog, sometimes called a temple lion that we date to the late Qing period, circa 1900. The piece is hand carved as a fierce dog or lion sat on a...

An antique Chinese carved stone court figure head sculpture with original polychromy. Attracting our attention with its tall headdress and remnants of original polychromy, this Chine...

An unusual and charming antique, this 20th century Chinese charm was once used to adorn the embroidered crown of a traditional children's hat. Amulets such as this were worn on hats ...

This sculpture is an antique Chinese lacquered and polychrome-painted wood figure dating from late in the Qing Dynasty (1644–1911). Hand-carved from a single piece of wood, set on an...

On offer is a vertical Chinese scholar rock balanced on a carved wood display stand. The specimen is a wonderful example of Ying (or Yingde) stone, one of the four famed stone types known to Chinese literati and a less common type than Lingbi or Taihu. Gray in color, it has an extraordinary upright form rising from a small stem, like an "Avatar Mountain" peeking out of the mist. Visually it feels impossible for the stone to balance on its thin stem and the wood base. The illusion is due to the thickness of the depth which is not immediately visible from front or back. This type of exotic form was highly desired by the collector. The surface is remarkable with pronounced schisms, gullies, folding lines, with several formation of openings that give it a grotto and airy feel. Different sceneries are revealed when viewed from different angles, making this one of the most intriguing stones in Tishu Gallery...

Late19th Century Nguyen Seated Buddha Statue, ca 1890-1900. Collected in Hunan, Southern China. The Nguyen Dynasty was the last ruling imperial dynasty of Vietnam, reigning from 180...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or pure...

This carved stone stele depicts the historical Buddha, known also as Shaka, Shakyamuni, or Siddhartha Gautama. Seated in perpetual meditation, the Buddha embodies virtues of wisdom and composure. Hand-carved of limestone in the style of Northern Wei (386-535) statuary, the Buddha is depicted upon a lotus plinth with legs crossed in lotus position. His hands are held downwards in bhumisparsha mudra, a gesture representing the moment that the Buddha claimed the earth as witness to his awakening. The Buddha has a peaceful, benevolent expression and is framed by a halo of concentric circles. His figure is surrounded by attendant bodhisattvas, carved in relief on the curved stele behind and platform below. Leafy tree branches add a naturalistic touch to the background, wrapping around to the back of the stele to form a canopy above a second, smaller Buddha...

This extraordinary early Qing Dynasty cast iron sculpture is a powerful example of 17th-century gilded Chinese metalwork. The piece reflects the masterful foundry techniques of the p...

This antique Chinese mirror is cast of bronze in the tang-dynasty style, with a lobed rim of eight flower petals, each filled with small cloud ...

This hand-forged metal sculpture, with its delicate appearance and whimsical shape, was once an integral tool to a 19th century Chinese cobbler’s trade. Made of iron, these scissors ...

Prevalent in fine Chinese interiors as early as the Tang dynasty (618-906), standing screens with decorative stone panels served numerous functions as portable architecture. Used to ...

Hand carved of stone, this object would have been used in a shoemaker’s shop to press down large pieces of leather. Doubling as a handle, the central figure depicts the curious figure of a man with pig-like facial features holding a rake. The figure is Zhu Bajie, a character from the Ming-dynasty novel “Journey to the West...

Given the beauty and thoughtful design of traditional Chinese furniture, it’s no wonder that Qing-dynasty carpenter’s tools were accorded the same att...

Given the beauty and thoughtful design of traditional Chinese furniture, it’s no wonder that Qing-dynasty carpenter’s tools were accorded the same att...

An intriguing Chinese scholar rock in vertical form presented on a custom hand-carved wood stand circa late Qing Dynasty. The greyish black stone is of Yingde type. Its upright form ...

A sweet and lovely Chinese bamboo carving of the sage Dongfang Shuo, mid-Qing dynasty, 18th century, China. Well carved form a single section o...

A pair of finely carved wood statues depicting near mirror images of two Bodhisattvas, likely dated to 19th century of late Qing dynasty, but executed in Song style. Dressed in flowing robes, crowned and bejeweled, these Bodhisattvas are known as Avalokitesvara in Sanskrit. In China, his identify took a cultural transformation and became Guanyin (the one who detects the sounds of the world), who is worshipped for her compassion and mercy for those in the sufferings. Both posed in the seated "Royal Ease...

Chinese glazed porcelain roof tile of a warrior. The manufacture of glazed tiles was standardized in the Ming Dynasty and during the Qing Dynasty into the Republican Era, glazed tile...

Vintage Chinese opera theatre headdress in turquoise, silver, and gold colors with faux white pearls and rubine red and multi-color pom-poms, early 20th cen...

18th century or earlier Carved wooden Buddha Statue of Nezha; . A wonderfully carved interpretation of the manifestation of the Chinese Buddha Nezha, displaying his three heads and...

This petite ceramic figurine from the early 20th century fits in the palm of the hand, sculpted as a recumbent ram with its legs tucked in and a pleasant expression. As motifs in Chi...

This 19th-century wooden prayer figure is carved in the likeness of Amitāyus, the bodhisattva appearance of Amitābha, the Buddha of Eternal Life. The only celestial Buddha to earn hi...

To keep her elaborate hairstyle intact while sleeping, a well-to-do Qing-dynasty woman would use a rigid headrest or neck pillow to keep her head elevated. Whether functional or pure...