Giara in argento 800 massiccio in stile "pompeiano"

800 solid silver potiche. Completely handmade this "lidded vase" has been embossed with scrolls which make it typically in the Baroque style. Masterfully executed, this vase among superlative embossing has been knurled, i.e. tapped thousands of times with a very small hammer, making the embossing evident and creating a perfect chromatic contrast. The lid has the same design and workmanship. The important knob was made with the fusion technique to then be screwed and therefore detachable for cleaning the vase. When it comes to potiche vase...

925 Sterling silver vase. The round pot-bellied vase was made entirely by hand and subsequently embossed with a torchon motif. The concave grooves have be...

Large vase in 800 silver, round and rounded, made entirely by hand. A wave has been embossed on the smooth round base to give movement and reinforce the base itself to safely support...

Large baroque style sterling silver vase. The body of the vase has been masterfully embossed with shells, flowers and volutes, typical of the Baroque style. Still in the body of the ...

Ceramic glass with French Art Deco silver Art Deco period origin France, manufactures bulogne perfect state.

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born of the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent. Finally, polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two craftsmen, inventiveness that transforms crystal into a material reality of the highest aesthetic value and inestimable value. All objects in the entire collection have never been used; they were part of the exhibition. Large oval crystal vase...

A magnificent, fine and impressive, large antique Victorian English sterling silver presentation vase / centrepiece; an addition to o...

GLASS AND SILVER OVERLAY VASE - AMERICAN ART DECO, 1930S A rare example of American craftsmanship from the 1930s, this vase is made of blown glass with finely etched sterling silver...