2010s Garniture

A 925 sterling silver hand chased swan with an articulated neck and wings. Expertly crafted with eyes set with Garnet, made entirely by a master jeweller. ...

Part of the exclusive Cartocci collection, this bottle-shaped sculpture was handcrafted using paper clay, a clay-base mixture enriched with natural fibers to make it more pliable dur...

A large heavily textured volcanic vase with black, white and brown glaze and markings. Wide necked vessel with a bellied form. Made from black textured s...

Stunning in its simplicity, this handcrafted paper clay bottle is a modern and unique decorative sculpture that will bring a captivating allure to any interior. The bottle-shaped sil...

Décolletée unique piece by Frederic Mulatier 2020 Unique Dimensions: H 35 x P 40 x l 42 Materials: Terracotta wicker A legend that I thought I had written: The story of the fi...

'Forget Me Not VI' is a unique porcelain sculptural vessel by the British artist, Amy Hughes. Originally from West Yorkshire, Amy Hughes lives and works in London. She shares a st...

This cylindrical vase in white clay is part of a limited edition of 149 pieces designed in 1961 by the then artistic director of Bitossi, Aldo Londi. The irregular surface of the vas...

‘Vase with Foliate Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

'Acanthus Veronese in Orange' is a unique sculptural glass jar by British glass artist James Lethbridge. Blown glass with the outer layer covered in flame worked...

The beauty of Richard’s signature STACKED style is based entirely in the process. This Vessel, as with every STACKED object Richard creates is built, sculpted, and finished entirely ...

‘Dish Mouth Vase II’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne Fole...

‘Pale Blue Flower with Foliate Rim’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces ex...

‘Dish mouth vase III’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne F...

Part of the Fide series of sculptures, inspired by the majestic architecture of the cathedrals, this bottle-shaped piece is handcrafted in Paronetto's signature paper clay, a clay ba...

Take note of the perfectly imperfect balance of a saucer teetering on a base of four rounded legs. The nearly imperceptible tilt brings an element of play to the smooth surface, with...

‘Vase with Star Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

Madrepora and shells on wooden vase with gilt edges. Simple and elegant, can be set anywhere.

Ardea Cinerea vase by Elke Sada Unique piece Dimensions: W 31 x D 32 x H 45 cm Materials: black grogged clay, coloured slips, transparent glaze. What i...

Set of 3 black ceramic gourd sculptures by Michael Boroniec - ceramic, glaze Dimensions: (approx.) Left. 21.5 x 6 x 6 in Center. 24.5 x 6.5 x 6.5 in Right: 23 x 5.25 x 5.25 in ...

Soap holder in White Michelangelo and Black Marquinia Marble. Size: 20 x 9.8 x 3 cm, smooth finishing. Commercial name: Domenico, Homage Collection by the Italian Designer Matteo Ci...

The beauty of Richard’s signature STACKED style is based entirely in the process. This Vessel, as with every STACKED object Richard creates is built, sculpted, and finished entirely ...

Handmade by Jason Bauer and Romina Gonzales Materials: Glass Dimensions: H 7" x W 5" x D 2" Tapering at the top, this statuesque vase gives the effect of melting wax, pooling as...

A black bubble lava textured volcanic open vessel with black and white glaze and markings. Made from textured stoneware clay and porcelain engobe. Inspiration for the piece comes ...

The beauty of Richard’s signature STACKED style is based entirely in the process. This Vessel, as with every STACKED object Richard creates is built, sculpted, and finished entirely ...

The beauty of Richard’s signature STACKED style is based entirely in the process. This Vessel, as with every STACKED object Richard creates is built, sculpted, and finished entirely ...

This remarkable piece is part of the Pistillo series of sculptures inspired by flower pistils, handcrafted of paper clay (mixture of clay and paper pulp) using traditional techniques...

Handmade by Jason Bauer and Romina Gonzales Materials: Glass Dimensions: H 2.5" x W 5" x D 3" This little vessel rocks when pushed. With a notch on each side, one can rock their...

Slender and elegant, this oblong sculpture tapers at each end with a partially covered opening at the top. The form allows for small flowers and othe...

'Forget Me Not VII' is a unique porcelain sculptural vessel by the British artist, Amy Hughes. Originally from West Yorkshire, Amy Hughes lives and works in London. She shares a s...

Pressée unique piece by Frederic Mulatier 2020 Unique Dimensions: D 42 x H 28 cm Materials: Terracotta wicker A legend that I thought I had written: The story of the first pot...

This one-of-a-kind sculpture by ceramist Paola Paronetto is part of the Fide series, inspired by the religious architecture of cathedrals. The silhouette is composed of three cylinde...

Weighty in presence, with translucence to put your smaller objects on display, this claw-foot sculpture can effortlessly accent other pieces or stand alone. Handmade by Jason Bauer ...

Small, but substantial, this solid glass tray features smoothed peaks surrounding the top. Bold points are contrasted with translucent glass, adding dimension to surfaces, while at t...

The seemingly simple form of this sculpture evokes conflicting sensations: sinuous and linear, stable and precarious. This handmade bottle boasts a minimal design with a slender, cyl...

'Mertetto' is unique glass artwork by the British artist, Peter Bowles. Initially studying glass at Stourbridge College of Art and Design, Peter Bowles went on to work with some of...

Le Sang de la Terre by Frederic Mulatier 2019 Unique Dimensions: D 54 x H 48 cm Materials: Terracotta wicker A legend that I thought I had written: The story of the first pott...

Soap holder in white Michelangelo and black Marquinia marble. Size: 20 x 9.8 x 3 cm, smooth finishing. Commercial name: Domenico, Homage Collection by the Italian Designer Matteo Ci...

'Plissé vase in Celadon & dark green' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 2022 solo exhibition celebr...

'Plissé vase in White & Celadon' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström's 20...

13” square geometric patch tray with glass top by Gilles Caffier Tray patched of geometric pattern is made from cotton, polyester and has removable glass. Renowned for his unique & limited edition pieces, Gilles Caffier creates topical textures and transforms them into exquisite vases, lights and other household furniture. Born in France, Gilles studied textile and fashion design, and later moved into the realms of Parisian couture...

This is Richard's third free-form exploration using his signature STACKED style. As with all of his work, this sculpture was built, sculpted, and finished entirely by hand. To the confusion of many, there is no lathe work involved. The desired profile is defined during the building process. Imagine coil pottery...

'Going Round in Circles I' is a unique glass sculptural vessel by the British artist, Sarah Wiberley. By bringing contemporary style to the traditions of glassblowing used in the ...

'Plissé vase in Turquoise & Celadon' is a limited edition vase by the Swedish artist and designer, Lena Bergström. Created for 'Lena 25+', Bergström'...

Captivating and modern, this decorative piece has a sculptural quality and intriguing texture that will make it a focal point in any interior. Ceramicist Paola Paronetto transforms t...

Displayed alone on a shelf or coffee table, this striking decorative bottle will bring modern flair to any dècor. Handcrafted of paper clay using traditional techniques, this piece d...

Turbulence in Tea is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form. About this collection in the artist's own words; "My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece" With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio. In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...

Turbulence in Aubergine is a unique glass sculpture by the British artist, Anthony Scala. Sculpted and handblown, this artwork is created from very thick glass which is filled with a multitude of trapped bubbles. Each one sparkles and catches the light, all enhanced by the intense yet fading colour of the main form. About this collection in the artist's own words; "My Turbulence pieces have always been a way for me to step back from my precise optical work and re-engage with the material on a more ‘physical’ level. The colours I choose are always soft, muted shades which act as the perfect backdrop for the drama and movement of the effervescence. The shapes are unfussy so as not to detract from the light play given off by the myriad of bubbles. The pieces are blown incredibly thickly. This is to maximise the depth of the glass and impart an intensity of movement to the effervescence captured within each piece" With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton at his studio at London Glassblowing. The beginning of a long standing association for him with this acclaimed studio. In 2005 at the age of 27, Scala won the prestigious 'Glass Sellers Award' (other recipients have included Alison Kinnard, Colin Reid, Richard Jackson, and Bob Crooks...

The rich details and strong personality make this sculpture suitable for contemporary interiors. It is entirely handcrafted of paper clay and features a smooth surface in a matte bro...

'Woven Three Tone Blue Ovoid (lg)' is a unique handblown, sculpted and cut glass sculpture by the British artist, Layne Rowe. Rowe’s inspiration is drawn from the dramatic Devon coa...

A Classic bottle shape in a Classic black-and-white color block combination takes on a completely new look in this striking piece. Its unique texture comes from the paper clay, a mat...

Souvenir de Pompéi unique piece by Frederic Mulatier. 2020 Unique Dimensions: D 48 x H 30 Materials: Terracotta wicker A legend that I thought I had written: The story of the ...

Unique vessel sculpted by Jörg Pietschmann Materials: polished ash, oil finish Dimensions: H 43 x W 60 x D 29 cm In Pietschmann’s sculptures, trees that for centuries were part of a...

A 925 sterling silver hand chased swan with an articulated neck and wings on a polished nickel display block. Expertly crafted with eyes set with Garnet...

Placida vase by Elke Sada Unique Piece Dimensions: W 22 x D 22 x H 44 cm Materials: red grogged clay, coloured slips, transparent glaze. What is fascin...

Placida vase by Elke Sada Unique Piece Dimensions: W 18 x D 17.5 x H 36 cm Materials: Red Grogged Clay, Coloured Slips, Transparent Glaze. What is fascinati...

Unique vessel sculpted by Jörg Pietschmann Materials: polished ash, oil finish Dimensions: H 40 x W 72 x D 42 cm In Pietschmann’s sculptures, trees that for centuries were part of a...

This stunning vase exhibits one of the most striking motifs of the mughal architecture in India. Numerous semiprecious stones are inlaid on the whitest of the marble using...

Marble ring tray by Joseph Vila Capdevila Material: Carrara marble Dimensions: ø 35 x 3 cm Weight: 2.5 kg Aparentment is a space for creation an...

Marble ring tray by Joseph Vila Capdevila Material: Marquina marble Dimensions: ø 35 x 3 cm Weight: 2.5 kg Aparentment is a space for creation and in...

Untitled No. 5 by Elke Sada Unique piece Dimensions: W 55 x D 56 x H 16 cm Materials: black grogged clay, coloured slips, transparent glaze. What is fa...