Japanese Planters, Cachepots and Jardinières

A large and beautiful Japanese Imari jardiniere from the Meiji period, 19th century. Gorgeous blue and white floral decoration with four mask handles. This jardiniere comes with an e...

This is an antique jardiniere bowl. A Japanese, bronze decorative planter in Edo period taste, dating to the Victorian age, circa 1850. Pleasingly generous of size and accentuated ...

This is an antique Edo period decorative planter. A Japanese, bronze jardiniere bowl, dating to the Victorian era, circa 1850. Graced with dashing relief and great tonality Displays...

A beautiful, large early 19th C. Paper covered Japanese terracotta vessel.   Originally used in a teahouse for the storage & transportation of tea leaves. Heavily patinated due to i...

A beautiful, large early 19th C. Paper covered Japanese terracotta vessel.   Originally used in a teahouse for the storage & transportation of tea leaves. Heavily patinated due to i...

Yamasan Modernist Lava Glaze Ikebana Ceramic Planter, Japan, c.1960.

A Monumental Meiji Period Japanese Cloisonne Enamel Jardiniere. This monumental Meiji Period Japanese cloisonne enamel jardiniere is...

This is an antique planter. A Japanese, bronze decorative jardiniere in Tokugawa or Edo taste, dating to the mid Victorian period, circa 1860. Fascinatingly decorative planter with ...

There is a beautiful patina that has developed on the finish of this bronze Meiji period censer over the last century. The antique Japanese Meiji period bronze censer is sometimes se...

A shapely late 19th C. Japanese Terracotta Vessel. Heavily patinated with traces of paint & old repair to rim.

Rare antique parlor set of Japanese Satsuma porcelain and brass Kosmos Brenner oil lamps and jardinière / cache pot / planter / urn. Both are moriag...

An antique Japanese, late Meiji era, covered enamel over brass pot or box. The body of the ware is enameled with polychrome images of cranes, medallions with blossoming flowers and b...

Mid Century Yamasan Lava Glaze Ikebana Ceramic Planter, Japan, c.1960.

A complete one off beautifully imperfect Japanese ceramic vessel/planter. Fired in an artists ceramic studio sometime in the 50s. Loads of texture with earthy colours.

Wonderful Antique Japanese Meiji Period Bowl / Cachepot in Patinated Copper, 19th Century. This is a lovely and beautifully patinated cachepot / planter in embossed copper from Japa...

Japanese brass cache pot, featuring two different scenes- on one side, a stylized tiger amongst palm trees with clouds above; on the other side, a dragon w...

This is an antique decorative jardiniere. A Japanese, brass planter pot, dating to the Victorian period, circa 1870. Charmingly decorative, with great colour and sweet, natural det...

Antique fine quality large Oriental Japanese bronze Jardinière planter bowl censor Meiji Period, 19th Century. Would look amazing in the right location and make a fabulous centre ...

Japanese Meiji Period Blue & White Jardiniere with Shishi Dogs & Barrels: 1880 This impressive Japanese porcelain jardiniere, hailing from the Meiji perio...

Country of origin: Japan Age: Meiji Period 19th century Size: 39.5 cm / 40 cm Diameter Condition Period 19th century PRoC (1949 - now)

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

An antique Japanese Meiji Era cylindrical shaped enamel brush pot. Circa: 19th century. The cylindrical form pot is enameled with polychrome medallions with cranes in blossoming flow...

This is an antique 2-tier jardiniere stand. A Japanese, ebonised display table, dating to the Victorian period, circa 1880. Delightful Japanned example, popular during the Aestheti...

An antique Japanese Meiji Era enamel over copper brush pot. Circa: late 19th century to early 20th century. The cylindrical form pot is enameled with polychrome images of butterflies...

1950s Asian Modern earthenware Hibachi from Japan. Lovely decoration of blue and white large blooms with leaves, probably Plum or Peach blooms, signifying perseverance and hope. The flowers are like little faces enjoying the coming of spring...

#350 Japanese Edo Period Bronze Jardinière w/ Birds & Cherry Blossom Tree, 19th C. DIMENSIONS: Height: 9 inches Diameter: 12 inches DETAILS Edo Period (1603-1868) Meiji Period (...

An antique Japanese Meiji Era cylindrical shaped enamel over brass brush pot. Circa: 19th century. The cylindrical form pot is enameled with polychrome medallions with butterflies in...

A hand-painted Japanese Imari porcelain planter from the early 20th century, with green, red and blue tones. This early 20th-century Japanese Imari porcelain planter is a celebration...

Ikebana Ceramic Banana Leaf Shaped Tray / Bowl / Planter, Japan c.1970.

The mark on the underneath (see image) indicates that this spittoon is of Japanese Imari porcelain, manufactured circa 1880, and made specifically for the American market for the preponderance of bars and saloons at that time. These were popular from 1865 to the turn of the century; this is a particularly fancy and elaborate example. Note the copious and highly detailed and beautiful floral decoration to the inside of the upper portion of the spittoon; pretty fancy for something meant for spit and saliva! Fantastic and all original condition with no cracks, no chips and very bright paint in sharp colors of blue rust and pink, and meticulously painted in a floral pattern. Several of these would have been “stationed” in strategic places within a saloon. This is a wonderful piece of porcelain, and quality item of saloon and Western United States history...

1900s brass (possibly bronze) jardineres with finely detailed dragon motif and pierced rim detail.

Antique champlevé cloisonné enamel on copper square jardinière. With bat designs on each side, they fly through the clouds and sky above the...

A masterpiece, rare, 19th Century Japanese bronze Jardinière/centerpiece of a group of Japanese travelers on a boat, signed on the bottom, Genryusai Seiya...

A lovely pair of Japanese chakinseki, tea dust, cloisonne jardinieres, Meiji Period, circa 1900, Japan. The jardinieres each with a squat globular body, short neck, and wide, everted mouth. The bodies decorated wide lappets of mottled puce featuring alternating dragons and phoenixes...

A shapely C.1920s black terracotta vessel from Japan Nicely worn due to 100 years of use.

An antique Japanese mustard glaze ceramic planter with incised décoration depicting butterflies and foliage. Crafted with an exquisite attention to detail, this antique Japanese ceramic planter...

A 19th century Japanese, Meiji period, bronze planter. Beautiful decorated with dragon handles.

Japanese porcelain blue and white fish jardiniere on stand, circa 1890.

A very nicely decorated teapot. Unique decoration. Hard to find. We have an example in our private collection and this is the third one we have seen in 10 years. Condition chip to s...

Stunning and large emerald green hand card ceramic Awaji vase with iris design. This dynamic vase shows the artistry of the Japanese during the 1920s. Magnificent scale and a vibrant...

A good quality late 19th Century Japanese Imari jardiniere, having wonderful bold classical blue and orange Imari colours depicting motif and floral board...

An antique Japanese wooden planter with floral design and red patina. This antique Japanese wooden planter captivates with its rustic charm and timeless appeal. Handcrafted with care, the planter showcases a unique floral-inspired design, with carved motifs resembling petals that give the piece a natural and organic feel. The red patina, fading in places to reveal the warm, earthy tones of the wood beneath, adds character and history, suggesting that this piece has been well-loved over time. The slightly worn, weathered texture further enhances its authentic, antique quality. Perfect for adding a touch of Japanese rustic charm to your home, this planter would make a beautiful addition to a living room, sunroom, or even an outdoor space like a covered patio. Its versatile design allows it to fit effortlessly into various decor styles, from traditional to eclectic or even modern settings looking for a vintage touch. Whether used as a planter for greenery or simply as a decorative accent piece, this wooden Japanese planter...

A fine quality late 19th Century Meiji period (1868-1912) Japanese Satsuma vase, with wonderful gilded decoration, depicting various scholars, tradesman and courtiers. Ring-drop hand...

Beautiful white matte color glaze, design, and shape on this ceramic, shape Ikebana bowl or planter. stamped on the bottom small fleabite on the corner as shown and some irregulariti...

A very good quality pair of late 19th Century Japanese Blue and White Jardinieres, each with a white ground and raised circular reli...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th Century to the mid-20th Century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

This is a stunning Negoro Lacquer Chrysanthemum-form hibachi that dates to the Late Meiji Period, early 20th century. The hibachi is in remarkable condition, retaining its original liner and side hardware. The lacquer is in very good condition with a couple of minor blemishes that add to the beauty of this utilitarian object. This would make a super orchid display...

A pair of Japanese Taisho period gold and red lacquer hexagonal planters from the early 20th century, with recessed reeded cartouches. Hailing from the Taisho period in Japan (1912-1...

This striking bulbous jardinière is a fine example of traditional Japanese Imari ware, likely dating to the late 19th century (Meiji period, circa 1880–1910). Crafted in porcelain, t...

Japanese Meiji Period Bronze Incense Holder / Jardiniere. A substantial incense holder in the Chinese Ming style. Sides and bottom covered in a r...

A Japanese Taishō period blue and white porcelain planter from circa 1920, with landscape scenes. Created in Japan during the early 20th century Taishō period, this exquisite blue an...

A very impressive and decorative Japanese Meiji period (1868-1912) bronze Censor, having wonderful stylised tree like handles either side, inset panels depicting two Geisha...

A superb and impressive Oriental paper mache jardinere on original stand, gilded painting, in excellent original condition. 36" high 23" diameter You are welcome to view this item ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

This striking 1920s Art Deco ceramic bird planter is a sculptural masterpiece, embodying the era’s love for bold color, geometric forms, and exot...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th Century to the mid-20th Century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...

Original dark-brown patina. Dimensions Height: 9.25 inches (23.12cm) Width: 14.25 inches (35.6cm) Opening diameter: 11.4 inches (28.12cm).  

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...